От всички картини на Johan Per (Per) Sodermark, Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848) е най-известната; тя се намира в Национален музей, Стокхолм. След тях непосредствено следват Portrait of Werner Holmberg (1853) и Christoffer Eichhorn (1837-1889), librarian, art historian (1889). Сред 3 произведения на Johan Per (Per) Sodermark в нашия каталог, тези 3 са най-известните, всяко от тях представенo с неговата дата, музея и историята си.
Класирани според нашия коефициент за популярност, който съчетава търсенията, посещенията и поръчките за всяко произведение. Обновено Ноември 2026. Всяка картина на тази страница може да бъде поръчана като ръчно рисувано маслено репродукция върху ленен хол или като висококачествен арт принт, изработен според избран от Вас размер.
2 музея, които притежават най-голям брой от картините на тази страница.
| Музеи | Град | Творения на Johan Per (Per) Sodermark | Картини от този списък |
|---|---|---|---|
 Национален музей |
Стокхолм | 2 | Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery, Christoffer Eichhorn (1837-1889), librarian, art historian |
 Finnish National Gallery |
Хелзинки | 1 | Portrait of Werner Holmberg |
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), Национален музей, Стокхолм. Следват Portrait of Werner Holmberg (1853) и Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
Johan Per (Per) Sodermark, роден в 1822, е на 26 години: Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery е от 1848 г.
В нашия каталог са включени 3 произведения на Johan Per (Per) Sodermark, датирани от 1848 до 1889.
Предимно в Национален музей (Стокхолм) и Finnish National Gallery (Хелзинки); списъкът по-горе изброява всеки музей и неговите платна.
Най-старото платно тук е от Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848); най-новото е от Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
В Национален музей, Стокхолм се съхраняват 2 от произведенията на тази страница, сред които са Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery и Christoffer Eichhorn (1837-1889), librarian, art historian.
Да. Всяка картина на тази страница може да бъде поръчана от нейната собствена страница като ръчно рисувано маслено репродукция или като висококачествен арт-принт в избран от Вас размер.
Johan Per Södermark stands at a crossroads between military duty and the fine arts. Born in Mossebro, Karlsborg Municipality, on 5 June 1822, his early life follows the disciplined path of his father, Olof Johan Södermark. He enters the military as an Underlöjtnant in 1843, a role that demands precision and observation. The rigidity of service defines his youth, yet the brush remains present. His training begins under his father's guidance before moving to the Royal Swedish Academy of Fine Arts, where he achieves the status of agré in 1848.
The year 1848 brings a sudden shift. He resigns from active military service. The death of his father leaves him with more than just a memory; he inherits a studio. At first, Södermark sustains himself through the labor of copying his father's existing works. This period of imitation acts as a bridge, transitioning him from a man of arms to a man of lithography and paint.
Movement defines his artistic development. He moves through the cultural landscapes of Europe, seeking new light and form. His path takes him to France and Italy, followed by stays in Düsseldorf between 1852 and 1854. In Paris, from 1855 to 1856, he studies under Thomas Couture. These travels expand his repertoire beyond the portraits of his early years.
His work begins to diversify into new territories:
By 1874, Södermark reaches a professional peak as a full member of the Swedish Academy. His presence is felt in major exhibitions, from Copenhagen's Charlottenborg Palace in 1851 to various Nordic Art exhibitions held between 1872 and 1888. He leaves behind a tangible contribution to Swedish collections, having donated his original lithographs to the Nationalmuseum in 1868.
His life concludes in Stockholm on 16 November 1889. While he did not pursue the same level of realistic clarity as his father, his ability to navigate between the roles of officer and artist remains a distinct chapter in Swedish art history. His works remain accessible today through institutions such as the Academy's art gallery, Waldemarsudde, and the Nordic Museum.
