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Anthonis Mor Van Dashorst, Resurrected Jesus Christ surrounded by St. Peter and St. Paul (1556), Château de Chantilly. Veřejná doména Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Anthonis Mor Van Dashorst topimpressionists.com/cs/artists/anthonis-mor-van-dashorst/
Datum vzniku díla
1517 – 1577
Malováno
1556
Technika
Oil
Pohyb
Northern Renaissance Northern European painters using the new oil paint for astonishing detail — every hair, every reflection.
Období
Renaissance
Koná se v
Château de Chantilly topimpressionists.com/cs/museums/chateau-de-chantilly-chantilly_cs/
Artistic style
Realistic religious painting
Notable elements
Angelic figure, flowers, bird detail
Subject or theme
Resurrection of Christ

V kontextu

Resurrected Jesus Christ surrounded by St. Peter and St. Paul — Anthonis Mor Van Dashorst

Kdy bylo toto dílo namalováno?

  1. 1510
  2. 1520
  3. 1530
  4. 1540
  5. 1550
  6. 1560
  7. 1570

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 60 při smrti.

Vymalováno v době, kdy bylo umělci 39 let. Umělec dožil se 60 let. 6 z celkových 18 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Anthonis Mor Van Dashorst (1517–1577) ▲ toto dílo, 1556 každý obraz s datem vzniku, dekáda po dekádě

První díla: až do 1554 Hlavní období tvůrčí činnosti: 1554–1562 Pozdní díla: od 1562

Tyto tři pásma rozdělují díla s uvedeným datem na první čtvrtinu, prostřední polovinu a poslední čtvrtinu. Nejedná se o kompletní tvorbu daného umělce: úzká pásma mohou představovat spíše mezery v záznamech než období nečinnosti. Ty samé roky, v nichž se odehrává život umělce

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: topimpressionists.com/cs/art/similar/anthonis-mor-van-dashorst-resurrected-jesus-christ-surrounded-by-st-peter-a-D49BUW-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Walnut #654830

    Katalogizovaná paleta

    • #654830
    • #23190E
    • #D2C1A1
    • #9F8263

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Earthy Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Walnut
    Intenzita
    Balanced Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Statement Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Strong Color Unity Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Balanced Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Subtle Color Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • méně než 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Anthonis Mor Van Dashorst za posledních dvanáct měsíců — celkem 4 zemí. Zdroj těchto údajů

    Deset nejvýznamnějších zemí

    1. 1 Čína 50,0%
    2. 2 Indie 16,7%
    3. 3 Singapur 16,7%
    4. 4 Spojené státy americké 16,7%

    Najděte na mapě tři nejtmavší země. Nachází se v některé z nich muzeum, které toto malířské dílo uchovává? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    Top 9 nejvíce prohlížených děl umělce Anthonis Mor Van Dashorst

    1. 1 Portrait of Philippe de Montmorency, Count of Horne, Admiral of the Netherlands, Member of the Council of State, Anthonis Mor (copy after), 1562, 1562 12,5%
    2. 2 Sir Thomas Gresham, 1560 12,5%
    3. 3 Margaret, Duchess of Parma, 1562 12,5%
    4. 4 Cardinal Granvelle's Dwarf, 1560 12,5%
    5. 5 Portrait of the Philip II, King of Spain, 1554 12,5%
    6. 6 Portrait of Philip II in Armour, 1557 12,5%
    7. 7 Portrait of Philippe de Montmorency, Count of Horne, Admiral of the Netherlands, Member of the Council of State, Anthonis Mor (copy after), 1540 - 1650, 1650 12,5%
    8. 8 Portraits of Sir Thomas Gresham and Anne Fernely, Anthonis Mor, c. 1560 - c. 1565, 1565 12,5%
    9. — Resurrected Jesus Christ surrounded by St. Peter and St. Paul, 1556 tento obraz 0,0%

    Tyto práce společně si nárokují 100,0% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 20 děl tohoto umělce, z nichž 8 byla prohlédnuta alespoň jednou. Tento obraz zatím v daném období nebyl prohlédnut – uzavírá seznam bez uvedeného pořadí. Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    O tomto uměleckém díle

    Resurrected Jesus Christ surrounded by St. Peter and St. Paul — Anthonis Mor Van Dashorst

    A Divine Encounter: The Radiance of Resurrection

    In the profound stillness of mid-sixteenth-century religious devotion, Anthonis Mor van Dashorst captures a moment of celestial triumph in his masterpiece, Resurrected Jesus Christ surrounded by St. Peter and St. Paul. This evocative work serves as more than a mere depiction of biblical events; it is a window into the spiritual psyche of the Northern Renaissance. The composition centers on the triumphant figure of Christ, whose presence radiates a sense of peace and victory over mortality. Flanking Him are the pillars of the early Church, St. Peter and St. Paul, whose very proximity to the divine suggests a bridge between the earthly realm and the eternal. As the eye wanders through the scene, one encounters an angelic presence bearing flowers—symbols of life and rebirth—which softens the gravity of the sacred assembly with a touch of ethereal grace.

    The painting is populated by a delicate arrangement of onlookers, their faces reflecting a spectrum of human emotion from awe to quiet contemplation. This layering of figures creates a profound sense of depth and community, inviting the viewer to step into the crowd and participate in this holy revelation. Even the subtle inclusion of nature, such as the small bird perched near the upper corner, serves to ground this miraculous event within the natural order, suggesting that the resurrection is an event that resonates through all of creation.

    Mastery of the Dutch Renaissance Style

    Anthonis Mor van Dashorst, a painter celebrated for his "regal dignity," brings his signature meticulous realism to this religious subject. While he was renowned for capturing the precise textures of velvet and lace in his portraits of European nobility, here he applies that same technical rigor to the drapery of sacred vestments and the luminous skin tones of the saints. The technique is characterized by a masterful handling of light, which seems to emanate from Christ Himself, casting soft shadows that define the musculature and facial expressions of the surrounding apostles. This interplay of light and shadow—a hallmark of the era—imbues the canvas with a three-dimensional quality that makes the figures feel palpably present.

    The artist’s training, influenced by the legendary Pieter Bruegel the Elder, is evident in his ability to weave complex human narratives into a cohesive visual landscape. There is a rhythmic flow to the composition; the eye is led from the central divine light outward toward the peripheral figures, creating a circularity that mimics the eternal nature of the subject matter. For the collector or interior designer, this painting offers a sophisticated balance of dramatic intensity and classical harmony, making it a centerpiece capable of commanding attention in any curated space.

    A Timeless Addition to the Collector's Gallery

    For those seeking to infuse their surroundings with historical depth and spiritual resonance, a high-quality reproduction of this 1556 masterpiece offers an unparalleled opportunity. This artwork is not merely a decorative element; it is a conversation piece that speaks to the enduring power of faith and the technical brilliance of the Dutch Renaissance. The emotional impact of the work lies in its ability to evoke a sense of wonder, making it an ideal choice for grand foyers, private libraries, or contemplative study areas.

    Integrating such a profound work into a modern interior requires an appreciation for the way classical themes can interact with contemporary aesthetics. Whether placed within a traditional setting of heavy wood and rich textures or used as a striking contrast in a minimalist, modern gallery-style room, the painting provides a sense of permanence and cultural continuity. Owning a piece that captures Mor’s ability to portray the divine with such human intimacy allows the owner to surround themselves with the very essence of artistic and spiritual triumph.

    Umělec a muzeum

    Autor

    Anthonis Mor Van Dashorst

    Narozen(a) v Utrecht, Netherlands

    Anthonis Mor van Dashorst: The Painter of Regal Dignity

    Anthonis Mor van Dashorst (1517-1577) stands as a cornerstone of Dutch Renaissance portraiture, embodying the meticulous realism and symbolic depth characteristic of his era. Born in Utrecht, Netherlands, he emerged from a family steeped in artistic tradition – his father was a sculptor, establishing a lineage dedicated to visual representation. While biographical details remain somewhat sparse, Mor’s prolific output speaks volumes about his talent and unwavering commitment to capturing the essence of his subjects. He quickly gained renown for his ability to portray nobility with unparalleled accuracy, securing commissions from influential figures across Europe.

    Early Life & Training: Little is known definitively about Mor's formative years beyond his Utrecht upbringing. However, he studied under Pieter Bruegel the Elder in Antwerp, absorbing Bruegel’s masterful observation of human nature and landscape—influences that would permeate Mor’s own artistic vision.

    Antwerp Period & Artistic Development: Mor’s time in Antwerp proved pivotal for his artistic maturation. He honed his skills alongside fellow artists like Quentin Massys and Hendrik Golse, immersing himself in the vibrant artistic milieu of the Flemish Republic. This exposure fostered a sophisticated understanding of perspective and chiaroscuro—techniques he skillfully employed to illuminate his portraits with dramatic light and shadow.

    The Reign of Mary Tudor: A Masterpiece of Northern Renaissance Portraiture

    Mor’s fame ascended dramatically upon completing his portrait of Mary Tudor, Queen of England (1554). This monumental canvas exemplifies the pinnacle of Mor’s artistic prowess. Executed with painstaking detail, it captures Mary's regal bearing and inner composure—a testament to Mor’s ability to convey psychological nuance alongside physical likeness. The composition is meticulously balanced, utilizing pyramidal structure and subtle drapery folds to emphasize Mary’s stature and dignity. Furthermore, the use of chiaroscuro creates a captivating interplay of light and dark, highlighting Mary's face and conveying an aura of solemn grandeur. This portrait cemented Mor’s reputation as one of the foremost portraitists of his time and remains a celebrated exemplar of Northern Renaissance art.

    Royal Patronage & Artistic Recognition: Mor benefited greatly from royal patronage, securing commissions from monarchs across Europe—including Philip II of Spain. These engagements allowed him to explore ambitious projects and refine his artistic style, furthering his legacy as a court artist.

    Notable Commissions & Artistic Style: Beyond Mary Tudor’s portrait, Mor undertook numerous commissions depicting prominent statesmen, diplomats, and aristocrats. His distinctive artistic style—characterized by meticulous realism, masterful perspective, and expressive chiaroscuro—became instantly recognizable. He consistently prioritized conveying not merely physical appearance but also character and emotion, elevating his portraits beyond mere likenesses into profound statements about human dignity.

    Influence & Legacy

    Mor’s influence extended far beyond his immediate contemporaries. His meticulous approach to portraiture established a precedent for subsequent generations of artists—inspiring them to strive for greater accuracy and psychological insight. He championed the humanist ideals prevalent during the Renaissance, reflecting an unwavering belief in the power of art to illuminate human experience. Today, Mor van Dashorst’s paintings continue to captivate audiences worldwide, serving as enduring reminders of the artistic brilliance achieved during the Dutch Golden Age—a period defined by innovation, ambition, and a profound appreciation for beauty.

    Muzeum

    Château de Chantilly

    Vystaveno v Chantilly, Francie

    A Princely Legacy Etched in Stone and Canvas: The Château de Chantilly

    Nestled amidst the rolling hills just north of Paris, where ancient forests whisper tales of centuries past, rises the Château de Chantilly – far more than a mere building, but a living embodiment of ambition, artistic patronage, and enduring beauty. It’s a meticulously crafted narrative woven from stone, canvas, and the echoes of noble families, a place where history breathes with an undeniable vibrancy. Initially conceived in the 16th century as a hunting lodge by Anne de Montmorency, Chantilly blossomed into a princely estate under the visionary leadership of Henri d’Orléans, Duke of Aumale, who transformed it into a breathtaking showcase for his extraordinary art collection – a gift to France entrusted to the Institut de France and destined to become one of Europe's most celebrated cultural landmarks. Visiting this château is akin to stepping through time, enveloped in an atmosphere of refined elegance, where every room holds stories waiting to be discovered.

    At the heart of this captivating estate lies the Musée Condé, a repository brimming with unparalleled artistic significance. This museum isn’t simply a collection; it's a carefully curated journey through the evolution of European painting from the 15th to the 19th centuries. The scope is remarkably comprehensive, boasting masterpieces that transport you across time – the ethereal Three Graces radiating an otherworldly beauty by Raphael, alongside the dramatic compositions of Nicolas Poussin and the delicate scenes of Antoine Watteau. But it’s the Très Riches Heures du Duc de Berry, a medieval book of hours, that truly captures the imagination. This illuminated manuscript is a miniature world of exquisite detail, vibrant colors, and evocative depictions of courtly life and the changing seasons; each page a testament to the extraordinary skill and artistry of the illuminators who brought these sacred texts to life with such breathtaking precision. Beyond paintings and manuscripts, the Musée Condé also houses an impressive array of sculptures, furniture, and decorative arts – all contributing to a holistic understanding of French artistic heritage and reflecting the Duke’s discerning taste for beauty and craftsmanship.

    A Dialogue in Stone: Architecture Through the Ages

    The Château de Chantilly isn't defined by a single architectural style; rather, it embodies a fascinating dialogue between different eras. The Petit Château, dating back to around 1560, exemplifies the elegance and refinement of Renaissance design – an intimate space offering a glimpse into the estate’s early history. Notice the delicate carvings above the windows, the graceful proportions of the façade, and the subtle use of light and shadow within the rooms; these details speak volumes about the meticulous craftsmanship of the period. In stark contrast, the Grand Château is a product of the ambitious rebuilding project undertaken by the Duke of Aumale in the late 19th century. This imposing structure reflects a more opulent aesthetic, designed to showcase his vast art collection and evoke the grandeur of the French court – a testament to the evolving tastes and ambitions of generations. The transition between these two buildings isn’t jarring; instead, it creates a compelling visual narrative, illustrating the evolution of taste and ambition over centuries. The juxtaposition of the intimate Renaissance design with the grand Baroque style is particularly striking, offering a unique insight into the changing aesthetic sensibilities of the time.

    Resilience and Restoration: A History Forged in Nobility

    The story of Château de Chantilly is inextricably linked to the fortunes of France’s most prominent families. From its origins as a hunting lodge for Anne de Montmorency, it passed into the hands of the Condé family, becoming a center of political influence and cultural life. The French Revolution brought devastation, leaving much of the original château in ruins. However, the Duke of Aumale’s unwavering dedication ensured its resurrection – not merely as a replica of the past, but as an enhanced expression of artistic and historical significance. His commitment extended beyond rebuilding; he meticulously assembled the art collection that forms the core of the Musée Condé, transforming Chantilly into a cultural beacon. The restoration efforts undertaken in recent decades, supported by organizations like The Aga Khan and the World Monuments Fund, have further secured the château’s future, ensuring that its treasures will continue to inspire and captivate visitors for generations to come. This ongoing commitment to preservation speaks volumes about the enduring value placed on this remarkable cultural landmark – a testament to the power of vision and dedication.

    Notable Exhibitions & Ongoing Events

    The Château de Chantilly regularly hosts a diverse range of exhibitions, offering fresh perspectives on its permanent collection and showcasing both established masters and emerging artists. Past highlights have included lavish displays dedicated to French portraiture, exploring the evolution of fashion through centuries of dress, and immersive installations that combined art with technology. Beyond these temporary exhibits, the Château also plays host to a vibrant calendar of events throughout the year, including classical music concerts, theatrical performances, and family-friendly activities. The annual equestrian shows at the Grandes Écuries are a particularly spectacular event, showcasing the skill and grace of horses and riders – a tradition that dates back centuries. Check the official website for the most up-to-date schedule of events.

    A Unique Destination: Where Art, History, and Nature Converge

    Château de Chantilly offers an experience unlike any other. It is a place where art isn’t simply observed but felt, where history comes alive through the tangible beauty of its architecture and collections, and where the serenity of the surrounding gardens provides a moment of peaceful contemplation. The château’s unique blend of historical significance, artistic brilliance, and architectural splendor sets it apart as a premier cultural destination. Whether you are an avid art collector seeking inspiration, a history enthusiast eager to delve into France's rich past, or simply someone in search of a beautiful escape from the bustle of Paris, Château de Chantilly promises an unforgettable journey through time and artistry – a testament to the enduring power of human creativity and the importance of preserving our cultural heritage for future generations.

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    Jak citovat toto dílo

    MLA
    Dashorst, Anthonis Mor Van. Resurrected Jesus Christ surrounded by St. Peter and St. Paul. 1556, Château de Chantilly. https://topimpressionists.com/cs/art/anthonis-mor-van-dashorst-resurrected-jesus-christ-surrounded-by-st-peter-a-D49BUW-en/
    APA
    Dashorst, Anthonis Mor Van (1556). Resurrected Jesus Christ surrounded by St. Peter and St. Paul [Painting]. Château de Chantilly. https://topimpressionists.com/cs/art/anthonis-mor-van-dashorst-resurrected-jesus-christ-surrounded-by-st-peter-a-D49BUW-en/
    Chicago
    Anthonis Mor Van Dashorst. Resurrected Jesus Christ surrounded by St. Peter and St. Paul. 1556. Château de Chantilly. https://topimpressionists.com/cs/art/anthonis-mor-van-dashorst-resurrected-jesus-christ-surrounded-by-st-peter-a-D49BUW-en/
    Harvard
    Dashorst, Anthonis Mor Van (1556) Resurrected Jesus Christ surrounded by St. Peter and St. Paul. Château de Chantilly. Available at: https://topimpressionists.com/cs/art/anthonis-mor-van-dashorst-resurrected-jesus-christ-surrounded-by-st-peter-a-D49BUW-en/

    Zaměřte se pozorně

    Resurrected Jesus Christ surrounded by St. Peter and St. Paul — Anthonis Mor Van Dashorst

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. V našem katalogu je toto dílo zařazeno pod: jesus christ, st. peter, st. paul. Souhlasíte? Co byste k němu přidali nebo co byste z něj odebrali?
    4. Vraťte se k dílu Cardinal Granvelle's Dwarf (1560), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    5. Northern Renaissance: Northern European painters using the new oil paint for astonishing detail — every hair, every reflection. Kde v tomto díle můžete tento prvek spatřit?

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    Otázky a odpovědi

    Kde si mohu koupit ručně malovanou reprodukci díla „Resurrected Jesus Christ surrounded by St. Peter and St. Paul“ od Anthonis Mor Van Dashorst?

    „Resurrected Jesus Christ surrounded by St. Peter and St. Paul“ je dostupná jako ručně malovaná olejová reprodukce na lněném plátně. Objednávku můžete zadat na její stránce Ručně malovaná reprodukce, kde si můžete vybrat z různých rozměrů.

    Jaké místo si v dějinách umění zaujímá „Resurrected Jesus Christ surrounded by St. Peter and St. Paul“ od Anthonis Mor Van Dashorst?

    Dílo „Resurrected Jesus Christ surrounded by St. Peter and St. Paul“ od Anthonis Mor Van Dashorst patří k období Renaissance a směru Northern Renaissance. Tyto prvky společně zasazují dílo do historie umění.

    Lze dílo „Resurrected Jesus Christ surrounded by St. Peter and St. Paul“ zobrazit v náhledu v rozšířené realitě?

    Dílo „Resurrected Jesus Christ surrounded by St. Peter and St. Paul“ nabízí náhled v rozšířené realitě: na stránce Náhled v rozšířené realitě si jej můžete prohlédnout ve vlastním prostoru pomocí kompatibilního zařízení.