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In Brittany

Jméno Třída Datum

Sir David Scott Murray, In Brittany (1886), Mcmanus: Dundee's Art Galleries And Museums. Veřejná doména Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Sir David Scott Murray topimpressionists.com/cs/artists/sir-david-scott-murray/
Datum vzniku díla
1866 – 1935
Malováno
1886
Původní rozměry
29 x 44 cm
Koná se v
Mcmanus: Dundee's Art Galleries And Museums topimpressionists.com/cs/museums/mcmanus-dundee-s-art-galleries-and-museums-dundee/

V kontextu

In Brittany — Sir David Scott Murray

Jak velké je?

Původní rozměry jsou 29 × 44 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo namalováno?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 69 při smrti.

Vymalováno v době, kdy bylo umělci 20 let. Umělec dožil se 69 let. 5 z celkových 25 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Sir David Scott Murray (1866–1935) ▲ toto dílo, 1886 každý obraz s datem vzniku, dekáda po dekádě

První díla: až do 1889 Hlavní období tvůrčí činnosti: 1889–1903 Pozdní díla: od 1903

Tyto tři pásma rozdělují díla s uvedeným datem na první čtvrtinu, prostřední polovinu a poslední čtvrtinu. Nejedná se o kompletní tvorbu daného umělce: úzká pásma mohou představovat spíše mezery v záznamech než období nečinnosti. Ty samé roky, v nichž se odehrává život umělce

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: topimpressionists.com/cs/art/similar/sir-david-scott-murray-in-brittany-AQTS2P-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Putty #e8d6da

    Katalogizovaná paleta

    • #E8D6DA
    • #D3A65C
    • #73562E
    • #A88042

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Neutrals Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Putty
    Intenzita
    Vivid Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Gentle Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Strong Color Unity Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Brilliant Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Balanced Soft Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • méně než 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Sir David Scott Murray za posledních dvanáct měsíců — celkem 4 zemí. Zdroj těchto údajů

    Deset nejvýznamnějších zemí

    1. 1 Čína 60,0%
    2. 2 Spojené království 20,0%
    3. 3 Spojené státy americké 12,0%
    4. 4 Singapur 8,0%

    Najděte na mapě tři nejtmavší země. Nachází se v některé z nich muzeum, které toto malířské dílo uchovává? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    Top 17 nejvíce prohlížených děl umělce Sir David Scott Murray

    1. 1 'It was the time of roses', 1914 20,0%
    2. 2 The Fairy Glen 12,0%
    3. 3 Golden Autumn, Betws y Coed 8,0%
    4. 4 The Heart of the Trossachs, 1912 8,0%
    5. 5 London Bridge from Bankside, London, 1915 4,0%
    6. 6 The Don Above Balgownie, Aberdeen, 1899 4,0%
    7. 7 Ludlow Castle, Shropshire 4,0%
    8. 8 The Ferry Boat, 1874 4,0%
    9. 9 Loch Coruisk, Skye, 1874 4,0%
    10. 10 In Brittany, 1886 tento obraz 4,0%
    11. 11 Homeward, Sunset, 1890 4,0%
    12. 12 In Summertime, 1897 4,0%
    13. 13 Green Summertime 4,0%
    14. 14 Landscape, 1885 4,0%
    15. 15 Music by the Lake 4,0%
    16. 16 Landscape with a Figure and Sheep, 1879 4,0%
    17. 17 The Half Moon 4,0%

    Tyto práce společně si nárokují 100,0% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 44 děl tohoto umělce, z nichž 17 byla prohlédnuta alespoň jednou. Tento obraz se v tomto žebříčku nachází na 10 místě, přičemž si připravuje 4,0% této pozornosti. Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    Umělec a muzeum

    Autor

    Sir David Scott Murray

    Sir David Scott Murray: A Master of Highland Light

    The canvases that bear the signature of Sir David Scott Murray – landscapes steeped in the misty grandeur of Scotland’s Highlands and Islands, portraits imbued with a quiet dignity – represent more than just skillful observation. They are windows into a particular way of seeing, a deeply felt connection to the land and its people, shaped by a life spent immersed in the rugged beauty of his native country. Born in Edinburgh in 1866, Murray’s artistic journey was one of gradual refinement, informed by both formal training and an intimate understanding gleaned from years of solitary exploration and painstaking study.

    Murray's early life instilled a profound appreciation for the natural world. His childhood, spent largely at his family’s farm in Sandyknowe, near Kelso, fostered a close relationship with the landscape – its shifting mists, dramatic peaks, and the ever-changing light that sculpted its contours. This formative experience would become the bedrock of his artistic vision. He received his initial education at the Royal High School in Edinburgh, followed by studies at the University of Edinburgh, where he immersed himself in classical literature and history. However, it was a brief apprenticeship with the printer James Ballantyne that proved pivotal, exposing him to the world of art reproduction and sparking an interest in capturing the nuances of light and color.

    Formal training came through studies at the Royal Scottish Academy in Edinburgh, where he honed his technical skills under the tutelage of established artists. Yet, Murray’s artistic voice remained distinctly his own – a blend of meticulous observation, atmospheric depth, and a subtle, almost melancholic beauty. He was particularly drawn to the dramatic lighting effects characteristic of Highland weather, often depicting scenes shrouded in mist or bathed in the golden light of sunset.

    The Palette of the Highlands

    Murray’s artistic style is immediately recognizable for its atmospheric quality and masterful use of color. He eschewed bright, vibrant hues in favor of a muted palette dominated by shades of gray, blue, green, and brown – colors that perfectly mirrored the somber beauty of the Scottish landscape. His technique involved layering thin washes of paint to create a sense of depth and luminosity, capturing the subtle shifts in light and shadow with remarkable precision. He was particularly adept at depicting the effects of mist and fog, which he often rendered as swirling masses of gray and white that enveloped his subjects, lending them an air of mystery and timelessness.

    His most celebrated works include depictions of Loch Coruisk on the Isle of Skye, a scene that perfectly encapsulates his artistic sensibilities – a vast expanse of water framed by towering cliffs shrouded in mist. Similarly, his paintings of the Scottish coastline, such as those depicting the dramatic cliffs and rugged beaches of Sutherland, reveal a deep understanding of the region’s geology and topography. Beyond landscapes, Murray also produced a significant body of portraiture, capturing the dignity and character of Highland clansmen and local residents with quiet empathy.

    Influences and Legacy

    Murray's artistic development was undoubtedly influenced by the Pre-Raphaelites, particularly their interest in depicting nature with meticulous detail and emotional intensity. However, he forged his own distinct style, rooted in his deep connection to the Scottish landscape. The works of J.M.W. Turner, with his atmospheric landscapes and masterful use of light, also served as a significant inspiration. Furthermore, Murray’s work reflects the broader cultural context of late 19th-century Scotland – a period marked by both industrialization and a growing awareness of national identity.

    Despite not achieving widespread fame during his lifetime, Sir David Scott Murray is now recognized as one of the most important Scottish landscape painters of the late Victorian era. His paintings are prized for their atmospheric beauty, technical skill, and profound sense of place. His legacy endures through the numerous museums that house his works – including the National Galleries of Scotland and the Walker Art Gallery in Liverpool – and continues to inspire artists seeking to capture the spirit of the Scottish Highlands.

    Notable Works

    Loch Coruisk, Skye (1906): Arguably his most iconic work, showcasing the dramatic interplay of light and mist over the loch.

    Spectacle (detail) (1897): A study in atmospheric perspective, capturing the ethereal quality of Highland weather.

    London Bridge from Bankside, London (1898): Demonstrates his versatility, depicting a familiar urban scene with a subtle Scottish sensibility.

    Sir David Scott Murray: A Biographical Sketch

    Born in Edinburgh on January 29, 1866, Sir David Scott Murray was the son of Walter Scott and Anne Rutherford. He spent his childhood at Sandyknowe Farm near Kelso, a formative experience that instilled within him a lifelong love for the Scottish landscape. He received his early education at the Royal High School in Edinburgh and later studied at the Royal Scottish Academy. Murray’s artistic career spanned several decades, during which he produced a significant body of work characterized by its atmospheric quality and masterful use of color. He was elected to the Royal Academy in 1906. Sir David Scott Murray died on November 14, 1935, leaving behind a legacy as one of Scotland’s most celebrated landscape painters.

    Muzeum

    Mcmanus: Dundee's Art Galleries And Museums

    Vystaveno v Dundee, United Kingdom

    A Victorian Jewel on the Tay: Exploring The McManus

    Dundee, a city reborn through innovation and cultural resurgence, holds within its heart a testament to a grander era – The McManus: Dundee’s Art Gallery and Museum. More than simply a repository of artifacts, it is an immersive journey through time, art, and the very spirit of this Scottish metropolis. Housed in a breathtaking Victorian Gothic building designed by George Gilbert Scott Jr., the museum itself stands as a work of art, its intricate detailing and soaring halls whispering tales of ambition and civic pride. Completed in 1867, originally as the Dundee Municipal Buildings, it was envisioned as a memorial to Prince Albert, intended to be a vision beautifully realized today. The building’s very foundations speak to challenges overcome; constructed upon marshy ground, its stability ensured through innovative engineering that still supports this architectural marvel.

    Architectural Grandeur:

    Gilbert Scott Jr.’s design embodies Victorian Gothic principles – pointed arches, ribbed vaults, and stained glass windows—creating a space of solemn beauty and inspiring reverence for history.

    Engineering Innovation:

    Recognizing the unstable nature of Dundee’s terrain, engineers employed groundbreaking techniques to stabilize the building, demonstrating Victorian ingenuity and securing its legacy as an enduring landmark.

    From Jute Mills to Masterpieces: A Collection Reflecting Dundee's Soul

    Stepping inside The McManus is akin to entering a multifaceted narrative of Scotland and beyond. The museum’s collections are remarkably diverse, encompassing fine art, history, and natural sciences – all interwoven to paint a comprehensive portrait of the region and its people. Perhaps most powerfully represented is the story of Dundee’s jute industry, once the lifeblood of the city. Exhibits vividly portray the rise and fall of this global trade, showcasing the machinery, products, and personal stories connected to this defining period. But The McManus doesn't dwell solely on industrial heritage; it boasts an impressive Victorian art collection, filled with paintings that capture the aesthetic sensibilities and social concerns of the time. Portraits like George Agnew Reid’s ‘Mrs Alexander Hay Moncur’ exemplify the era’s attention to detail and luxurious elegance, offering a glimpse into the lives of Dundee's prominent citizens. Beyond these highlights, visitors can explore fascinating natural history displays, from ancient fossils revealing Scotland’s geological past to meticulously preserved specimens that illuminate the region’s unique ecosystems.

    Victorian Art Highlights:

    The collection features masterpieces by Scottish artists like Thomas Millie Dow (“The Herald of Winter”) and Hugh Cameron Wilson (“The Kitten”), reflecting the artistic trends prevalent during Queen Victoria's reign.

    Notable Portraits:

    ‘Mrs Alexander Hay Moncur’ by George Agnew Reid exemplifies Victorian portraiture, capturing a noblewoman’s likeness with meticulous realism and opulent embellishments – a symbol of Dundee’s social standing.

    A Legacy of Learning and Accessibility

    The McManus has always been deeply rooted in its community, evolving over the years from a civic building to a dedicated museum and art gallery. Originally incorporating the collections of the Watt Institute and later serving as part of Dundee’s public library service, it underwent significant refurbishment in 2010, solidifying its role as a cultural cornerstone. This commitment to accessibility is further emphasized by its policy of free admission – a welcoming gesture that ensures everyone can experience the wonders within its walls. The museum actively fosters engagement through a dynamic program of exhibitions, events, and family-friendly activities, making learning an enjoyable and inclusive experience for all ages.

    Community Engagement:

    From its origins as a civic building to its current status as Dundee’s Art Gallery & Museum, The McManus has consistently prioritized serving the local population.

    Free Admission Policy:

    Recognizing the importance of cultural access for all, Dundee's museum operates on a free admission basis – inviting visitors from across Scotland and beyond to explore its treasures.

    What Truly Sets The McManus Apart

    What truly sets The McManus apart is its unique blend of disciplines under one magnificent roof. It’s not simply an art gallery or a history museum; it's a holistic exploration of the human story, viewed through the lenses of creativity, innovation, and scientific inquiry. This interdisciplinary approach encourages visitors to make connections between seemingly disparate fields, fostering a deeper understanding of the world around them. The McManus stands as a vibrant cultural hub, constantly evolving and adapting to meet the needs of its community while preserving and celebrating its rich heritage. It is a place where the past comes alive, inspiring curiosity and igniting imaginations – a true gem in the heart of Dundee.

    Kde si přečíst více informací

    Najděte si online

    QR kód odkazující na stránku ke stažení In Brittany

    topimpressionists.com/cs/art/download/sir-david-scott-murray-in-brittany-AQTS2P-en/

    Jak citovat toto dílo

    MLA
    Murray, Sir David Scott. In Brittany. 1886, Mcmanus: Dundee's Art Galleries And Museums. https://topimpressionists.com/cs/art/sir-david-scott-murray-in-brittany-AQTS2P-en/
    APA
    Murray, Sir David Scott (1886). In Brittany [Painting]. Mcmanus: Dundee's Art Galleries And Museums. https://topimpressionists.com/cs/art/sir-david-scott-murray-in-brittany-AQTS2P-en/
    Chicago
    Sir David Scott Murray. In Brittany. 1886. Mcmanus: Dundee's Art Galleries And Museums. https://topimpressionists.com/cs/art/sir-david-scott-murray-in-brittany-AQTS2P-en/
    Harvard
    Murray, Sir David Scott (1886) In Brittany. Mcmanus: Dundee's Art Galleries And Museums. Available at: https://topimpressionists.com/cs/art/sir-david-scott-murray-in-brittany-AQTS2P-en/

    Zaměřte se pozorně

    In Brittany — Sir David Scott Murray

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Vraťte se k dílu Loch Coruisk, Skye (1874), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    4. Sir David Scott Murray bylo při vzniku tohoto díla ve věku přibližně 20. Co v něm vypadá jako práce umělce právě v této životní fázi?
    5. Co by vás umělec mohl chtít vyvolat?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Otázky a odpovědi

    Kde je dnes možné vidět dílo „In Brittany“ od Sir David Scott Murray?

    Dílo „In Brittany“ od Sir David Scott Murray je vystaveno v instituci Mcmanus: Dundee's Art Galleries And Museums, Dundee, United Kingdom. Uvedené muzeum se vztahuje k originálu, nikoliv k reprodukcím.

    Je „In Brittany“ od Sir David Scott Murray portrét, krajina nebo čtvercová kompozice?

    Dílo „In Brittany“ od Sir David Scott Murray má formát Landscape. Tento formát určuje poměry kompozice.

    Jak si mohu stáhnout obrázek díla „In Brittany“ od Sir David Scott Murray?

    Pro dílo „In Brittany“ je k dispozici stažení: na stránce Stažení digitální verze si můžete pořídit stažení digitálního obrazu ve vysokém rozlišení.