Хартия

Ръководство за ученически творби

The Day's End

Име Клас Дата

Ernest Procter, The Day's End (1927), New Walk Museum - Art Gallery. Обществено достояние Вижте това платно под движеща се светлина: рисунката, истинския цвят под лака, чистия пигмент

Факти

Художник
Ernest Procter topimpressionists.com/bg/artists/ernest-procter/
Дати на създаване от художника
1885 – 1935
Картина с боя
1927
Първоначален размер
92 x 107 cm
Проведено в
New Walk Museum - Art Gallery topimpressionists.com/bg/museums/new-walk-museum-art-gallery-leicester_bg/

В контекста

The Day's End — Ernest Procter

Какви са размерите?

Оригиналните размери са 92 × 107 см (височина × ширина), изобразени тук до възрастен със среден ръст.

Кога е боядисана тази творба?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930

Горният ред: години. Долният ред: възраст на художника в началото и в края на всеки период — 0 при раждането, 50 при смъртта.

Написана, когато художникът е бил на 42 години. Художникът е дожил до 50 години. 5 от 16 датираните творби на този артист в нашия каталог са създадени по-рано.

Засенчен: животът на Ernest Procter (1885–1935) ▲ тази творба, 1927 всяка датирана картина, десетилетие по десетилетие

Първи творби: до 1925 Основни години на активна дейност: 1925–1929 По-късни творби: от 1929

Тези три периода разделят произведенията с посочена дата в този каталог на първо тримесечие, средна половина и последно тримесечие. Те не представляват пълното творческо наследство на артиста: един кратък период може да е пропуск в архива, а не просто време на творческо затишие. Годините, съвпадащи с живота на художника

Сравнение с

Изберете едно от произведенията по-горе: посочете две общи черти с това произведение и една различност между тях.

Други произведения, които биха допълнили това: topimpressionists.com/bg/art/similar/ernest-procter-the-day-s-end-AQUEHC-en/

Цветове

Измерено по изображението

    Основен цвят

    Gray #887f6e

    Каталогизирана палитра

    • #887F6E
    • #383026
    • #59554E
    • #B9B195

    Тези цветове са част от цялата палитра на художника Намерете други картини по цвят

    Палитра
    Earthy Доминиращата цветова гама в изображението.
    Основен цвят
    Gray
    Наситеност
    Monochromatic Колко са наситени и разнообразни цветовете – от един приглушен нюанс до множество ярки такива.
    Контраст
    Bold Доколко цветовете се различават по светлота и наситеност в рамките на картината.
    Хармония
    Strong Color Unity Колко добре цветовете си взаимодействат – от контрастни до напълно обединени.
    Яркост
    Balanced Общата светлост или тъмнина на изображението – от дълбока сянка до ярък акцент.
    Наситенност
    Muted Колко чисти и наситени са цветовете – от почти сиви до напълно живи.

    От кои части на света се разглежда тази картина?

    • под 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% и повече
    Тази картина сама по себе си има твърде малко записани посетители, за да бъде картографирана, затова на плочката са изброени всички произведения на Ernest Procter през последните дванадесет месеца — общо 4 държави. Източник на тези данни

    Десетте водещи държави

    1. 1 Китай 57,1%400 visits
    2. 2 Обединено кралство 14,3%100 visits
    3. 3 Ирландия 14,3%100 visits
    4. 4 Съединени Американски Щати 14,3%100 visits

    Намерете трите най-тъмни държави на картата. Намира ли се музейът, в който се съхранява тази картина, в някоя от тях? Напишете една причина, поради която хора от далечни места биха дошли да я разгледат.

    6 най-разглеждани творби на Ernest Procter

    1. 1 The Cottage, 1931 50,0%400 visits
    2. 2 On the Banks of the Irawaddy, 1912 12,5%100 visits
    3. 3 Uphill from the North, 1934 12,5%100 visits
    4. 4 Hampstead Heath (Figures and Dogs amongst Trees), 1929 12,5%100 visits
    5. 5 Shipton Hill, Dorset 12,5%100 visits
    6. — The Day's End, 1927 тази творба 0,0%0 visits

    В съвкупност тези творби привличат 100,0% от цялото внимание, което са получили картините на този артист през последните дванадесет месеца. Каталогът съдържа 19 творби на този артист, като 5 от тях са разглеждани поне веднъж. Тази картина все още не е била разглеждана за този период — тя завършва списъка без определен ранг. Всичко е същото, месец по месец

    Графиките измерват вниманието, а не качеството. Изберете произведението най-отгоре и това: посочете нещо, което би могло да направи една картина известна, освен самото ѝ техническо изпълнение.

    За това произведение

    The Day's End — Ernest Procter

    The painting The Day's End by Ernest Procter is a stunning example of modern British art. Created in 1927, this oil on canvas piece measures 92 x 107 cm and is currently housed at the New Walk Museum - Art Gallery in Leicester, United Kingdom. The artwork features two naked women embracing each other, set against a breathtaking landscape with mountains and water.

    Artistic Style and Influences

    Ernest Procter's style is characterized by his use of bold colors and expressive brushstrokes, which are evident in The Day's End. His work was influenced by various artistic movements, including modernism and impressionism. As a prominent artist of his time, Procter was part of a group of artists who sought to break away from traditional techniques and explore new ways of expressing themselves. Key Features of the painting include:

    The use of vibrant colors to create a sense of warmth and intimacy

    The emphasis on the emotional connection between the two women

    The beautiful landscape, which adds depth and context to the scene

    For more information on Ernest Procter and his works, visit /art/list/?Filter=AQUEHC-Ernest-Procter-The-Day-s-End.

    Other notable artists whose works are featured on https://AllPaintingsStore.com include Harry Morley, known for his painting A Wayside Madonna, and George Howland Beaumont, who created the stunning Mountain Scenery. These artists, along with Ernest Procter, have contributed to the rich cultural heritage of British art.

    To learn more about the New Walk Museum - Art Gallery and its collection, visit /art/list/?Filter=A@D3BR8T-Discovering-the-Artworks-of-County-Hall-Matlock-Matlock-United-Kingdom. For handmade oil painting reproductions of The Day's End and other notable works, browse the extensive collection on https://AllPaintingsStore.com.

    Художник и музей

    Художник

    Ernest Procter

    Ernest Procter: A Cornish Vision of Light and Sensuality

    Born in Tynemouth, Northumberland, in 1885, Ernest Procter’s artistic journey began within a family steeped in tradition – his father, Henry Richardson Procter, was a distinguished chemist and Fellow of the Royal Society, while his lineage traced back to generations of Quaker tanners. This unique blend of scientific rigor and artisanal heritage profoundly shaped Procter's approach to art, imbuing his work with both meticulous observation and a deep appreciation for texture and materiality. Initially educated at Bootham Friends’ School in York, he later found his way to Newlyn, Cornwall, a burgeoning hub of artistic innovation during the early 20th century – a place that would become inextricably linked to his identity and creative output.

    Newlyn, with its vibrant community of artists drawn from across Britain, offered Procter an environment ripe for experimentation. He enrolled in Stanhope Forbes’ School of Painting, absorbing the principles of Impressionism and the Newlyn School's distinctive style – a focus on capturing the fleeting effects of light and atmosphere, particularly within the rugged beauty of the Cornish coastline. His time under Forbes proved formative, fostering his technical skills and introducing him to fellow students like Dod Procter, whom he would later marry in 1912. This union marked not only a personal partnership but also a collaborative artistic force; together, they established the Harvey-Procter School, a respected institution that nurtured young artists and contributed significantly to the local art scene.

    The Influence of Forbes and Parisian Training

    Stanhope Forbes’ teachings were crucial in shaping Procter's early style. Forbes emphasized direct observation, encouraging students to capture the essence of their subjects rather than relying on academic conventions. This approach is evident in Procter’s landscapes – particularly his depictions of Penlee Point, a dramatic headland overlooking the Atlantic – where he masterfully renders the interplay of light and shadow, conveying both the grandeur and vulnerability of the Cornish coastline. However, Procter's artistic development extended beyond Newlyn; he spent time studying at the Atelier Colarossi in Paris, immersing himself in the vibrant atmosphere of the Parisian art world and absorbing the techniques of Impressionism and Post-Impressionism. Artists like Pierre-Auguste Renoir and Paul Cézanne undoubtedly influenced his palette and approach to capturing fleeting moments.

    Portraits and the Exploration of Sensuality

    While Procter’s landscapes are undeniably striking, it is perhaps in his portraits that he truly excelled. His subjects – often young women from the local fishing community – were rendered with a remarkable sensitivity and attention to detail. He eschewed idealized representations, instead capturing their inherent dignity and vulnerability. Works like “Professor Henry Richardson Procter” showcase this talent for realism, while simultaneously conveying a sense of quiet wisdom and inner strength. His portraits are not merely likenesses; they are imbued with emotion, revealing the subtle nuances of human character through masterful use of light, shadow, and texture – particularly his signature impasto technique.

    Key Works and Recognition

    Among Procter’s most celebrated works is “Morning,” a captivating portrait of a young fisherman's daughter that caused a sensation at the 1927 Royal Academy exhibition. The painting’s evocative depiction of light, shadow, and emotion secured it the title of "Picture of the Year" and was subsequently purchased by the Daily Mail for display in the Tate Gallery. Other notable works include “Penlee Point,” a stunning landscape that exemplifies his mastery of capturing the Cornish coastline, and “Uphill from the North,” a vibrant depiction of a coastal scene showcasing his ability to translate the beauty of nature onto canvas. His work was also exhibited at the Royal Academy, the Leicester Galleries, and other prestigious venues throughout Britain.

    A Legacy in Cornwall

    Ernest Procter’s artistic legacy extends far beyond his individual paintings. He played a pivotal role in fostering the Newlyn School and its distinctive style, contributing to the development of Cornish art as a whole. His commitment to teaching and mentorship ensured that his techniques and vision were passed on to future generations of artists. Even today, Procter's work continues to resonate with viewers, offering a poignant glimpse into the beauty and spirit of Cornwall – a testament to an artist who captured not just the landscape but also the very essence of human experience.

    Музей

    New Walk Museum - Art Gallery

    Експонирано в Leicester, United Kingdom

    A Tapestry of Time: The Soul of Leicester Museum & Art Gallery

    Nestled along the historic promenade of New Walk, the

    Leicester Museum & Art Gallery

    stands as a profound testament to the enduring human impulse to collect, preserve, and celebrate. This venerable institution has evolved from a modest showcase of British art into a sprawling, multidisciplinary sanctuary where the boundaries between science, history, and fine art dissolve. To walk through its halls is to embark on a curated journey through the epochs, moving seamlessly from the primordial whispers of the Mesozoic Era to the avant-garde provocations of the twentieth century. The museum does not merely display objects; it orchestrates an encounter with the very essence of our shared heritage.

    The architectural grandeur of the museum serves as a stately prelude to the treasures within. Designed by the ingenious

    Joseph Hansom

    —the mastermind behind the iconic hansom cab—the building itself is a masterpiece of Victorian ambition, reflecting an era defined by progress and aesthetic rigor. Its structure provides a dignified stage for a collection that is as diverse as it and deep, offering a sense of stability and permanence amidst the ever-changing currents of history.

    A Confluence of Artistic Mastery and Scientific Wonder

    For the art lover, the gallery offers a breathtaking panorama of styles, most notably within its celebrated

    German Expressionist

    section. Here, the canvas erupts with bold, emotive colors and distorted forms that capture the raw psychological intensity of a transformative period in European history. This visceral energy is balanced by the exquisite

    Attenborough Collection of Picasso Ceramics

    , a world-renowned assemblage meticulously curated by Sir David Attenborough. This collection serves as a poignant intersection of scientific curiosity and artistic passion, showcasing how form and medium can transcend their physical boundaries.

    Beyond the realm of the canvas, the museum invites a deeper exploration into the mysteries of life and death. The halls are haunted by the magnificent silhouettes of prehistoric giants, including the formidable

    Tyrannosaurus Rex

    and the intricately detailed skeletons of the

    Cetiosaurus

    and

    Plesiosaur

    . These fossils, such as the beloved "George," offer a humbling perspective on the vast scales of geological time. This sense of wonder extends into the Ancient Egypt exhibit, where the quiet majesty of sarcophagi and intricately decorated mummies transports visitors to the banks of the Nile.

    For the interior designer or the discerning aesthete, the Leicester Museum & Art Gallery offers more than just educational value; it provides a profound source of inspiration. The museum’s unique ability to harmonize the rugged textures of paleontological finds with the delicate elegance of fine ceramics and the dramatic shadows of Expressionist works makes it a cornerstone of cultural enrichment. It remains a beacon for those who seek to find beauty in the intersection of the ancient and the modern, the scientific and the sublime.

    Къде можете да прочетете повече

    Намерете го онлайн

    QR код, който препраща към страницата за изтегляне на The Day's End

    topimpressionists.com/bg/art/download/ernest-procter-the-day-s-end-AQUEHC-en/

    Цитиране на това произведение

    MLA
    Procter, Ernest. The Day's End. 1927, New Walk Museum - Art Gallery. https://topimpressionists.com/bg/art/ernest-procter-the-day-s-end-AQUEHC-en/
    APA
    Procter, Ernest (1927). The Day's End [Painting]. New Walk Museum - Art Gallery. https://topimpressionists.com/bg/art/ernest-procter-the-day-s-end-AQUEHC-en/
    Chicago
    Ernest Procter. The Day's End. 1927. New Walk Museum - Art Gallery. https://topimpressionists.com/bg/art/ernest-procter-the-day-s-end-AQUEHC-en/
    Harvard
    Procter, Ernest (1927) The Day's End. New Walk Museum - Art Gallery. Available at: https://topimpressionists.com/bg/art/ernest-procter-the-day-s-end-AQUEHC-en/

    Разгледайте внимателно

    The Day's End — Ernest Procter

    Разгледайте внимателно

    Отговорете с ваши собствени думи. Тук няма грешни отговори — само такива, които можете да обясните.

    1. Какво привлича погледа ви първо и защо?
    2. Кои цветове или форми създават настроението — и какво представлява то?
    3. Върнете се към Burmese Boy in a Bullock Cart (1925), разгледани по-рано в това ръководство. Намерете две прилики между него и тази творба, както и една разлика.
    4. Ernest Procter е бил на около 42 години, когато това е създадено. Кое в него напомня за творчеството на творец в тази възраст?
    5. Какво е искал да ви накара да почувствате художникът?

    Вашият отговор

    Напишете кратък абзац за това произведение на изкуството, като използвате фактическата информация от предишните части на това ръководство и вашите отговори по-горе.

    Въпроси и отговори

    Коя палитра и доминиращ цвят определят "The Day's End"?

    „The Day's End“ на Ernest Procter използва палитра от Earthy, като Gray (#887f6e) е доминиращият цвят.

    Кой е художникът зад "The Day's End"?

    Художникът зад "The Day's End" е Ernest Procter. Произведението е каталогизирано под името на Ernest Procter.

    Мога ли да видя рентгенов образ на „The Day's End“ на Ernest Procter?

    Страницата Рентгенови лъчи на „The Day's End“ на Ernest Procter е интерактивен визуализатор, който ви позволява да разгледате единадесет оптични слоя на произведението, включително и рентгенов вид.