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Study for Mosaic, Wisconsin State Capitol,

Jméno Třída Datum

Kenyon Cox, Study for Mosaic, Wisconsin State Capitol, (1912), Oklahoma City Museum of Art. Veřejná doména Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Kenyon Cox topimpressionists.com/cs/artists/kenyon-cox/
Datum vzniku díla
1856 – 1919
Malováno
1912
Technika
Pencil
Původní rozměry
40 x 50 cm
Období
19th Century
Koná se v
Oklahoma City Museum of Art topimpressionists.com/cs/museums/oklahoma-city-museum-of-art-oklahoma-city/
Artistic style
Classical realism
Notable elements or techniques
Detailed anatomical study
Subject or theme
Man in suit with crown and scepter

V kontextu

Study for Mosaic, Wisconsin State Capitol, — Kenyon Cox

Jak velké je?

Původní rozměry jsou 40 × 50 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo namalováno?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 63 při smrti.

Vymalováno v době, kdy bylo umělci 56 let. Umělec dožil se 63 let. 50 z celkových 66 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Kenyon Cox (1856–1919) ▲ toto dílo, 1912 každý obraz s datem vzniku, dekáda po dekádě

První díla: až do 1888 Hlavní období tvůrčí činnosti: 1888–1910 Pozdní díla: od 1910

Tyto tři pásma rozdělují díla s uvedeným datem na první čtvrtinu, prostřední polovinu a poslední čtvrtinu. Nejedná se o kompletní tvorbu daného umělce: úzká pásma mohou představovat spíše mezery v záznamech než období nečinnosti. Ty samé roky, v nichž se odehrává život umělce

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: topimpressionists.com/cs/art/similar/kenyon-cox-study-for-mosaic-wisconsin-state-capitol-D7WVLZ-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Khaki #d9c791

    Katalogizovaná paleta

    • #D9C791
    • #C0B384
    • #ABA179
    • #D0C08B

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Pastels Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Khaki
    Intenzita
    Vivid Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Serene Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Unified Palette Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Brilliant Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Clear Color Presence Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • méně než 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Kenyon Cox za posledních dvanáct měsíců — celkem 3 zemí. Zdroj těchto údajů

    Deset nejvýznamnějších zemí

    1. 1 Čína 85,7%3 000 visits
    2. 2 Spojené státy americké 8,6%300 visits
    3. 3 Singapur 5,7%200 visits

    Najděte na mapě tři nejtmavší země. Nachází se v některé z nich muzeum, které toto malířské dílo uchovává? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    Top 20 nejvíce prohlížených děl umělce Kenyon Cox

    1. 1 After Boltraffio, Sacra Conversazione, 1882 7,7%300 visits
    2. 2 Study for Mosaic, Wisconsin State Capitol,, 1912 tento obraz 5,1%200 visits
    3. 3 Study for Christ, 1905 5,1%200 visits
    4. 4 Study for Mosaic, Wisconsin State Capital, Justice, 1913 5,1%200 visits
    5. 5 Head of the Queen of Egypt, 1888 5,1%200 visits
    6. 6 The Fall, 1892 5,1%200 visits
    7. 7 (Untitled) (Greco Roman Discus Thrower), 1873 5,1%200 visits
    8. 8 (Iowa State Capitol Rotunda) (Hunting, study for panel), 1905 5,1%200 visits
    9. 9 Study for Mural for Appellate Court Building, New York Statute Law , Helmet for Figure of Force, 1899 2,6%100 visits
    10. 10 Study for Mosaic, Wisconsin State Capitol,, 1912 2,6%100 visits
    11. 11 Nude Study for Mosaic, Wisconsin State Capitol,, 1912 2,6%100 visits
    12. 12 Nude Study for Mosaic, Wisconsin State Capitol,, 1912 2,6%100 visits
    13. 13 Sketch for the Mural at Oberlin College, The Spirit of Self Sacrificing Love, 1914 2,6%100 visits
    14. 14 Study for Science Instructing Industry, 1898 2,6%100 visits
    15. 15 After Titian's Madonna of the Rabbit, 1882 2,6%100 visits
    16. 16 Sketch for Mosaic, Wisconsin State Capital, Justice, 1912 2,6%100 visits
    17. 17 An Eclogue, 1890 2,6%100 visits
    18. 18 Study for mosaic in the Wisconsin State Capital Government and Liberty, 1912 2,6%100 visits
    19. 19 Book of Pictures, 1917 2,6%100 visits
    20. 20 The Progress of Civilization Science and Art (mural study, State Capitol, Des Moines, Iowa), 1906 2,6%100 visits

    Tyto práce společně si nárokují 74,6% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 67 děl tohoto umělce, z nichž 30 byla prohlédnuta alespoň jednou. This painting ranks 2 of them, with 5,1% of that attention (200 visits). Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    O tomto uměleckém díle

    Study for Mosaic, Wisconsin State Capitol, — Kenyon Cox

    A Vision in Graphite: The Preparatory Soul of a Monument

    In the quiet, focused atmosphere of a 1912 studio, Kenyon Cox engaged in the profound act of preparation, translating grand architectural ambitions into the intimate language of pencil and paper. His Study for Mosaic, Wisconsin State Capitol serves as a breathtaking window into the artist's mind, capturing the moment before the permanence of stone and glass takes hold. This exquisite work is not merely a sketch; it is a blueprint of classical dignity. Through delicate yet decisive strokes, Cox presents a figure that commands respect—a man draped in the regalia of authority, wearing a crown and clutching a scepter. The drawing breathes with a sense of monumental purpose, acting as the vital precursor to the sprawling, luminous mosaics that would eventually grace the halls of American civic architecture.

    The technique employed here is a masterclass in tonal control and anatomical precision. Working within a monochromatic palette, Cox utilizes the subtle gradations of graphite to sculpt form out of the void. Every fold of the subject's suit, every glint of light upon the scepter, and the heavy, dignified weight of the crown are rendered with an exacting realism that speaks to his rigorous training at the École des Beaux-Arts. There is a rhythmic quality to his linework, where the interplay of deep shadows and soft highlights creates a three-dimensional presence on the two-dimensional surface. For the discerning collector or interior designer, this piece offers a sophisticated textural depth, providing a focal point that feels both historically grounded and visually dynamic.

    Symbolism and the Classical Legacy

    Beyond its technical brilliance, the study is steeped in the symbolism of the American Renaissance. By depicting a figure of sovereign power through the lens of classical realism, Cox connects the burgeoning identity of the Wisconsin State Capitol to the timeless traditions of Western civilization. The scepter and crown are not merely props; they are emblems of order, law, and the enduring strength of civic institutions. This piece invites the viewer to contemplate the intersection of individual artistry and collective heritage. It captures a sense of "timeless beauty" that transcends its 1912 origins, making it an ideal acquisition for those looking to infuse a space with themes of stability, wisdom, and historical continuity.

    For those seeking to curate an environment of intellectual elegance, this reproduction offers more than just decoration; it provides a conversation piece. Whether placed in a private library, a formal study, or a contemporary gallery setting, the Study for Mosaic brings with it the gravitas of the early 20th-century academic tradition. It is a work that rewards prolonged observation, revealing new nuances of light and shadow with every glance, and serves as a poignant reminder of the meticulous labor required to create lasting monuments of art.

    Umělec a muzeum

    Autor

    Kenyon Cox

    Kenyon Cox: Life and Legacy

    Early Life and Education

    Born: October 27, 1856, in Warren, Ohio.

    Parents: Jacob Dolson Cox and Helen Finney Cox.

    Kenyon Cox initially studied at the Art Academy of Cincinnati (formerly the McMicken School of Art). However, he quickly recognized the limited artistic opportunities available in the city.

    Following a visit to the Centennial Exposition in Philadelphia, he decided to pursue further education at the Pennsylvania Academy of Fine Arts, hoping it would lead to studies in Europe.

    Parisian Training and Influences

    In 1877, Cox moved to Paris, joining a wave of American artists seeking artistic inspiration. He believed Paris was experiencing a “second renaissance” in art.

    Influential Teachers: Carolus-Duran, Jean-Léon Gérôme, and Alexandre Cabanel at the École des Beaux-Arts.

    He initially studied under Carolus-Duran but became frustrated with what he perceived as a “vulgarity” in Duran’s style.

    Travels throughout France and Italy exposed him to the works of Renaissance masters, profoundly shaping his artistic vision.

    Career in New York and Artistic Style

    In 1882, Cox returned to New York City, where he established himself as a painter and illustrator.

    Illustration Work: He became well-known for his magazine illustrations, which reached a wider audience than his paintings.

    Art Criticism: Cox also wrote unsigned art criticisms for the New York Evening Post, supplementing his income.

    His artistic style leaned towards realism, with a focus on landscapes, portraits, and genre studies. He was known for idealized nudes and traditional treatments of classical themes.

    Teaching and Institutional Involvement

    Art Students League of New York: Cox became a highly influential instructor at the Art Students League, shaping generations of artists. He designed the League’s logo featuring the motto “Nulla Dies Sine Linea” (No Day Without a Line).

    Elected an Associate Academician of the National Academy of Design in 1900 and a full Academician in 1903.

    Founding Member: He was one of the founders and secretary of the National Free Arts League.

    Leadership Roles: Served as president of the National Society of Mural Painters from 1915 to 1919, and held memberships in various prestigious art organizations.

    Major Achievements and Historical Significance

    Cox’s work represented a commitment to classical ideals at a time when modern art movements were emerging. He advocated for careful drawing, modulated color, and the use of allegory and symbolism.

    His writings, such as “Two Ways of Painting,” articulated his views on figurative art versus abstract or representational styles.

    Legacy: Though not a radical innovator, Kenyon Cox played a crucial role in maintaining traditional artistic standards and educating aspiring artists. His influence extended through his teaching and his contributions to the American art establishment.

    Death: March 17, 1919.

    Muzeum

    Oklahoma City Museum of Art

    Vystaveno v Oklahoma City, United States of America

    A Beacon of Artistic Vision: The Oklahoma City Museum of Art

    Nestled within the vibrant heart of downtown Oklahoma City, the Oklahoma City Museum of Art (OKCMOA) stands as more than just a repository for artistic treasures; it’s an immersive experience, a dynamic hub where art breathes life into the city and invites visitors on a journey through centuries of creative expression. From its humble beginnings as a grassroots initiative in the early 20th century to its current status as a nationally recognized institution, OKCMOA's story is one of unwavering dedication, visionary leadership, and a profound commitment to making art accessible to all. The museum’s architecture itself—a striking testament to modern design—seamlessly integrates with the collection, creating an environment that both celebrates and enhances the power of artistic vision.

    At the heart of OKCMOA's compelling narrative lies its extraordinary collection, a carefully curated tapestry woven from diverse threads of American and international art. The museum’s strength resides particularly in its powerful representation of postwar abstraction, showcasing the revolutionary works of artists who redefined the boundaries of artistic expression following World War II. These pieces—often characterized by their non-representational forms, bold colors, and evocative textures—invite contemplation and challenge conventional notions of beauty. Beyond this pivotal period, visitors will discover a rich array of American art spanning from classic realism to the energetic experimentation of modernism, alongside an impressive international collection that offers a global perspective on artistic traditions. A truly unforgettable centerpiece is the museum’s unparalleled assemblage of Dale Chihuly glass art, culminating in the breathtaking Eleanor Blake Kirkpatrick Memorial Tower—a swirling cascade of vibrant colors and organic shapes that dominates the atrium and serves as a mesmerizing focal point.

    Architectural Harmony: The Donald W. Reynolds Visual Arts Center

    The building itself is an integral part of the OKCMOA experience, a masterpiece of modern design conceived by architect Rand Elliott. The Donald W. Reynolds Visual Arts Center isn’t merely a structure housing art; it responds to it, providing a neutral yet stimulating backdrop that enhances the viewing experience. A distinctive glass façade floods the interior with natural light, creating an inviting atmosphere and highlighting the brilliance of the artworks within. This thoughtful design philosophy extends beyond aesthetics, prioritizing accessibility and flow to ensure visitors can easily navigate the galleries and fully immerse themselves in the world of art. The building’s open layout encourages exploration, while its strategic use of space creates a sense of both grandeur and intimacy – a perfect balance for appreciating the diverse range of artistic expressions on display.

    A Living Museum: Exhibitions and Community Engagement

    OKCMOA is far more than a static collection; it’s a vibrant, evolving institution dedicated to fostering engagement with the arts. The museum consistently enriches its offerings through rotating exhibitions that bring fresh perspectives and showcase both established and emerging artists. Beyond visual art, OKCMOA actively cultivates a thriving cultural scene, hosting film screenings—featuring independent, foreign, and classic cinema—lectures by renowned scholars, and special events designed to appeal to diverse interests. These programs are thoughtfully curated to engage visitors of all ages and backgrounds, fostering a deeper appreciation for the arts and encouraging creative exploration. The museum’s commitment to education is evident in its numerous workshops and outreach initiatives, ensuring that art remains accessible and relevant within the community it serves.

    A Legacy of Innovation and Community Impact

    What truly sets OKCMOA apart is its unique blend of artistic excellence, architectural innovation, and an unwavering dedication to public engagement. Its central location within downtown Oklahoma City makes it a convenient destination for both tourists and locals alike, surrounded by other cultural attractions and vibrant urban amenities. The museum’s diverse collections cater to a wide range of tastes, ensuring that every visitor will discover something to inspire and captivate them. From the iconic Dale Chihuly Tower to the profound impact of its collection of American and international art, OKCMOA stands as a testament to the power of art to enrich lives and strengthen communities – a true beacon of creativity in the heart of the American landscape.

    Additional Resources

    Website:

    https://www.okcmoa.com/

    Wikipedia:

    https://en.wikipedia.org/wiki/Oklahoma_City_Museum_of_Art

    Kde si přečíst více informací

    Najděte si online

    QR kód odkazující na stránku ke stažení Study for Mosaic, Wisconsin State Capitol,

    topimpressionists.com/cs/art/download/kenyon-cox-study-for-mosaic-wisconsin-state-capitol-D7WVLZ-en/

    Jak citovat toto dílo

    MLA
    Cox, Kenyon. Study for Mosaic, Wisconsin State Capitol, . 1912, Oklahoma City Museum of Art. https://topimpressionists.com/cs/art/kenyon-cox-study-for-mosaic-wisconsin-state-capitol-D7WVLZ-en/
    APA
    Cox, Kenyon (1912). Study for Mosaic, Wisconsin State Capitol, [Painting]. Oklahoma City Museum of Art. https://topimpressionists.com/cs/art/kenyon-cox-study-for-mosaic-wisconsin-state-capitol-D7WVLZ-en/
    Chicago
    Kenyon Cox. Study for Mosaic, Wisconsin State Capitol, . 1912. Oklahoma City Museum of Art. https://topimpressionists.com/cs/art/kenyon-cox-study-for-mosaic-wisconsin-state-capitol-D7WVLZ-en/
    Harvard
    Cox, Kenyon (1912) Study for Mosaic, Wisconsin State Capitol, . Oklahoma City Museum of Art. Available at: https://topimpressionists.com/cs/art/kenyon-cox-study-for-mosaic-wisconsin-state-capitol-D7WVLZ-en/

    Zaměřte se pozorně

    Study for Mosaic, Wisconsin State Capitol, — Kenyon Cox

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. V našem katalogu je toto dílo zařazeno pod: classical realism, mosaic study, pencil sketch. Souhlasíte? Co byste k němu přidali nebo co byste z něj odebrali?
    4. Vraťte se k dílu Augustus Saint-Gaudens (1908), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    5. Kenyon Cox bylo při vzniku tohoto díla ve věku přibližně 56. Co v něm vypadá jako práce umělce právě v této životní fázi?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Otázky a odpovědi

    V jakém roce a v rámci kterého uměleckého směru bylo dílo "Study for Mosaic, Wisconsin State Capitol," vytvořeno?

    Dílo „Study for Mosaic, Wisconsin State Capitol,“ vzniklo v roce 1912 jako reprezentativní dílo směru Classical Realism. Datum vzniku a příslušnost k danému směru pevně ukotvují toto umělecké dílo v dějinách umění.

    Jaká je doporučená velikost tisku pro „Study for Mosaic, Wisconsin State Capitol,“ od Kenyon Cox?

    Doporučená velikost tisku pro dílo „Study for Mosaic, Wisconsin State Capitol,“ od Kenyon Cox je Small.

    Do jaké místnosti se doporučuje „Study for Mosaic, Wisconsin State Capitol,“ od Kenyon Cox?

    Reprodukce díla „Study for Mosaic, Wisconsin State Capitol,“ se skvěle hodí do Office.