Formát papíru

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Tiger Moth

Jméno Ročník Datum

eric william ravilious, Tiger Moth (1942), Tate Modern. Právo veřejné domény

Zásadní informace

Autor
eric william ravilious topimpressionists.com/cs/artists/eric-william-ravilious/
Datum vzniku díla
1903 – 1942
Malováno
1942
Medium
Acrylic On Canvas
Původní rozměry
46 x 56 cm
Pohyb
Magic Realism
Místo konání
Tate Modern topimpressionists.com/cs/museums/tate-modern-londyn_cs/

V kontextu

Tiger Moth — eric william ravilious

Jak velký je?

Původní rozměry jsou 46 × 56 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo vytvořeno?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940

Shaded: životopis eric william ravilious (1903–1942) ▲ toto dílo, 1942

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    Umělec a muzeum

    Umělec

    eric william ravilious

    Narozen v Acton, United Kingdom

    Eric William Ravilious: A Life in Landscape and Design

    Early Life and Education

    Born on July 22, 1903, in Acton, London, Eric William Ravilious spent much of his formative years in Sussex.

    His parents ran an antiques shop, which likely fostered his early appreciation for design and the vernacular arts.

    He was educated at Eastbourne Municipal Secondary School for Boys before winning a scholarship to Eastbourne School of Art.

    In 1922, he furthered his studies at the Design School of the Royal College of Art, where he formed a close friendship with fellow artist Edward Bawden.

    Artistic Development and Influences

    Ravilious’s artistic style developed as a unique blend of modernist principles and a deep engagement with English landscape and traditional art forms.

    He was influenced by the work of Paul Nash, particularly in his depictions of the English countryside imbued with a sense of mystery and history.

    The clarity and precision of his wood engravings were also shaped by the Arts and Crafts movement’s emphasis on craftsmanship.

    His early works often featured watercolors of the South Downs and Castle Hedingham, showcasing his meticulous attention to detail and distinctive color palette.

    Career and Major Works

    Ravilious began teaching part-time at both Eastbourne School of Art and the Royal College of Art, supplementing his income while pursuing his artistic endeavors.

    In 1930, he married Eileen Lucy “Tirzah” Garwood, who was also an artist and engraver; they had three children together.

    He became known for his watercolors depicting English landscapes, interiors, and scenes of everyday life with a distinctive modernist sensibility.

    Notable works include Rain, Steam and Speed – The Great Western Railway, The Red House on the Hill, and numerous book illustrations and wood engravings.

    War Artist and Later Life

    During World War II, Ravilious was commissioned as an official war artist by the Air Ministry.

    He documented scenes of wartime Britain, including aircraft maintenance, coastal defenses, and life on military bases.

    His wartime paintings offer a unique perspective on the conflict, focusing on the everyday realities of those supporting the war effort rather than dramatic battle scenes.

    Tragically, Ravilious died in 1942 while serving as a war artist with the Royal Air Force; his plane went missing over Iceland.

    Legacy and Historical Significance

    Despite his relatively short life, Eric Ravilious left a lasting impact on British art.

    His work is celebrated for its unique clarity, precise technique, and evocative depictions of English landscape and culture.

    He helped to bridge the gap between modernist aesthetics and traditional subject matter, creating a distinctly English artistic vision.

    Ravilious’s paintings and engravings are held in major museum collections, including the Tate and the Victoria & Albert Museum, ensuring his continued recognition and appreciation by art lovers worldwide.

    His work continues to inspire artists today, offering a poignant reminder of a bygone era and a testament to the power of observation and artistic skill.

    Muzeum

    Tate Modern

    Vystaveno v Londýn, Spojené království

    Tate Modern: A Chronicle of Urban Innovation

    Nestled within the skeletal remains of a colossal Bankside power station, Tate Modern isn’t merely a gallery; it's a profound statement about London’s relentless reinvention and a vibrant heart for contemporary art. Completed in 2000 after fifteen years of painstaking transformation, the building itself is an immediate, arresting spectacle – a dramatic juxtaposition of brutalist concrete and shimmering glass that dominates the Southwark skyline. Designed by Herzog & de Meuron, it's a structure that transcends its role as a simple container for art; it becomes part of the artwork, reflecting the city’s dynamic energy and its ongoing dialogue with the past, a conversation etched into every exposed girder and soaring sawtooth roof.

    A Collection Rooted in Modernism

    Tate Modern's collection is deliberately focused on international modern and contemporary art created from 1900 onwards, offering a panoramic view of artistic movements and styles that have fundamentally shaped our world. It’s not a static chronological survey; instead, the gallery prioritizes works that embody innovation, experimentation, and often, a critical engagement with society. You'll discover iconic pieces by masters like Picasso, whose “Les Demoiselles d’Avignon” shattered conventional perspectives, Warhol, who elevated the mundane to the realm of high culture with his "Campbell’s Soup Cans," and Rothko, whose Color Field paintings evoke an almost meditative stillness through their immersive use of color. The collection extends far beyond painting and sculpture, encompassing photography that captures fleeting moments, film that explores narrative possibilities, performance art that challenges boundaries, and even digital media – a testament to the evolving nature of artistic expression itself.

    The Architecture: A Dialogue with Industry

    The building’s architecture is inextricably linked to its history. Originally a Bankside power station, designed by Sir Giles Gilbert Scott in the late 1940s, it was a symbol of industrial progress and urban renewal. Herzog & de Meuron didn't attempt to erase this legacy; instead, they embraced it, transforming the imposing structure into a space that honors its past while simultaneously embracing the future. The iconic sawtooth roof, a deliberate nod to the power station’s original design, provides an astonishingly vast expanse for large-scale exhibitions and offers breathtaking views of London stretching out below. The Turbine Hall, once the heart of the plant's operations, has been reimagined as a monumental space – a dynamic stage for immersive installations that often push the boundaries of artistic convention. Even the Boiler House, originally housing the power station’s boilers, now hosts more intimate exhibitions, offering a fascinating glimpse into the building’s remarkable transformation.

    Sparking Dialogue: Exhibitions That Matter

    Tate Modern's true strength lies not just in its permanent collection but also in its consistently thought-provoking temporary exhibitions. The gallery regularly hosts major retrospectives of influential artists, thematic group shows that explore complex social and political issues, and site-specific installations designed to engage visitors on a visceral level. These exhibitions aren’t simply displays; they're invitations to dialogue and debate, prompting us to reconsider our own perspectives on the world around us. Recent highlights have included explorations of identity, climate change – examining art’s role in addressing urgent environmental concerns – and the very nature of creativity itself. The gallery’s commitment to showcasing diverse voices and perspectives ensures that there's always something new and exciting to discover, a constant reminder of art’s power to challenge, inspire, and transform.

    A Space for the Future: Expansion and Engagement

    Tate Modern isn’t merely a repository of art; it’s an active participant in shaping its future. The gallery invests heavily in research, education programs designed to reach all ages, and community engagement initiatives that foster a vibrant ecosystem of artistic creativity. The ongoing expansion projects – including the planned completion of the Southern Extension – demonstrate a clear commitment to providing ever-evolving spaces for artists and audiences alike. More than just a museum, Tate Modern is a dynamic cultural landmark—a symbol of London’s spirit of innovation, resilience, and its unwavering belief in the transformative power of art.

    Více informací zde

    Najděte si online

    QR kód odkazující na stránku ke stažení Tiger Moth

    topimpressionists.com/cs/art/download/eric-william-ravilious-tiger-moth-D3GA5U-en/

    Citace tohoto díla

    MLA
    ravilious, eric william. Tiger Moth. 1942, Tate Modern. https://topimpressionists.com/cs/art/eric-william-ravilious-tiger-moth-D3GA5U-en/
    APA
    ravilious, eric william (1942). Tiger Moth [Painting]. Tate Modern. https://topimpressionists.com/cs/art/eric-william-ravilious-tiger-moth-D3GA5U-en/
    Chicago
    eric william ravilious. Tiger Moth. 1942. Tate Modern. https://topimpressionists.com/cs/art/eric-william-ravilious-tiger-moth-D3GA5U-en/
    Harvard
    ravilious, eric william (1942) Tiger Moth. Tate Modern. Available at: https://topimpressionists.com/cs/art/eric-william-ravilious-tiger-moth-D3GA5U-en/

    Podívejte se pozorně

    Tiger Moth — eric william ravilious

    Pohlédněte blíž

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Zhlédněte si znovu dílo Coastal defences (1940), které jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    4. eric william ravilious bylo při vzniku tohoto díla ve věku přibližně 39. Co v něm vypadá jako práce umělce v této životní fázi?
    5. Co by vás umělec mohl chtít vyvolat?

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