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      Цецилия Бейкс, 1855 – 1942

      100-те най-известни картини на Цецилия Бейкс, подредени по популярност

      Най-обичаната картина на Цецилия Бейкс е Sita and Sarita (1893), която се намира в Музей д’Орсе, Париж. Ernesta (Child with Nurse) (1894) и Sita and Sarita (1921) следват след тях сред най-познатите картини на читателите. Нашият каталог съдържа 102 произведения на Цецилия Бейкс: ето 100-те най-известни, всяко с неговата година, неговия музей и това, което го прави незабравимо.

      Класирани според нашия коефициент за популярност, който съчетава търсенията, посещенията и поръчките за всяко произведение. Обновено Октомври 2026. Всяка картина на тази страница може да бъде поръчана като ръчно рисувано маслено репродукция върху ленен хол или като висококачествен арт принт, изработен според избран от Вас размер.

      Портрет на Цецилия Бейкс
      Цецилия Бейкс · 1855 – 1942
      Роден · починал
      1855 – 1942, Филаделфия
      Движение
      Impressionism
      Работи в нашия каталог
      102
      Най-известни
      Sita and Sarita (1893)
      Най-много творби в
      Pennsylvania Academy of Fine Arts

      Топ 10 картини на Цецилия Бейкс: шедьоври, които всеки познава

      Sita and Sarita (1893) на Цецилия Бейкс
      1

      Sita and Sarita

      1893 · Oil On Canvas · Музей д’Орсе, Париж

      In the quiet, luminous realm of Cecilia Beaux’s 1893 masterpiece, Sita and Sarita, we encounter more than just a portrait; we step into a moment of profound, whispered elegance. As a cornerstone of American portraiture during the opulent Gilded Age, Beaux possessed a rare ability to capture the psychological depth of her subjects through a lens of Impressionistic refinement. This particular work, currently held in the esteemed collection of the…

      Ernesta (Child with Nurse) (1894) на Цецилия Бейкс
      2

      Ernesta (Child with Nurse)

      Cecilia Beaux’s “Ernesta” – A Study in Dignified Vulnerability Cecilia Beaux (1855-1942), born Eliza Cecilia Beaux in Philadelphia, ascended to prominence as a leading figure in American portraiture during the opulent era of the Gilded Age. Her artistic journey unfolded against a backdrop of personal hardship—the untimely death of her mother just twelve days after birth casting a poignant shadow over her formative years—yet she persevered with unwavering determination and…

      Sita and Sarita (1921) на Цецилия Бейкс
      3

      Sita and Sarita

      1921 · Oil On Canvas · Национална галерия на изкуствата, Уокшънтън

      A woman sits in a quiet, luminous space, her form draped in a gown of ivory and cream. The fabric falls in heavy, textured folds, catching a light that seems to emanate from the upper left. Perched upon her shoulder is a black cat, its presence a sharp, dark weight against the pale expanse of her dress. The animal's eyes are bright, fixed upon the viewer with a steady, penetrating…

      Още платно от Цецилия Бейкс, от 11 до 100

      Alexander Harrison (1888) на Цецилия Бейкс
      #69

      Alexander Harrison

      1888 · Virginia Museum of Fine Arts

      Cecilia Beaux’s “Alexander Harrison,” painted in 1888, isn't merely a likeness; it’s a carefully constructed tableau of masculine grace and contemplative strength. The portrait captures a moment frozen…

      Поръчайте това платно →

      Най-често рисувано от Цецилия Бейкс

      Четирите найчесто срещани сюжета на тези платна, всеки с най-обичания си пример.

      Къде са изложени картините на Цецилия Бейкс

      8 музея, които притежават най-голям брой от картините на тази страница.

      Музеи Град Творения на Цецилия Бейкс Картини от този списък
      Pennsylvania Academy of Fine Arts, ФиладелфияPennsylvania Academy of Fine Arts Филаделфия 10 Mother and Daughter, New England Woman, Ernesta Beaux Drinker; the artist's sister; and Henry Sandwith Drinke
      Метрополитън Музей на изкуствата, Ню ЙоркМетрополитън Музей на изкуствата Ню Йорк 5 Ernesta (Child with Nurse), Helena de Kay Gilder, Helena de Kay Gilder
      Harvard Art Museums, КеймбриджHarvard Art Museums Кеймбридж 4 Breton Girl, Study for the Portrait of Mrs. Beauveau Borie and Her Son Adolphe, Study for the Portrait of Mrs. Clement Griscom and her daughter Frances Canby
      Smithsonian American Art Museum, Вашингтон, окръг КолумбияSmithsonian American Art Museum Вашингтон, окръг Колумбия 4 Georges Clemenceau, Henry sturgis drinker, Cardinal Mercier
      Indianapolis Museum of Art, ИндианаполисIndianapolis Museum of Art Индианаполис 3 Portrait of Mrs. Addison C. Harris, Portrait of Mrs. Albert J. Beveridge (Catherine Eddy; Lady Primrose Portrait), Portrait of Mary Knox Buzby Addicks Warner
      Музей д’Орсе, ПарижМузей д’Орсе Париж 2 Sita and Sarita, Girl with a Cat
      National Portrait Gallery, Вашингтон, окръг КолумбияNational Portrait Gallery Вашингтон, окръг Колумбия 2 Cecilia Beaux Self-Portrait, Richard Watson Gilder
      Philadelphia Museum of Art, ФиладелфияPhiladelphia Museum of Art Филаделфия 2 Cecil Kent Drinker, George Burnham.

      Най-обичаното платно на Цецилия Бейкс за всяко десетилетие

      1. 1880s
        Mrs. John Wheeler Leavitt (1885) на Цецилия Бейкс
        Класиран 5 от 100

        Mrs. John Wheeler Leavitt

        Възраст 25 – 34

        Cecilia Beaux painted Mrs. John Wheeler Leavitt in 1885. The sitter, born Cecilia Kent, was the artist's grandmother. This portrait captures a significant figure from Beaux's personal history,…

      2. 1890s
        Sita and Sarita (1893) на Цецилия Бейкс
        1 от 100

        Sita and Sarita

        Възраст 35 – 44 · Музей д’Орсе

        In the quiet, luminous realm of Cecilia Beaux’s 1893 masterpiece, Sita and Sarita, we encounter more than just a portrait; we step into a moment of profound, whispered…

      3. 1900s
      4. 1910s
        After the Meeting (1914) на Цецилия Бейкс
        Класиран 29 от 100

        After the Meeting

        Възраст 55 – 64 · Музей на изкуствата в Толедо
      5. 1920s
        Sita and Sarita (1921) на Цецилия Бейкс
        3 от 100

        Sita and Sarita

        Възраст 65 – 74 · Национална галерия на изкуствата

        A woman sits in a quiet, luminous space, her form draped in a gown of ivory and cream. The fabric falls in heavy, textured folds, catching a light…

      Относно платното на Цецилия Бейкс: отговори на вашите въпроси

      Коя е най-известната картина на Цецилия Бейкс?Прочетете отговора

      Sita and Sarita (1893), Музей д’Орсе, Париж. Следват Ernesta (Child with Nurse) (1894) и Sita and Sarita (1921).

      На каква възраст е бил Цецилия Бейкс, когато е нарисувана Sita and Sarita?Прочетете отговора

      Цецилия Бейкс, роден в 1855, е на 38 години: Sita and Sarita е от 1893 г.

      Кои са 10-те най-известни картини на Цецилия Бейкс?Прочетете отговора

      Sita and Sarita, Ernesta (Child with Nurse), Sita and Sarita, GIRL WITH LYRE (PORTRAIT OF DOROTHEA GILDER), Mrs. John Wheeler Leavitt, Ethel Page, Cecilia Beaux Self-Portrait, Breton Girl, Mother and Daughter и Study for the Portrait of Mrs. Beauveau Borie and Her Son Adolphe. Всяко платно в горната класация е придружено с годината на създаване и музея, в който се намира.

      Колко произведения е създала общо Цецилия Бейкс?Прочетете отговора

      В нашия каталог са включени 102 произведения на Цецилия Бейкс, датирани от 1884 до 1926.

      Къде мога да видя най-известните платна на Цецилия Бейкс?Прочетете отговора

      Предимно в Pennsylvania Academy of Fine Arts (Филаделфия), Метрополитън Музей на изкуствата (Ню Йорк) и Harvard Art Museums (Кеймбридж); списъкът по-горе изброява всеки музей и неговите платна.

      Кога Цецилия Бейкс е нарисувал най-обичаните си платна?Прочетете отговора

      В 1900s, който включва 19 от 100 произведения на тази страница, Portrait of Sarah E. Doyle сред тях.

      Кои са най-ранните и най-късните известни картини на Цецилия Бейкс?Прочетете отговора

      Най-старото платно тук е от Ethel Page (1884); най-новото е от Julie Bruhns Kahle (Mrs. Marcell Kahle) (1926).

      Какво най-често е рисувал Цецилия Бейкс?Прочетете отговора

      Portraits (13), Women (12) и American art (10), разпределени в 100 произведения на тази страница.

      С коя техника е живописал най-често Цецилия Бейкс?Прочетете отговора

      Oil On Canvas, използван в 14 от 100 произведения на тази страница.

      Към кое художествено направление принадлежи картината на Цецилия Бейкс?Прочетете отговора

      Impressionism, както показват картините на тази страница.

      Кои платна на Цецилия Бейкс се съхраняват в Pennsylvania Academy of Fine Arts?Прочетете отговора

      В Pennsylvania Academy of Fine Arts, Филаделфия се съхраняват 10 от произведенията на тази страница, сред които са Mother and Daughter, New England Woman и Ernesta Beaux Drinker; the artist's sister; and Henry Sandwith Drinke.

      Мога ли да купя репродукция на платно от Цецилия Бейкс?Прочетете отговора

      Да. Всяка картина на тази страница може да бъде поръчана от нейната собствена страница като ръчно рисувано маслено репродукция или като висококачествен арт-принт в избран от Вас размер.

      Цецилия Бейкс: живот в боядисване

      A Life Illuminated: The World of Cecilia Beaux

      Cecilia Beaux, born Eliza Cecilia Beaux on May 1st, 1855, in Philadelphia, emerged as a pivotal figure in American portraiture during the Gilded Age. Her story is one woven with threads of personal tragedy, determined self-reliance, and an unwavering commitment to artistic excellence. The shadow of early loss fell upon her life when her mother succumbed to puerperal fever just twelve days after Beaux’s birth, leaving a void that would subtly shape her perspective. Raised by her maternal grandmother and aunts in Philadelphia, she experienced a childhood marked by both stability and the quiet absence of parental guidance. Her father, unable to cope with his grief, returned to France for extended periods, creating a somewhat detached familial dynamic. Yet, within this framework, Beaux’s artistic inclinations were nurtured, initially through lessons with her relative Catherine Ann Drinker, an accomplished artist who served as an early role model and mentor. These formative years instilled in her not only technical skills but also a profound understanding of the dedication required to pursue a life devoted to art.

      Forging a Path: Education and Early Influences

      Beaux’s artistic education continued under Francis Adolf van der Wielen, where she honed her skills in perspective and drawing from casts. However, the societal constraints of the Victorian era presented significant obstacles for aspiring female artists; direct study of anatomy was largely denied to women until much later in her career. Undeterred, Beaux persevered, securing a place at the prestigious Pennsylvania Academy of the Fine Arts in 1876. While she maintained a degree of independence from the fervent followers of Thomas Eakins, his progressive teaching philosophy undeniably influenced her approach to art. It was during this period that Beaux began to establish herself as a skilled portraitist, winning several Mary Smith Prizes at the Pennsylvania Academy exhibitions between 1885 and 1892 – accolades that signaled her rising talent and recognition within the artistic community. A crucial turning point came with her decision to study in Paris in 1888, immersing herself in the European art scene and absorbing influences from academic masters like Tony Robert-Fleury and William-Adolphe Bouguereau, as well as the burgeoning Impressionist movement exemplified by artists such as Édouard Manet and Edgar Degas. This exposure broadened her artistic horizons and refined her technique, laying the foundation for her distinctive style. Beaux’s early works often reflected a delicate realism, influenced by the meticulous detail of academic portraiture, but she quickly developed a unique ability to capture subtle nuances of expression and personality.

      A Master of Society Portraiture

      Upon returning to Philadelphia, Cecilia Beaux quickly ascended to prominence as a sought-after portraitist, capturing the essence of America’s social and intellectual elite with remarkable sensitivity and skill. Her portraits weren't merely likenesses; they were insightful studies of character, imbued with psychological depth and an elegant aesthetic sensibility. She possessed an extraordinary ability to convey not only the physical appearance but also the inner lives of her subjects. Her most celebrated works, such as *Portrait of Harriet Sears Amory* (1892), exemplify this mastery. Executed with bravura brushstrokes and a heavy impasto reminiscent of Impressionism, it showcases Beaux’s technical prowess and her ability to capture both the grandeur and vulnerability of her sitter. Along with John Singer Sargent and William Merritt Chase, Beaux became one of the leading portraitists in the United States at the turn of the twentieth century. Chase himself famously declared her “not only the greatest living woman painter, but the best that has ever lived,” a testament to the high regard she held within artistic circles. Her clientele included prominent figures such as First Lady Edith Roosevelt, Admiral Sir David Beatty, and Georges Clemenceau, solidifying her reputation as a chronicler of the Gilded Age. Beaux’s portraits were characterized by their intimate atmosphere, often depicting subjects in relaxed poses and informal settings, reflecting a departure from the stiff formality of traditional portraiture.

      Breaking Barriers and Lasting Influence

      Cecilia Beaux's career was marked by both professional success and personal challenges. Despite facing discrimination as a woman artist, she persevered through sheer determination and talent. She became the first woman to teach at the Pennsylvania Academy of the Fine Arts in 1895, opening doors for future generations of female artists and demonstrating her commitment to nurturing artistic talent. Beaux’s influence extended beyond her own work; she was a respected mentor and teacher, shaping the careers of numerous aspiring painters. Her dedication to her craft earned her numerous accolades, including a gold medal from the National Institute of Arts and Letters and recognition from Eleanor Roosevelt as “the American woman who had made the greatest contribution to the culture of the world.” Her works are now held in esteemed collections such as The Westmoreland Museum of American Art and the Pennsylvania Academy of the Fine Arts, ensuring her legacy endures for generations to come. Beaux’s art continues to resonate with viewers today, offering a glimpse into a bygone era while simultaneously celebrating the enduring power of human connection and artistic expression.

      Beyond Portraiture: A Diverse Artistic Palette

      While primarily known for her portraits, Cecilia Beaux demonstrated versatility in her artistic practice. Her landscapes, such as *Landscape with Farm Building* (1888), reveal an Impressionistic sensibility, characterized by loose brushwork, vibrant colors, and a focus on capturing the fleeting effects of light and atmosphere. These works offer a contrasting perspective to her meticulously rendered portraits, showcasing Beaux’s ability to adapt her style to different subjects and genres. Her exploration of rural American life in these landscapes highlights her interest in depicting the beauty and tranquility of the natural world, further enriching her artistic repertoire. Beaux's willingness to experiment with various styles and mediums underscores her creative spirit and her commitment to continuous growth as an artist.

      A Final Note

      Cecilia Beaux’s legacy is one of innovation, resilience, and artistic excellence. She defied societal expectations and established herself as a leading portraitist during a period when women faced significant barriers in the art world. Her captivating portraits continue to captivate audiences today, offering a window into the lives and personalities of America's most prominent figures. Beaux’s work stands as a testament to her exceptional talent and her enduring contribution to American art history.

      Всички 102 произведения на Цецилия Бейкс →