Of all Теодор Жерико's paintings, Балсата на Медуза (1818) is the most famous; it hangs in the Лувър, Пари. Close behind come Nymph and Satyr (Jupiter and Antiope) (1820) and The Oath of Brutus after the Death of Lucretia (1815). Among the 183 works by Теодор Жерико in our catalogue, these 100 are the most celebrated, each shown with its date, its museum and its story.
Класирани според нашия коефициент за популярност, който съчетава търсенията, посещенията и поръчките за всяко произведение. Обновено Октомври 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
Монументалният шедьовър на Жан-Луи Андре Теодор Жерико е нещо много повече от просто изображение на морска катастрофа; това е висцерално изследване на човешката отчаяност, политически скандал и величествената сила на природата. Завършено през 1819 г., това платно с огромни размери (491 x 716 см) увековечава ужасяващите последици от разбиването през 1816 г. на френската фрегата Медуза – трагедия, родена от некомпетентност и корупция, която разтърси Франция.
The Allure of the Divine Encounter: Géricault’s *Nymph and Satyr* Jean-Louis André Théodore Géricault's *Nymph and Satyr*, painted in 1819, isn’t merely a depiction of a mythological scene; it’s a profound exploration of desire, transgression, and the inherent tension between innocence and primal instinct. Born amidst the tumultuous backdrop of post-revolutionary France, Géricault, already recognized for his dramatic intensity, sought to capture not just a narrative but an emotional truth—a…
The Oath of Brutus after the Death of Lucretia is an oil on canvas by Théodore Géricault. This history painting captures a moment of heavy, political consequence. The artist, Théodore Géricault, rendered the scene with a focus on the weight of human resolve. It emerged from his studio about 1815.
This vigorous painting of six lions in a remote, spectrally illuminated lair—possibly intended to evoke the Atlas Mountains of Morocco—is an extraordinary example of Gericault’s spontaneous handling of paint. Rather than applying finishing touches to make a polished cabinet picture, the artist left the painting in a state known as an esquisse, or sketch, a work prized by fellow artists for its strength of directly capturing a subject or effect.…
Théodore Géricault's "The Kiss," painted in 1816, isn’t merely a depiction of lovers entwined; it’s a visceral embodiment of the burgeoning Romantic movement’s fascination with raw emotion, dramatic intensity, and the sublime. This arresting work, housed within the Thyssen-Bornemisza Museum in Madrid, transcends simple representation to become a profound meditation on passion, vulnerability, and the very essence of human connection. Géricault, already a figure known for his unflinching portrayals of…
A Symphony of Suffering: Géricault’s “Wounded Soldiers Retrating from Russia” Jean-Louis André Théodore Géricault's "Wounded Soldiers Retrating from Russia" is not merely a painting; it’s a visceral embodiment of the horrors and human cost of war, rendered with an unprecedented level of realism and emotional intensity for its time. Completed in 1814, this monumental canvas—measuring a commanding 250 x 206 cm—captures a pivotal moment during Napoleon's disastrous invasion of Russia,…
Jean-Louis André Théodore Géricault's "Study of Feet and Hands," painted in 1818, isn’t a grand statement of Romantic drama like his monumental “The Raft of the Medusa.” Instead, it offers a profoundly intimate glimpse into the artist’s meticulous process and a poignant meditation on the human form. This unassuming oil painting—measuring a modest 52 x 64 cm—is far more than just a preparatory sketch; it's a concentrated distillation of Géricault’s…
Jean-Louis André Théodore Géricault's "The Raft of the Medusa," a monumental detail from his 1818 painting, isn’t merely a depiction of shipwreck; it’s a visceral plunge into the depths of human suffering and political indictment. The scene, rendered with a dramatic intensity characteristic of Romanticism, captures the harrowing aftermath of the French frigate *Medusa*'s wreck off the coast of Mauritania in 1816. This disaster, largely attributed to the incompetence and…
Théodore Géricault's "The Wreck," painted in 1821, isn’t merely a seascape; it’s a visceral confrontation with the sublime—a raw depiction of humanity’s vulnerability against the overwhelming force of nature. Born amidst the turbulent currents of post-revolutionary France, Géricault, a figure both lauded and controversial within the burgeoning Romantic movement, channeled his own anxieties and the era's fascination with dramatic events into this monumental canvas. The painting immediately commands attention not…
Jean-Louis André Théodore Géricault's "The Horse Race," painted in 1816, isn’t merely a depiction of a sporting event; it’s a visceral embodiment of Romanticism’s core tenets – passion,…
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Jean-Louis André Théodore Géricault's "Swiss Guard and Wounded Veteran," painted in 1819, is not merely a historical depiction; it’s a profound meditation on duty, sacrifice, and the lingering…
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Théodore Géricault's "Mazeppa," painted in 1823, isn’t merely a depiction of a dramatic legend; it’s a visceral embodiment of Romantic turmoil—a raw exploration of suffering, resilience, and the…
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Jean-Louis André Théodore Géricault's "Two Horses," painted in 1808-1809, isn’t merely a depiction of two magnificent animals; it’s a visceral exploration of movement, power, and the fleeting nature…
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Jean-Louis André Théodore Géricault's "A Turk (Mustapha)," painted in 1820, is not merely a portrait; it’s a carefully constructed tableau of exoticism, melancholy, and the burgeoning Romantic sensibility…
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In the quiet intensity of Jean-Louis André Théodore Géricault’s 1814 masterpiece, "A Carabinier with His Horse," we encounter more than a mere military portrait; we witness a profound…
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A Moment Frozen in Time: Géricault’s “Riderless Horse Races” Jean-Louis André Théodore Géricault's "Riderless Horse Races (detail)" is not merely a depiction of a sporting event; it’s a…
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A Tempestuous Vision: Géricault’s “Boxers” Jean-Louis André Théodore Géricault's "Boxers," completed in 1818, isn’t merely a depiction of a boxing match; it’s a visceral embodiment of Romanticism’s fascination…
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Jean-Louis André Théodore Géricault's "Horse Market: Five Horses at the Stake," painted in 1817, is not merely a depiction of livestock; it’s a visceral embodiment of Parisian life…
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Jean-Louis André Théodore Géricault's "The Epsom Derby," painted in 1821, isn’t merely a depiction of horse racing; it’s a visceral embodiment of Romanticism’s fascination with drama, movement, and…
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Three riders surge through a heavy, shadowed atmosphere, their presence defined by the sudden flash of scarlet and gold. A dappled grey horse occupies the center, its muscular…
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Théodore Géricault captured a private, feverish moment in Three Lovers. This small oil sketch, created about 1817–1820, offers a rare glimpse into the artist's more intimate preoccupations. It…
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A single man emerges from a dark, indistinct background of umber and black. He is positioned slightly off-center, his gaze meeting the viewer with a subtle, knowing expression.…
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In this 1814 oil on canvas, we find ourselves witnessing a singular moment of intense energy. The composition centers on Wincenty Krasiński, a military figure captured in a…
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This dramatic oil study, created in 1814, captures a wounded cavalryman in a moment of intense exhaustion or struggle. The composition is defined by a strong diagonal movement…
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Théodore Géricault's "Lion Devouring a Horse," painted in 1819, isn’t merely a depiction of predatory action; it’s a visceral exploration of power, mortality, and the primal instincts that…
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In the annals of art history, few works command the room with such visceral intensity as Théodore Géricault’s The Raft of the Medusa. This monumental oil on canvas…
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This oil on canvas painting, created in 1819, presents a somber and dramatic scene of suffering within a dimly lit interior. The composition is structured around an arched…
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A young man emerges from a deep, indistinct darkness, his presence felt through the sudden, sharp clarity of light hitting his features. He sits in a quiet, intimate…
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A study for a nude. emerges from the shadows as a powerful presence by Théodore Géricault. Created about 1801, this oil on canvas captures a singular moment of…
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This oil on canvas portrait study presents a close-up, three-quarter view of a Black man's head and shoulders. The subject is positioned slightly off-center, looking toward the viewer…
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The Martyrdom of Saint Peter is an oil on canvas by Théodore Géricault. Created about 1814, the work captures a moment of profound tension. The physical presence of…
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In the annals of French Romanticism, few works command the visceral attention of Théodore Géricault’s The Wreck as profoundly as this haunting seascape. Painted in 1824, a year…
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Mater dolorosa, Copy after Ribera is a religious oil painting by the French artist Théodore Géricault. Created about 1811–1815, the work reflects the artist's engagement with the traditions…
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Jean-Louis André Théodore Géricault’s “Lion in Repose,” painted circa 1820-1823, isn’t merely a depiction of an animal; it’s a profound meditation on power, vulnerability, and the very nature…
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Dating from 1800, Jean-Louis André Théodore Géricault’s “Portrait of a Negro” is more than just a depiction of an individual; it’s a poignant statement born from the turbulent…
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Portrait d'homme is an oil on canvas work attributed to the French Romantic painter Théodore Géricault. While historically categorized under various titles, including a mistaken identification as a…
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Equestrian Portrait of Charles V is an oil on canvas work executed by the French Romantic painter Théodore Géricault. Created in 1814, the piece focuses on the figure…
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In this 1814 oil painting, we find ourselves in the quiet, dim interior of a stable. The focus is entirely on a single chestnut horse, captured in profile…
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In the quiet, monochromatic depths of Théodore Géricault’s 1822 lithograph, Horses of the Auvergne, we are transported to a rugged, mist-shrouded corner of France. This evocative work serves…
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A single light grey horse occupies the center of this oil painting, captured in a rearing pose. The animal's body is angled vertically, its muscular flanks and neck…
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To gaze upon Jean-Louis André Théodore Géricault’s "Sheet of Figure Studies" is not merely to look at painted forms; it is to witness the very act of human…
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Jean-Louis André Théodore Géricault's “Portrait of an Artist in His Studio,” completed in 1820, is more than a simple depiction of a young man seated before his easel;…
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In the annals of French Romanticism, few works capture the raw, unbridled energy of the Napoleonic era as viscerally as Théodore Géricault’s 1812 masterpiece, An Officer of the…
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The oil on canvas known as Study of a nude man emerges from the shadows, a powerful presence that commands the viewer's immediate attention. This work, created by…
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In the quiet, brooding landscapes of nineteenth-century France, few works capture the raw, unvarnished essence of pastoral life as poignantly as Théodore Géricault’s “The Plaster Kiln.” Completed in…
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In the quiet, tension-filled atmosphere of Théodore Géricault’s The Woman with Gambling Mania, we are invited into a private drama that feels as immediate today as it did…
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The four subjects that return most often on these canvases, each with its best-loved example.
8 музея, които притежават най-голям брой от картините на тази страница.
| Музеи | Град | Творения на Теодор Жерико | Картини от този списък |
|---|---|---|---|
 Лувър |
Пари | 20 | Балсата на Медуза, The Raft of the Medusa (detail), Leda and the Swan |
 Шатьо де Шантили |
Шантили | 6 | Mazeppa, Boxers, Lion devouring a horse |
 Музей Джейн Пол Гети |
Лос Анджелис | 3 | Three Lovers, Study of a Model, The Race of the Riderless Horses |
 Национален музей във Варшава |
Варшава | 3 | Equestrian portrait of Wincenty Krasiński., A study for a nude., Study of a nude man |
 Burrell Collection |
Глазгоу | 8 | The Trumpeter of the Lancers of the Guard, A Prancing Grey Horse |
 Musée Fabre |
Монпелие | 4 | Study of Feet and Hands, Portrait d'homme |
 Petit Palais |
Париж | 3 | The Scotsman, Italian Landscape with Tomb |
 Музей Тисен-Борнемица |
Мадрид | 2 | The Kiss, The Horse Race |
Jean-Louis André Théodore Géricault's "Two Horses," painted in 1808-1809, isn’t merely a depiction of two magnificent animals; it’s a visceral exploration of movement, power, and the fleeting nature…
Монументалният шедьовър на Жан-Луи Андре Теодор Жерико е нещо много повече от просто изображение на морска катастрофа; това е висцерално изследване на човешката отчаяност, политически скандал и величествената…
The Allure of the Divine Encounter: Géricault’s *Nymph and Satyr* Jean-Louis André Théodore Géricault's *Nymph and Satyr*, painted in 1819, isn’t merely a depiction of a mythological scene;…
Балсата на Медуза (1818), Лувър, Пари. Nymph and Satyr (Jupiter and Antiope) (1820) and The Oath of Brutus after the Death of Lucretia (1815) follow.
Теодор Жерико, born in 1791, was 27 years old: Балсата на Медуза dates from 1818.
Балсата на Медуза, Nymph and Satyr (Jupiter and Antiope), The Oath of Brutus after the Death of Lucretia, Lions in a Mountainous Landscape, The Kiss, Wounded Soldiers Retrating from Russia, Study of Feet and Hands, The Raft of the Medusa (detail), Leda and the Swan и The Wreck. Each canvas in the ranking above comes with its year and its museum.
183 works by Теодор Жерико are in our catalogue, dated 1800 to 1824.
Mostly in Лувър (Пари), Шатьо де Шантили (Шантили) и Музей Джейн Пол Гети (Лос Анджелис); the list above names each museum and its canvases.
In 1810s, which gave 67 of the 100 works on this page, Балсата на Медуза among them.
The earliest canvas here is Portrait of a Negro (1800); the latest is The Wreck (1824).
Man (12), Portrait (9) и Horse (8), across the 100 works on this page.
Oil On Canvas, used in 25 of the 100 works on this page.
Romantic painting, as the canvases on this page show.
The Лувър, Пари holds 14 of the works on this page, among them Балсата на Медуза, The Raft of the Medusa (detail) и Leda and the Swan.
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
