Průvodce studentskou tvorbou
Autorská práva Toto dílo je volno v rámci veřejného vlastnictví. Mark Gertler zemřel(a) v roce 1939; autorská práva trvají 70 let po smrti umělce, takže vypršela v roce 2009.
V kontextu
After Bathing — Mark Gertler
Row above: the year. Row below: the artist's age in that year.
Shaded: životopis Mark Gertler (1891–1939)
U tohoto záznamu není uvedeno přesné datum — vzhledem k délce života umělce a stylu díla, jaké desetiletí byste odhadli?
Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.
Další díla, která se k tomuto hodí: topimpressionists.com/cs/art/similar/mark-gertler-after-bathing-9FJBC4-en/
Určeno podle obrazu
Hlavní barva
Rosy Brown #d3ae8f
Uložená paleta
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 95,7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 127 works by this artist, of which 21 were looked at at least once. This painting ranks 19 of them, with 3,4% of that attention.
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Umělec a muzeum
Narozen(a) v Londýn, Spojené království
Mark Gertler (born Marks Gertler; December 9, 1891 – June 23, 1939) was a British painter of figure subjects, portraits, and still life, whose distinctive style—characterized by bold colors and expressive brushstrokes—earned him recognition as one of the leading artists of his generation. Born to Polish Jewish immigrant parents in Spitalfields, London, Gertler’s formative years were shaped by poverty and familial upheaval, experiences that profoundly impacted his artistic vision. His father, Louis Gertler, abandoned the family shortly after their son's birth in pursuit of work in America, leaving Golda Berenbaum to raise her five children alone amidst considerable hardship. Despite these difficulties, Gertler demonstrated exceptional talent for drawing from a young age, enrolling in art classes at Regent Street Polytechnic in 1906 despite his family’s limited resources. Tragically, he was forced to withdraw from the school after only a year due to financial constraints. However, this early exposure to artistic pursuits ignited a lifelong passion for painting and would ultimately propel him toward significant success.
In 1908, Gertler secured an apprenticeship at Clayton & Bell, a renowned stained glass company, where he honed his technical skills while simultaneously attending evening classes at the Polytechnic—a dual commitment that underscored his dedication to mastering craft alongside pursuing artistic exploration. This period proved pivotal in shaping his aesthetic sensibilities and establishing him within the burgeoning London art scene. His breakthrough came in 1908 when he achieved third place in a national art competition, marking the beginning of his ascent to prominence. Subsequently, he enrolled at the Slade School of Art in London, where he forged enduring friendships with fellow artists such as Paul Nash, Edward Wadsworth, and Sir Stanley Spencer—artists who would become influential figures in British Modernism. Gertler’s patrons included Lady Ottoline Morrell, who introduced him to Walter Sickert, a leader of the Camden Town Group, fostering connections that enriched his artistic milieu.
Gertler's artistic reputation solidified during the First World War years, particularly through his involvement with the Camden Town Group—a collective known for its experimentation with color and form—and his association with Vanessa Bell’s Friday Club. His distinctive style—characterized by vibrant hues and dynamic brushwork—became instantly recognizable and deeply rooted in Eastern European folk art traditions. He achieved considerable acclaim as a portrait painter, capturing the essence of his subjects with remarkable sensitivity and psychological insight. However, Gertler's career trajectory was hampered by his temperamentally challenging personality and unwavering commitment to pursuing artistic endeavors according to his own uncompromising vision—a pursuit that often resulted in personal frustration and financial instability. Despite facing rejection for military service due to antisemitic prejudices prevalent at the time, he persevered in his artistic pursuits, demonstrating resilience amidst adversity.
Gertler’s oeuvre encompasses a diverse range of subjects, including figure studies, portraits, and still lifes—each infused with an unmistakable emotional resonance. Among his most celebrated works are “Merry-Go-Round” (1916), a powerful indictment of militarism rendered in searing colors that captures the frenetic energy of wartime London; “Still Life with Self Portrait” (c. 1923), which exemplifies Gertler’s masterful blending of observation and imagination; and “Basket of Fruit,” “Peaches and Green Bottle,” and “Violin Case and Flowers”—still lifes that showcase his meticulous attention to detail and his ability to convey subtle nuances of mood and atmosphere. His paintings are housed in major collections across the United Kingdom, cementing his legacy as one of Britain’s foremost artists of the early 20th century.
Gertler's life was tragically curtailed by tuberculosis—a debilitating illness that plagued him throughout much of his adult years—leaving him confined to sanatoriums for extended periods. Despite these physical challenges, he continued to produce artwork with unwavering determination, demonstrating remarkable fortitude in the face of adversity. He taught part-time at Westminster School of Art until his death on June 23, 1939, leaving behind a substantial body of work that continues to inspire admiration and scholarly study. Gertler was interred at Willesden Jewish Cemetery alongside numerous other prominent figures from London’s Jewish community—a testament to his enduring influence within British cultural history. His artistic legacy persists today, reminding us of the transformative power of creativity amidst hardship and the indelible mark left by a singular visionary artist.
topimpressionists.com/cs/art/download/mark-gertler-after-bathing-9FJBC4-en/
Zaměřte se pozorně
After Bathing — Mark Gertler
Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.
Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.
„After Bathing“ je k dispozici jako umělecká tiskovina na bavlněném plátně nebo archivním plátnovém papíře. Objednávky můžete zadat na tato stránka v požadované velikosti.
Autorem díla „After Bathing“ je Mark Gertler. Práce je v katalogu uvedena pod jménem Mark Gertler.
„After Bathing“ je k dispozici jako ručně malovaná olejová reprodukce na lněném plátně. Objednávku můžete zadat na tato stránka, kde si můžete vybrat z různých rozměrů.
Dílo „After Bathing“ od Mark Gertler spadá do patří do volného užití – autorská práva vypršela. Tento stav určuje pravidla pro reprodukci obrazu tohoto díla.
„After Bathing“ skloní se k Green to Violet Spectrum tónu.
Chcete-li získat digitální kopii díla „After Bathing“ od Mark Gertler, objednejte si stažení digitálního obrazu ve vysokém rozlišení na tato stránka.
Dílo „After Bathing“ od Mark Gertler si můžete prohlédnout přímo na své vlastní stěně díky stránce Náhled v AR s využitím rozšířené reality na kompatibilním zařízení.