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On the Sofa

Berthe Morisotová, 1871

Jméno Ročník Datum
Berthe Morisotová, On the Sofa (1871), Národní muzeum. Právo veřejné domény Podívejte se na toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Zásadní informace

Autor
Berthe Morisotová topimpressionists.com/cs/artists/berthe-morisotova_cs/
Datum vzniku díla
1841 – 1895
Malováno
1871
Medium
Oil On Canvas
Pohyb
Impressionist Movement
Místo konání
Národní muzeum topimpressionists.com/cs/museums/narodni-muzeum-stockholm_cs/
Artistic style
Domestic genre painting
Influences
Corot, Manet
Notable elements
Intimate scene, muted tones
Subject or theme
Woman on a sofa

Autorská práva Toto dílo je volno v rámci veřejného vlastnictví. Berthe Morisotová zemřel(a) v roce 1895; autorská práva trvají 70 let po smrti umělce, takže vypršela v roce 1965.

Zdroj: TopImpressionists.com — datum přístupu: 26. září 2026

On the Sofa — Berthe Morisotová Část 1 · Informace o díle

V kontextu

On the Sofa — Berthe Morisotová

Kdy bylo toto dílo vytvořeno?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 54 při smrti.

Vymalováno v době, kdy bylo umělci 30 let. Umělec dožil se 54 let. 15 z celkových 241 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Berthe Morisotová (1841–1895) ▲ toto dílo, 1871 každý obraz s datem vzniku, dekáda po dekádě

První díla: až do 1879 Hlavní období tvůrčí činnosti: 1879–1889 Pozdní díla: od 1889

Tyto tři pásma rozdělují díla v tomto katalogu, která mají uvedené datum, na první čtvrtinu, prostřední polovinu a poslední čtvrtinu. Nejedná se o kompletní tvorbu daného umělce: úzká pásma mohou představovat spíše mezery v záznamech než období nečinnosti. Ty samé roky, v nichž se odehrává život umělce

Podobná díla

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: topimpressionists.com/cs/art/similar/berthe-morisot-on-the-sofa-8EWCTW-en/

Paleta barev

Určeno podle obrazu

    Hlavní barva

    Putty #f5deb3

    Uložená paleta

    • #F5DEB3
    • #DFB87F
    • #4F3029
    • #AB754C

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Pastels Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Putty
    Sytost
    Vivid Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Bold Jak moc se barvy v rámci obrazu liší v jasnosti a sytosti.
    Harmonie
    Strong Color Unity Jak dobře barvy spoluladí, od kontrastních až po plně harmonické.
    Jasnost
    Brilliant Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Balanced Soft Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Berthe Morisotová za posledních dvanáct měsíců — celkem 32 zemí. Odkud tyto údaje pocházejí

    Deset předních zemí

    1. 1 Čína 57,8%
    2. 2 Japonsko 7,3%
    3. 3 Spojené státy americké 5,9%
    4. 4 Singapur 4,7%
    5. 5 Španělsko 3,5%
    6. 6 Hongkong 3,5%
    7. 7 Francie 3,3%
    8. 8 Německo 2,6%
    9. 9 Itálie 2,3%
    10. 10 Brazílie 1,4%
    11. · 22 dalších zemí 7,7%

    Najděte na mapě tři nejtmavší země. Nachází se muzeum, které toto malířské dílo uchovává, v některé z nich? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    20 nejvíce prohlížených děl umělce Berthe Morisotová

    1. 1 The Hydrangea, 1894 2,8%
    2. 2 Zahrada s violkami, 1872 2,4%
    3. 3 The Garden at Bougival, 1884 2,4%
    4. 4 Kůr Rosičáku, 1885 2,2%
    5. 5 Psyche, 1876 2,2%
    6. 6 Girl with Cat, 1892 1,9%
    7. 7 The Quay at Bougival, 1883 1,7%
    8. 8 In the Garden at Maurecourt, 1884 1,7%
    9. 9 Eugene Manet on the Isle of Wight 1,3%
    10. 10 In the Dining Room, 1875 1,3%
    11. 11 Young Woman Dressed for the Ball, 1879 1,3%
    12. 12 Summer (also known as Young Woman by a Window), 1878 1,3%
    13. 13 Julie Manet and her Greyhound Laerte, 1893 1,3%
    14. 14 Child in the Rose Garden, 1881 1,3%
    15. 15 Sestra umělcova Edma s její dcerou Jeanne, 1872 1,3%
    16. 16 The Harbor at Lorient, 1869 1,3%
    17. 17 Paule Gobillard Painting, 1886 1,1%
    18. 18 Girl in a Boat, with Geese, 1889 1,1%
    19. 19 On the Balcony of Eugene Manet's Room at Bougival, 1881 1,1%
    20. 35 On the Sofa, 1871 tento obraz 0,7%

    Tyto práce společně tvoří 31,7% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 331 děl tohoto umělce, z nichž 213 byla prohlédnuta alespoň jednou. Tento obraz se v tomto žebříčku nachází na 35 místě, přičemž si připravuje 0,7% této pozornosti. Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    Zdroj: TopImpressionists.com — datum přístupu: 26. září 2026

    On the Sofa — Berthe Morisotová Část 2 · V kontextu

    O tomto uměleckém díle

    On the Sofa — Berthe Morisotová

    Berthe Morisot’s “On the Sofa”: A Moment of Intimacy in Impressionist Light

    Berthe Morisot's "On the Sofa," painted in 1871, isn’t merely a depiction of a woman reading; it’s a carefully constructed tableau of domestic tranquility and quiet contemplation – a window into the private world of a Parisian bourgeois family during the cusp of modern art. This intimate scene, rendered with Morisot's signature delicate brushwork and luminous palette, exemplifies the Impressionist movement’s fascination with capturing fleeting moments and subjective experience rather than striving for photographic realism.

    The painting immediately draws the eye to the central figure, a woman seated on a richly upholstered sofa. Her posture is relaxed yet attentive, suggesting she's deeply absorbed in her book – though the specific text remains tantalizingly unseen. Morisot masterfully employs light and shadow to create a sense of depth and atmosphere. The room is bathed in soft, diffused light, likely filtered through a window, casting gentle shadows that soften the forms and contribute to the painting’s overall feeling of warmth and serenity. Notice how she has used broken brushstrokes to capture the texture of the fabric and the subtle play of light on its surface – a technique crucial to Morisot's distinctive style.

    A Glimpse into Parisian Life and Artistic Circles

    To fully appreciate “On the Sofa,” it’s essential to understand the context in which it was created. The late 19th century witnessed significant social and artistic shifts in Paris, with a growing emphasis on individualism and a rejection of academic conventions. Morisot, along with fellow Impressionists like Monet and Renoir, sought to capture the essence of modern life – not grand historical events or mythological scenes, but rather everyday moments experienced by ordinary people. Her close friendship with Édouard Manet, a pivotal figure in the Impressionist movement, undoubtedly influenced her artistic development; he was a frequent subject of her paintings, and she often shared studio space with him.

    The presence of two chairs behind the woman – one slightly closer to the viewer – subtly suggests a scene unfolding within a larger domestic setting. It’s a detail that adds depth and narrative complexity to the composition, hinting at the lives of others present in the room. The inclusion of a vase on the sofa further reinforces this sense of domesticity, adding a touch of decorative elegance to the scene.

    Symbolism and Emotional Resonance

    While seemingly simple, “On the Sofa” is rich with symbolic meaning. The act of reading represents intellectual pursuit, personal reflection, and escape – all highly valued pursuits for women of the era, often confined to domestic roles. The woman’s posture suggests a state of contentment and self-possession, reflecting Morisot's own quiet confidence as an artist. The muted color palette—predominantly browns, creams, and greens—evokes a sense of comfort and familiarity, while the soft lighting contributes to the painting’s overall feeling of intimacy and warmth.

    Morisot’s choice to depict a woman engaged in a solitary activity was groundbreaking for its time. It challenged traditional representations of women in art, which often focused on their roles as wives and mothers. Instead, Morisot presented a woman as an individual with her own interests and passions – a subject worthy of artistic attention in her own right.

    A Legacy of Delicate Beauty

    "On the Sofa" stands as a testament to Berthe Morisot’s extraordinary talent and her pivotal role in the development of Impressionism. It's a painting that invites viewers to pause, reflect, and appreciate the beauty of everyday moments. Reproductions of this work capture the delicate nuances of Morisot’s brushwork and the luminous quality of her palette, allowing us to experience the same sense of tranquility and intimacy that she so skillfully conveyed on canvas. It remains a poignant reminder of a woman's quiet strength and artistic vision in a rapidly changing world.

    Zdroj: TopImpressionists.com — datum přístupu: 26. září 2026

    On the Sofa — Berthe Morisotová Část 3 · O tomto díle

    Umělec a muzeum

    Umělec

    Berthe Morisotová

    Narozen(a) v Bourges, Francie

    A Life Immersed in Light and Intimacy

    Berthe Morisot, born in Bourges, France, in 1841, emerged as a pivotal figure within the Impressionist movement, yet her story extends far beyond simply being a “female Impressionist.” To define her solely by gender diminishes the profound originality of her artistic vision and her unwavering commitment to capturing the fleeting moments of modern life. Descended from a bourgeois family with artistic lineage – she was related to the celebrated Rococo painter Jean-Honoré Fragonard – Morisot received an education uncommon for women of her era, one that nurtured her innate talent and fostered a lifelong dedication to painting. Early lessons with Geoffroy-Alphonse Chocarne and Joseph Guichard provided foundational skills, but it was exposure to the masterpieces within the Louvre, copying works by the Old Masters, that truly ignited her artistic sensibility. This period of rigorous training laid the groundwork for her later explorations of light, color, and form. The influence of Jean-Baptiste-Camille Corot proved particularly significant; his emphasis on plein air painting – working outdoors directly from nature – became a cornerstone of Morisot’s approach, allowing her to capture the ephemeral qualities of light and atmosphere with remarkable sensitivity.

    Navigating the Impressionist Circle

    Morisot's artistic journey intertwined closely with that of Édouard Manet, whom she met in 1864. Their relationship was one of mutual respect and intellectual exchange, with Manet serving as a mentor and friend. He painted her numerous times, immortalizing her presence within his own evolving style. However, Morisot wasn’t merely a subject; she actively participated in the burgeoning Impressionist movement, becoming a founding member alongside Monet, Degas, Renoir, and Pissarro. In 1874, she boldly exhibited with this group of “rejected” artists, defying the conservative standards of the official Salon. This first Impressionist exhibition marked a turning point in art history, challenging traditional academic conventions and paving the way for new modes of artistic expression. Morisot participated in nearly all subsequent Impressionist exhibitions, consistently showcasing her unique perspective and solidifying her position within the avant-garde. Her work, often depicting intimate scenes of domestic life – women reading, mothers with children, leisurely moments in gardens – offered a distinctly feminine gaze, challenging prevailing societal norms and expanding the scope of acceptable subject matter for female artists.

    A Distinctive Artistic Voice

    What sets Morisot apart is not simply what she painted, but how she painted it. Her brushwork is characterized by its delicate fluidity, a lightness of touch that conveys an impression of spontaneity and immediacy. She masterfully employed broken color – applying small strokes of pure pigment side-by-side to create a shimmering effect of light and atmosphere. Unlike some of her Impressionist colleagues who focused on grand landscapes or bustling cityscapes, Morisot often chose intimate interior scenes and portraits, exploring the nuances of human relationships and the quiet beauty of everyday life. Her palette is typically soft and harmonious, favoring pastel shades and subtle gradations of color. This isn’t to say her work lacks strength; rather, it possesses a refined elegance and emotional depth that resonates with viewers even today. Critics like Gustave Geffroy recognized this unique quality, hailing her as one of “les trois grandes dames” of Impressionism – alongside Marie Bracquemond and Mary Cassatt – acknowledging her significant contribution to the movement.

    Key Works and Influences

    Morisot’s artistic development was shaped by a diverse range of influences. Beyond Corot's plein air approach, she deeply admired the works of the Old Masters, particularly those depicting light and atmosphere. The meticulous detail and compositional structure of artists like Jean-Auguste-Dominique Ingres provided a framework for her own explorations of form and perspective. However, it was Manet’s innovative use of color and his willingness to challenge academic conventions that had the most profound impact on her artistic style. Her early portraits, such as Portrait of Madame Morisot (1870), demonstrate this influence, capturing the sitter's personality with a subtle blend of realism and Impressionistic brushwork. Later works, like The Cradle (1872) and Woman at Her Toilette (1876), showcase her growing mastery of light and color, as well as her ability to capture fleeting moments of domestic intimacy. The influence of Japanese prints, which were gaining popularity in Europe during this period, can also be seen in Morisot’s compositions – particularly her use of asymmetrical arrangements and flattened perspectives.

    Legacy and Historical Significance

    Berthe Morisot’s life was tragically cut short in 1895, but her artistic legacy endures. Married to Eugène Manet, brother of Édouard, she navigated a world that often underestimated female artists, yet she persevered with unwavering determination. She exhibited under her full maiden name – a subtle act of independence and self-assertion – and consistently challenged conventional expectations. Her work continues to captivate audiences with its delicate beauty, emotional honesty, and innovative technique. Morisot’s influence extends beyond the realm of Impressionism; she paved the way for future generations of female artists, demonstrating that women could achieve artistic excellence and contribute meaningfully to the evolution of art history. Today, her paintings are held in prestigious collections around the world, serving as a testament to her enduring talent and her pivotal role in shaping modern art. Woman in the Green Dress, The Cradle, and Summer’s Day remain iconic examples of her mastery, inviting viewers into a world of light, intimacy, and quiet contemplation.

    Muzeum

    Národní muzeum

    Vystaveno v Stockholm, Švédsko

    A Chronicle of Swedish Identity: Unveiling the Nationalmuseum

    Nestled within Stockholm’s heart, on the tranquil Blasieholmen peninsula, lies the Nationalmuseum – a building and a collection that breathe with the very soul of Sweden. More than simply a repository for art, it's a vibrant chronicle of the nation’s cultural evolution, a testament to its artistic journey from medieval craftsmanship to the bold expressions of today. Stepping through its doors is akin to embarking on an immersive exploration, a winding path through centuries of Swedish identity, interwoven with the rich tapestry of European artistic traditions. The museum’s architecture itself – a magnificent homage to Northern Italian Renaissance design conceived by the German architect Friedrich August Stüler – immediately establishes a sense of grandeur and restrained elegance; a deliberate simplicity in the façade concealing an astonishingly spacious interior, while the dramatic ascent of the staircase towards the uppermost galleries feels like a symbolic climb into the realm of artistic contemplation.

    A Royal Beginning:

    Founded in 1792 as Kungliga Museet – the Royal Museum – the Nationalmuseum’s story is inextricably linked to the Swedish monarchy. Initially, it housed the royal collections, showcasing treasures acquired through patronage and diplomatic exchanges. This aristocratic heritage profoundly shaped the museum's early focus on displaying regal artistry and historical artifacts.

    Architectural Statement:

    The building’s inauguration in 1866 marked a pivotal moment not just for Stockholm but also for Swedish architecture. Stüler’s design, inspired by Renaissance principles, was a deliberate statement of national pride – a conscious choice to honor Sweden's historical ties and its connection to European artistic excellence.

    The Painting Galleries: A Journey Through Time

    The heart of the Nationalmuseum undoubtedly lies within its extensive painting galleries, offering a sweeping panorama of artistic voices spanning centuries. Here, one can trace the evolution of Swedish art from the delicate religious scenes of the Renaissance – masterpieces that evoke a profound sense of faith and devotion, reminiscent of early Flemish masters – to the emotionally charged canvases of Goya, brimming with dramatic intensity and psychological depth. The collection culminates in the masterful chiaroscuro of Rembrandt, whose use of light and shadow continues to captivate viewers today. But it’s not just European luminaries that shine here; the museum champions Swedish artists, presenting their contributions across various periods and movements – from the dramatic landscapes of Albert Rydberg, capturing the raw beauty of Sweden's wilderness, to the poignant portraits of Carl Larsson, offering intimate glimpses into the lives of ordinary Swedes. The juxtaposition of these international giants with pivotal works defining Swedish artistic heritage is a testament to the museum’s commitment to showcasing both global influences and national identity.

    Sculpture and Applied Arts: A Deeper Dive

    Beyond the paintings, the Nationalmuseum's collection extends into sculpture, featuring classical pieces alongside more experimental forms reflecting evolving artistic sensibilities. The sculptures range from imposing Roman busts to abstract works that challenge traditional notions of form and beauty – a clear indication of Sweden’s engagement with both established traditions and innovative approaches. Equally impressive is the museum’s collection of applied arts and design, a fascinating reflection of Swedish aesthetic ideals throughout history. Visitors can trace the evolution of furniture design, from the functional elegance of 18th-century pieces to the minimalist forms of modern designs, meticulously crafted to embody both beauty and practicality. The ceramics are imbued with symbolic meaning, often referencing Norse mythology and folklore, while the textiles – woven with intricate patterns and vibrant colors – reveal how artistry seamlessly blended with functionality in everyday life.

    A Living Museum: Exhibitions and Community Engagement

    The Nationalmuseum isn’t merely a static display of masterpieces; it's a dynamic cultural hub actively engaging with contemporary issues. Recent highlights include “Hanna Hirsch Pauli – The Art of Being Free,” an exhibition exploring artistic expression as a tool for confronting societal challenges, demonstrating the museum’s dedication to fostering dialogue and inspiring reflection. The museum consistently seeks to broaden access to art education, offering engaging programs for visitors of all ages, from family workshops that spark creativity in young minds to lectures and tours designed to deepen understanding for adults. Furthermore, ongoing initiatives aim to connect diverse communities with cultural heritage, ensuring that the Nationalmuseum remains a vital force in shaping Sweden’s cultural landscape. The commitment to accessibility is evident in its free admission on Thursdays and for visitors under 20 – a gesture reflecting a deep-seated belief in the importance of art for all.

    A Legacy Preserved, A Future Embraced

    Ultimately, the Nationalmuseum distinguishes itself through its unwavering commitment to preserving Sweden’s artistic heritage while simultaneously embracing innovation. The architectural grandeur serves as a tangible connection to history, inviting visitors to contemplate the enduring power of art and design – a space for contemplation, discovery, and inspiration. The museum's ongoing renovation project, completed in 2018, has not only modernized its facilities but also reaffirmed its commitment to serving future generations of art lovers. With its rich collection, stunning architecture, and dynamic programming, the Nationalmuseum stands as a beacon of Swedish culture – a place where history comes alive and artistic expression continues to inspire.

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    QR kód odkazující na stránku ke stažení On the Sofa

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    Citace tohoto díla

    MLA
    Morisotová, Berthe. On the Sofa. 1871, Národní muzeum. https://topimpressionists.com/cs/art/berthe-morisot-on-the-sofa-8EWCTW-en/
    APA
    Morisotová, Berthe (1871). On the Sofa [Painting]. Národní muzeum. https://topimpressionists.com/cs/art/berthe-morisot-on-the-sofa-8EWCTW-en/
    Chicago
    Berthe Morisotová. On the Sofa. 1871. Národní muzeum. https://topimpressionists.com/cs/art/berthe-morisot-on-the-sofa-8EWCTW-en/
    Harvard
    Morisotová, Berthe (1871) On the Sofa. Národní muzeum. Available at: https://topimpressionists.com/cs/art/berthe-morisot-on-the-sofa-8EWCTW-en/

    Zdroj: TopImpressionists.com — datum přístupu: 26. září 2026

    On the Sofa — Berthe Morisotová Část 4 · Umělec a muzeum

    Zaměřte se pozorně

    On the Sofa — Berthe Morisotová

    Detailní pohled

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. V našem katalogu je toto dílo zařazeno pod: woman, sofa, reading. Souhlasíte? Co byste k němu přidali nebo co byste z něj odebrali?
    4. Vraťte se k dílu Kůr Rosičáku (1885), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    5. Berthe Morisotová bylo při vzniku tohoto díla ve věku přibližně 30. Co v něm vypadá jako práce umělce právě v této životní fázi?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Zdroj: TopImpressionists.com — datum přístupu: 26. září 2026

    On the Sofa — Berthe Morisotová Část 5 · Detailní pohled

    Artový kvíz

    On the Sofa — Berthe Morisotová

    Jak dobře znáte toto umělecké dílo?

    U každé z následujících 5 otázek zaškrtněte jednu odpověď. Každá má právě jednu správnou odpověď.

    1. 1. What artistic movement is Berthe Morisot primarily associated with?

      • A Cubism
      • B Impressionism
      • C Surrealism

    2. 2. The painting 'On the Sofa' depicts a woman engaged in what activity?

      • A Painting a landscape
      • B Reading a book
      • C Playing musical instrument

    3. 3. What is a notable characteristic of Berthe Morisot's style as seen in 'On the Sofa'?

      • A Bold, dark outlines
      • B Loose brushstrokes and emphasis on light
      • C Highly detailed realism

    4. 4. In what year was 'On the Sofa' created?

      • A 1865
      • B 1871
      • C 1889

    5. 5. Which of the following best describes the overall mood or atmosphere conveyed by 'On the Sofa'?

      • A Energetic and chaotic
      • B Quiet, intimate, and peaceful
      • C Dramatic and unsettling

    Můj výsledek: ____ z 5

    Klíč k odpovědím – pro učitele

    Tato část začíná na nové vytištěné straně, takže ji lze z kopií jednoduše vynechat.

    1A · 2A · 3A · 4A · 5A

    Porovnejte jakoukoli odpověď s katalogovým záznamem tohoto obrazu

    Zdroj: TopImpressionists.com — datum přístupu: 26. září 2026

    On the Sofa — Berthe Morisotová Část 6 · Artový kvíz

    Otázky a odpovědi

    Jak populární je „On the Sofa“ v rámci směru Impressionist Movement?

    Dílo „On the Sofa“ od Berthe Morisotová je klasifikováno jako Recognized a patří k享有 směru Impressionist Movement.

    Co zachycuje dílo „On the Sofa“ od Berthe Morisotová?

    Témata obsažená v díle „On the Sofa“ od Berthe Morisotová zahrnují woman, sofa, reading, interior, leisure, domesticity, morisot. Tato témata společně shrnují obsah celého uměleckého díla.

    Kde si mohu koupit ručně malovanou reprodukci díla „On the Sofa“ od Berthe Morisotová?

    Ručně malovanou reprodukci díla „On the Sofa“ od Berthe Morisotová si můžete objednat přímo na jeho stránce Ručně malovaná reprodukce: ručně malovaná olejová reprodukce na lněném plátně, vyrábíme na zakázku.