Průvodce studentskou tvorbou
Autorská práva Toto dílo je volno v rámci veřejného vlastnictví. Guy Rose zemřel(a) v roce 1925; autorská práva trvají 70 let po smrti umělce, takže vypršela v roce 1995.
V kontextu
Low tide honfleur — Guy Rose
Row above: the year. Row below: the artist's age in that year.
Shaded: životopis Guy Rose (1867–1925)
U tohoto záznamu není uvedeno přesné datum — vzhledem k délce života umělce a stylu díla, jaké desetiletí byste odhadli?
Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.
Další díla, která se k tomuto hodí: topimpressionists.com/cs/art/similar/guy-rose-low-tide-honfleur-A269LB-en/
Určeno podle obrazu
Hlavní barva
Bronze #c99721
Uložená paleta
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 99,3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 125 works by this artist, of which 19 were looked at at least once. This painting ranks 6 of them, with 3,8% of that attention.
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Umělec a muzeum
Birth & Family: Guy Orlando Rose was born on March 3, 1867, in San Gabriel, California, the seventh child of Leonard John Rose, a prominent California senator, and Amanda Jones Rose. The family resided on an expansive ranch and vineyard in the San Gabriel Valley – the town of Rosemead bears their name.
Early Trauma & Artistic Beginnings: At age nine, Guy was accidentally shot in the face during a hunting trip. During his convalescence, he began to sketch with watercolors and oils, discovering an early passion for art.
Formal Training: He graduated from Los Angeles High School in 1884 before moving to San Francisco to study at the California School of Design (San Francisco Art Association) from 1885-1888. His instructors included Virgil Williams, Warren E. Rollins, and Emil Carlsen. He received accolades for his work during this period, including the Avery Gold Medal in oil painting.
Parisian Studies: In September 1888, Rose enrolled at the Académie Julian in Paris, studying under Benjamin-Constant, Jules Lefebvre, Lucien Doucet, and Jean-Paul Laurens. He also attended the Académie Delacluse on scholarship, exhibiting work at the Paris Salons in 1890, 1891, 1894, 1900, and 1909.
Early Style: Rose’s early work demonstrated a strong foundation in academic painting techniques honed during his training.
Impressionist Turn: His move to Giverny, France, in 1899 marked a turning point. Living near Claude Monet, he became deeply influenced by Impressionism, adopting its emphasis on light, color, and plein air painting.
Monet’s Mentorship: Rose developed a close friendship with Monet, who served as a mentor, further solidifying his commitment to the Impressionist style. His works from this period clearly reflect Monet's influence in their luminous quality and focus on atmospheric effects.
Other Influences: He also maintained lifelong friendships with fellow artists Frank Vincent DuMond and Frederick Melville, exchanging ideas and artistic approaches.
Early Career (1890s): Rose worked as an illustrator for publications like Harper's, Scribner’s, and Century in New York City.
Giverny Period (1904-1912): This was a highly productive period, with Rose creating many of his most celebrated Impressionist landscapes.
California Return & Teaching: Due to health issues (lead poisoning), Rose and his wife returned to Los Angeles in 1914. He became Director of the Stickney Memorial School of Art in Pasadena, sharing his knowledge with aspiring artists.
Carmel-by-the-Sea (1918-1920): Rose was an active member of the Carmel art colony, exhibiting his work and contributing to the local artistic community.
Notable Works: Some of his most recognized paintings include “Point Lobos,” “The Saine Valley, Giverny”, "Oak Grove, Carmel", and numerous landscapes capturing the beauty of California and France.
American Impressionism: Guy Rose is considered a significant figure in American Impressionism, bridging European techniques with Californian landscapes.
California Art Scene: He played an important role in developing the California art scene, both as an artist and educator.
Lasting Influence: His paintings continue to be admired for their delicate handling of light, vibrant colors, and evocative depictions of nature.
Posthumous Recognition: A memorial exhibition was held at the Stendahl Gallery in 1926 following his death on November 17, 1925, in Pasadena, California.
topimpressionists.com/cs/art/download/guy-rose-low-tide-honfleur-A269LB-en/
Zaměřte se pozorně
Low tide honfleur — Guy Rose
Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.
Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.
Témata obsažená v díle „Low tide honfleur“ od Guy Rose zahrnují beach. Tato témata společně shrnují obsah celého uměleckého díla.
Autorem díla „Low tide honfleur“ je Guy Rose. Práce je v katalogu uvedena pod jménem Guy Rose.
Náhled díla „Low tide honfleur“ od Guy Rose je k dispozici na stránce Náhled daného uměleckého díla.
„Low tide honfleur“ je k dispozici jako ručně malovaná olejová reprodukce na lněném plátně. Objednávku můžete zadat na tato stránka, kde si můžete vybrat z různých rozměrů.
„Low tide honfleur“ je k dispozici jako umělecká tiskovina na bavlněném plátně nebo archivním plátnovém papíře. Objednávky můžete zadat na tato stránka v požadované velikosti.
„Low tide honfleur“ je k dispozici jako stažení digitálního obrazu ve vysokém rozlišení, zakoupitelné přímo na tato stránka.
Statistiky k dílu „Low tide honfleur“ od Guy Rose naleznete na stránce Statistiky tohoto díla: měsíční návštěvnost díla, návštěvnost děl daného umělce a rozpis nedávných návštěvníků podle zemí a jazyků.