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      Le dejeuner sur l'herbe, - ,)

      Dimensions
      269.0 cm
      $ 269

      Hand Made Oil Reproduction

      Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print Switch to Digital Image)

      Size

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      Type the width and the height you need, to fit your frame or your wall. This is hand-painted, so for a size with a different shape the artist can paint a bit more around the picture, or cut a bit — you choose. We send you a digital mockup to approve before the painting starts. The picture shown on this page does not show the real result — only the mockup does.

      Finish

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      Corner sample of the WhiteWrap canvas edge finish, stretched on solid wood bars
      White $1
      Corner sample of the BlurSideWrap canvas edge finish, stretched on solid wood bars
      Blurside $1
      Corner sample of the ExtendedWrap canvas edge finish, stretched on solid wood bars
      Extended $1
      Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P118B $10
      Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P118H $10
      Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P118W $10
      Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
      P438Z $10
      Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P508JH $12
      Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P508YH $12
      Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
      P805H $10
      Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
      P805Z $10
      Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P919BZ $10
      Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P919G $10
      Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P919XJ $10
      Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P959ZH $10
      Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
      P968JZ $12
      Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
      W106C $8
      Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
      W218G $10
      Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
      W218JH $8
      Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
      W218Y $10
      Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
      W307PJ $10
      Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
      W316G $10
      Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
      W316PJ $8
      Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
      W316Y $10
      Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
      W398PJ $8
      Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
      W4111J $10
      Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
      W500HY $15
      Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
      W500JH $15
      Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
      W692G $12
      Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
      W849H $8
      Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
      W940BG $15
      Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
      W953PJ $8
      Corner sample of the H24-GOLD picture frame: carved wood with gesso, 10 cm wide and 6 cm thick
      H24-GOLD $30
      Corner sample of the H24-SILVER picture frame: carved wood with gesso, 10 cm wide and 6 cm thick
      H24-SILVER $30
      Corner sample of the H36-GOLD picture frame: carved wood with gesso, 15 cm wide and 6.5 cm thick
      H36-GOLD $45
      Corner sample of the H36-SILVER picture frame: carved wood with gesso, 15 cm wide and 6.5 cm thick
      H36-SILVER $45

      Shipped in a protective tube, ready for your own framer.

      Above 105 cm the frame is shipped as a kit for a professional framer — read the details.

      Extras

      optional
      What do the extras include?
      Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
      After order, TopImpressionists.com team will email client for instructions and provide a mockup preview

      Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (3 November). No compromise on quality.

      Protective Varnish

      Nameplate

      Engraved Bronze Plaque Details

      This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

      It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

      Transparent Acrylic Plaque Details

      The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

      It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

      Black Acrylic Plaque Details

      This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

      The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

      Total Price $ 269

      Glass option is only available in size under 110 CM

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      Collectible Description

      Édouard Manet’s ‘Le Déjeuner sur l'herbe’ (1863) ignited controversy with its modern subject & nude figure, challenging artistic conventions and paving the way for Impressionism.

      Artist Biography

      Manet bridged Realism and Impressionism with Olympia. Discover the revolutionary works of this Parisian master.

      About the painting

      A Scandalous Picnic: Unpacking Édouard Manet’s *Le Déjeuner sur l'Herbe*

      Édouard Manet’s *Le Déjeuner sur l'Herbe*, painted in 1863, isn’t merely a depiction of a picnic; it’s a deliberate provocation, a challenge to the established norms of French art and society. Initially met with outrage and ridicule at the Salon des Refusés, this seemingly simple scene—two fully clothed men sharing a meal with two nude women in a sun-drenched forest – ignited a firestorm of debate that irrevocably altered the course of modern painting. The painting’s power lies not just in its subject matter but in Manet's masterful manipulation of light, color, and perspective, techniques that signaled a radical departure from the academic traditions dominating the art world at the time. It’s a work brimming with symbolism, inviting viewers to contemplate themes of class, sexuality, and the evolving role of the artist.

      The Composition: A Calculated Disruption

      Manet deliberately chose an unconventional composition for *Le Déjeuner sur l'Herbe*. He abandoned the meticulous detail and illusionistic depth favored by his predecessors, opting instead for a flattened perspective and a stark contrast between light and shadow. The figures are arranged in a seemingly casual manner, yet every element is carefully considered to create a sense of unease and ambiguity. Notice how the background landscape—a hazy forest with a distant woman bathing—is rendered in broad, unfinished strokes, contrasting sharply with the more defined forms of the foreground figures. This deliberate lack of depth forces the viewer’s eye to linger on the central group, intensifying their scrutiny. The inclusion of the still life – a basket overflowing with fruit and bread – further complicates the scene, suggesting an almost theatrical quality to the encounter. It's as if Manet is staging a tableau, inviting us to question what we are seeing.

      Symbolism and Social Commentary

      The painting’s provocative nature stems from its complex layering of symbolism and social commentary. The nude women, often identified as Victorine Meurent (Manet's mistress) and model Ellen acredit, were not depicted in the idealized manner customary for female nudes in art. Instead, they are presented with a frankness that was considered scandalous at the time. Their direct gaze challenges the viewer’s authority, forcing us to confront our own voyeuristic impulses. The two men, dressed in fashionable attire, represent the Parisian dandy class—a group known for their extravagant lifestyles and disregard for social conventions. The juxtaposition of clothed men and unclothed women subtly critiques the rigid social hierarchies of 19th-century France, suggesting a blurring of boundaries between public and private life. The painting can be interpreted as a commentary on the hypocrisy of bourgeois morality, exposing the hidden desires and anxieties beneath the veneer of respectability.

      Manet’s Revolutionary Technique

      *Le Déjeuner sur l'Herbe* is a pivotal work in the transition from Realism to Impressionism. Manet’s loose brushstrokes, visible palette, and emphasis on capturing fleeting moments of light and color were revolutionary for his time. He deliberately avoided creating an illusion of depth or three-dimensionality, opting instead to represent the world as he *saw* it—a collection of fragmented impressions rather than a meticulously rendered reality. This technique, influenced by Japanese prints (ukiyo-e), broke with the academic tradition of painstaking detail and smooth transitions. The painting’s vibrant colors and dynamic composition contribute to its overall sense of immediacy and energy, signaling a shift towards a more subjective and expressive approach to art.

      A Legacy of Innovation

      Despite initial criticism, *Le Déjeuner sur l'Herbe* ultimately became a watershed moment in the history of art. It paved the way for Impressionism and subsequent movements that embraced subjectivity, experimentation, and a rejection of traditional artistic conventions. The painting’s enduring appeal lies in its ability to provoke thought, challenge assumptions, and capture the complexities of human experience. Reproductions of *Le Déjeuner sur l'Herbe* continue to inspire artists and art lovers alike, serving as a powerful reminder of Manet’s revolutionary vision and his lasting contribution to the world of art. For those seeking to own a piece of this artistic history, high-quality reproductions are available through platforms like TopImpressionists.com, offering an accessible way to experience the power and beauty of this iconic masterpiece.

      Questions & Answers

      How does the style of "Le dejeuner sur l'herbe, - ,)" relate to its creator's era?

      "Le dejeuner sur l'herbe, - ,)" belongs to the Impressionism movement, and its creator worked in the 19th-Century era.

      What placement suits the format of "Le dejeuner sur l'herbe, - ,)" by Édouard Manet?

      Format (square) and recommended space (living room) are the two placement facts recorded for "Le dejeuner sur l'herbe, - ,)" by Édouard Manet.

      Which artist and which style stand behind "Le dejeuner sur l'herbe, - ,)"?

      "Le dejeuner sur l'herbe, - ,)" was created by Édouard Manet in the Impressionism style. Artist and movement identify the work's tradition.

      Quick facts and art quiz

      Quick Facts

      • Artist: Édouard Manet
      • Title: Le Déjeuner sur l'herbe
      • Medium: Oil on canvas
      • Notable elements: Flat perspective, Nude figure
      • Subject or theme: Picnic scene
      • Dimensions: 208 x 264.5 cm

      Art Quiz

      There is only one correct answer for each question.

      Question 1:
      What was the initial title of Édouard Manet’s ‘Le Déjeuner sur l’herbe’?
      Question 2:
      In what year was ‘Le Déjeuner sur l’herbe’ painted?
      Question 3:
      The painting depicts a scene that was considered scandalous at the time due to:
      Question 4:
      What artistic movement is ‘Le Déjeuner sur l’herbe’ often associated with?
      Question 5:
      The painting's composition features a flattened perspective, influenced by:
      About Édouard Manet
      Édouard Manet

      Édouard Manet

      1832 - 1883, France

      Artist Biography

      The Architect of Modernity

      To look at a canvas by Édouard Manet is to witness the precise moment when the polished illusions of the past collapsed under the weight of contemporary reality. He did not seek to decorate the walls of the bourgeoisie; he sought to confront them. While his contemporaries often retreated into mythological safety, Manet forced the viewer to acknowledge the grit and the glare of 19th-century Paris. His work functions as a blunt instrument that dismantled the academic hierarchy of subjects. He stripped away the comfortable distance provided by historical allegory, replacing it with the unsettling directness of a woman staring back from a modern street or a café.

      The impact of his technique remains visible in every brushstroke that prioritizes the physical reality of paint over the illusion of depth. He rejected the seamless, invisible finish demanded by the Salon, opting instead for facture—a visible, energetic application of pigment. By using stark contrasts and a flattened pictorial space, he reminded anyone looking at his work that they were observing a constructed image on a flat surface. This was not an error in perspective; it was a deliberate rejection of the window-like transparency that had dominated Western art since the Renaissance.

      A Rebellion Rooted in Tradition

      Manet’s radicalism was not born from ignorance of the past, but from a deep, analytical study of it. His time spent copying Old Masters in the Louvre provided him with a technical foundation that he would later use to subvert tradition. He drew heavily from the bold compositions and light manipulation found in the works of Caravaggio and Velázquez. From the Spanish masters, he learned how to utilize black as a positive color and how to employ fluid brushwork to suggest form without excessive detail. This was not an imitation of the past, but a dissection of it.

      His early life in Paris suggested a path far removed from the studio. Born into a comfortable family, his father initially pushed for a career in the navy or law. After failing his entrance exams for the naval academy, Manet turned toward the arts under the instruction of Thomas Couture. This tension between his bourgeois origins and his revolutionary output created a unique friction in his work. He possessed the social standing to navigate Parisian intellectual circles, yet he used that access to promote an aesthetic that many found vulgar or incompetent.

      The Scandal of the Real

      The mid-1860s provided the stage for Manet’s most significant confrontations with the public. The 1863 Salon des Refusés became a site of intense controversy, largely due to his inclusion in the exhibition of rejected works. His painting Le Déjeuner sur l'herbe shocked audiences not merely because of its nudity, but because of its lack of mythological context. The figures were undeniably modern, stripped of the divine or the ancient, leaving only the raw presence of contemporary Parisians. This refusal to idealize his subjects was met with widespread condemnation from critics who found his realism too blunt.

      This pattern of provocation continued with Olympia in 1865. By reimagining Titian’s Venus of Urbino through the lens of a contemporary prostitute, Manet stripped away the protective layer of myth. The subject did not invite a gaze of admiration for a goddess; she demanded recognition of a person. This period of his career established the fundamental shift from Realism toward the beginnings of Impressionism. His influence on the movement was structural rather than purely stylistic:

      • He championed the use of alla prima painting, or wet-on-wet technique, to capture immediate atmospheric effects.
      • He introduced a flattened perspective that challenged the mathematical precision of academic composition.
      • He utilized strong, contrasting tones to create a sense of modern, fragmented light.

      The Enduring Verdict

      Manet’s career was cut short by his death in 1883, yet the trajectory of art had already been irrevocably altered. He acted as the essential bridge between the heavy, grounded themes of Realism and the fleeting, light-focused explorations of the Impressionists. While he never fully adopted the label of an Impressionist and continued to seek recognition from the official Salon, his methods provided the vocabulary for the avant-garde. He proved that the artist's duty was not to provide a beautiful escape, but to document the complexities and contradictions of the era.

      Quick facts about Édouard Manet

      • Full Name: Édouard Manet
      • Nationality: French
      • Date Of Birth: 1832
      • Date Of Death: 1883
      • Place Of Birth: Paris, France
      • Notable Artworks:
        • Le Déjeuner sur l'herbe
        • Olympia
        • A Bar at the Folies-Bergère
      • Artistic Movement Or Style: Realism, Impressionism
      • Artists Who Influenced This Artist:
        • Caravaggio
        • Diego Velázquez
        • Gustave Courbet
      • Artists Or Movements Influenced By This Artist:
        • Claude Monet
        • Pierre-Auguste Renoir
        • Edgar Degas
        • Impressionism
      Édouard Manet Le dejeuner sur l'herbe, - ,) () · With its frame: · Hand-painted in oil on linen

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