Най-обичаната картина на Емил Бернар е Iron Bridges at Asnières (1887), която се намира в MoMA - Музеят на модерното изкуство, Ню Йорк. Portrait of Marie Lemasson (1892) и Self-Portrait 1918 (1919) следват след тях сред най-познатите картини на читателите. Нашият каталог съдържа 201 произведения на Емил Бернар: ето 100-те най-известни, всяко с неговата година, неговия музей и това, което го прави незабравимо.
Класирани според нашия коефициент за популярност, който съчетава търсенията, посещенията и поръчките за всяко произведение. Обновено Октомври 2026. Всяка картина на тази страница може да бъде поръчана като ръчно рисувано маслено репродукция върху ленен хол или като висококачествен арт принт, изработен според избран от Вас размер.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Buckwheat Harvesters at Pont Aven is an oil on canvas work by Émile Bernard, executed in 1888. The piece captures a scene of buckwheat harvesting within a rural landscape, focusing on the labor of women in the Brittany region. It is currently held at the Musée de Pont-Aven in Hastenparck.
In Après le bain (les nymphes), the artist Émile Bernard invites us into a quiet, secluded moment of repose. Three nude female figures occupy the scene, their bodies arranged in a way that suggests a lingering sense of intimacy. Based on the title, these women appear to be nymphs, mythical beings caught in a state of languid rest within a natural setting. The air feels still around them, as if…
The gaze of the subject meets the viewer in Portrait of a Black Woman, a work that captures a quiet, heavy stillness. Painted by Émile Bernard, this piece emerges from a period of intense creative exploration. It exists under the title Portrait of a Black Woman, though some records identify the work as Study Of A Mulatto Woman, 1895. This distinction offers a glimpse into how the subject is perceived…
The evening air feels heavy and alive in Night Festival, an oil painting by Émile Bernard. Created about 1888, this work captures a moment of communal celebration suspended in the dark. The scene pulls the viewer into a nocturnal gathering where the glow of light meets the deep shadows of the night. It is a piece that belongs firmly to the Post-Impressionist movement, marking a departure from the fleeting light…
In this 1908 oil on canvas, three figures occupy a tightly packed, studio-like environment. The composition is organized around a shallow depth of field, placing the subjects in…
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This 1888 oil on canvas, titled Self-Portrait, offers an intimate glimpse into the creative environment of Émile Bernard. Painted during his time in the French seaside village of…
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To gaze upon this depiction—a board lavishly adorned with tendrils and an exuberant profusion of blossoms—is to step directly into a moment suspended between vibrant life and delicate…
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This evocative watercolor, depicting the Landscape at Pont-Aven with Poplars, transports the viewer directly to the heart of Brittany in 1888. The scene is imbued with a profound…
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The artwork is titled Still life with flowers in a jug. It was executed by the artist Émile Bernard. This specific composition features a floral arrangement situated within…
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In the quiet, evocative depths of Émile Bernard’s 1889 woodcut, The Adoration of the Shepherds, one finds more than a mere retelling of a biblical milestone; one encounters…
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A Crimson Prelude to Breton Life Study for The Buckwheat Harvesters is far more than a mere preparatory sketch; it is a profound window into the soul of…
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Четирите найчесто срещани сюжета на тези платна, всеки с най-обичания си пример.
8 музея, които притежават най-голям брой от картините на тази страница.
| Музеи | Град | Творения на Емил Бернар | Картини от този списък |
|---|---|---|---|
 Музеят Ван Гог |
Амстердам | 11 | Self-Portrait 1918, Woman Sitting in a Field: Brittany, Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941) |
 Musée de Pont-Aven |
Хастенпарк | 7 | Landscape at Pont-Aven with Poplars, The Adoration of the Shepherds, Study for The Buckwheat Harvesters |
 Музей Тисен-Борнемица |
Мадрид | 4 | The Annunciation, Inside a Shop in Pont-Aven, The Cliffs at Le Pouldu |
 Musée des Beaux-Arts de Quimper |
Quimper | 4 | Funeral palls 1, Funeral palls 2, Orchard at Pont Aven |
 Валраф-Рихарц Музей |
Köln | 3 | Loving Couple, Houses in Pont-Aven |
 Даласски музей на изкуствата |
Дълас | 3 | The Salon, Bridge at Pont-Aven |
 Музей за изкуствата в Реим |
Реймс | 3 | Fellah Women at the Bath, Toilet of Venus |
 Ackland Art Museum |
Chapel Hill | 2 | Victorine Lelopin, The Wave |
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic,…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head…
Iron Bridges at Asnières (1887), MoMA - Музеят на модерното изкуство, Ню Йорк. Следват Portrait of Marie Lemasson (1892) и Self-Portrait 1918 (1919).
Емил Бернар, роден в 1868, е на 19 години: Iron Bridges at Asnières е от 1887 г.
Iron Bridges at Asnières, Portrait of Marie Lemasson, Self-Portrait 1918, Buckwheat Harvesters at Pont Aven, Après le bain (les nymphes), Portrait of a Black Woman, Night Festival, The Harvest, Loving Couple и The Harvest at Saint-Briac. Всяко платно в горната класация е придружено с годината на създаване и музея, в който се намира.
В нашия каталог са включени 201 произведения на Емил Бернар, датирани от 1885 до 1940.
Предимно в Музеят Ван Гог (Амстердам), Musée de Pont-Aven (Хастенпарк) и Музей Тисен-Борнемица (Мадрид); списъкът по-горе изброява всеки музей и неговите платна.
В 1880s, който включва 29 от 100 произведения на тази страница, Iron Bridges at Asnières сред тях.
Най-старото платно тук е от Funeral palls 1 (1885); най-новото е от Breton Women (1940).
Women (12), People (6) и Woman (4), разпределени в 100 произведения на тази страница.
Oil On Canvas, използван в 8 от 100 произведения на тази страница.
Post-impressionist synthetism, както показват картините на тази страница.
В Музеят Ван Гог, Амстердам се съхраняват 10 от произведенията на тази страница, сред които са Self-Portrait 1918, Woman Sitting in a Field: Brittany и Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941).
Да. Всяка картина на тази страница може да бъде поръчана от нейната собствена страница като ръчно рисувано маслено репродукция или като висококачествен арт-принт в избран от Вас размер.
