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June

Jméno Ročník Datum

Sir David Scott Murray, June (1903), Mcmanus: Dundee's Art Galleries And Museums. Právo veřejné domény Podívejte se na toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Zásadní informace

Autor
Sir David Scott Murray topimpressionists.com/cs/artists/sir-david-scott-murray/
Datum vzniku díla
1866 – 1935
Malováno
1903
Místo konání
Mcmanus: Dundee's Art Galleries And Museums topimpressionists.com/cs/museums/mcmanus-dundee-s-art-galleries-and-museums-dundee/

V kontextu

June — Sir David Scott Murray

Kdy bylo toto dílo vytvořeno?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 69 při smrti.

Vymalováno v době, kdy bylo umělci 37 let. Umělec dožil se 69 let. 17 z celkových 25 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Sir David Scott Murray (1866–1935) ▲ toto dílo, 1903 každý obraz s datem vzniku, dekáda po dekádě

První díla: až do 1889 Hlavní období tvůrčí činnosti: 1889–1903 Pozdní díla: od 1903

Tyto tři pásma rozdělují díla v tomto katalogu, která mají uvedené datum, na první čtvrtinu, prostřední polovinu a poslední čtvrtinu. Nejedná se o kompletní tvorbu daného umělce: úzká pásma mohou představovat spíše mezery v záznamech než období nečinnosti. Ty samé roky, v nichž se odehrává život umělce

Podobná díla

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: topimpressionists.com/cs/art/similar/sir-david-scott-murray-june-AQTRZD-en/

Paleta barev

Určeno podle obrazu

    Hlavní barva

    Driftwood #8d7f49

    Uložená paleta

    • #8D7F49
    • #574F20
    • #EAE2E9
    • #B3A78F

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Neutrals Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Driftwood
    Sytost
    Balanced Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Bold Jak moc se barvy v rámci obrazu liší v jasnosti a sytosti.
    Harmonie
    Strong Color Unity Jak dobře barvy spoluladí, od kontrastních až po plně harmonické.
    Jasnost
    Brilliant Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Balanced Soft Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Sir David Scott Murray za posledních dvanáct měsíců — celkem 4 zemí. Odkud tyto údaje pocházejí

    Deset předních zemí

    1. 1 Čína 60,0%
    2. 2 Spojené království 20,0%
    3. 3 Spojené státy americké 12,0%
    4. 4 Singapur 8,0%

    Najděte na mapě tři nejtmavší země. Nachází se muzeum, které toto malířské dílo uchovává, v některé z nich? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    18 nejvíce prohlížených děl umělce Sir David Scott Murray

    1. 1 'It was the time of roses', 1914 20,0%
    2. 2 The Fairy Glen 12,0%
    3. 3 Golden Autumn, Betws y Coed 8,0%
    4. 4 The Heart of the Trossachs, 1912 8,0%
    5. 5 London Bridge from Bankside, London, 1915 4,0%
    6. 6 The Don Above Balgownie, Aberdeen, 1899 4,0%
    7. 7 Ludlow Castle, Shropshire 4,0%
    8. 8 The Ferry Boat, 1874 4,0%
    9. 9 Loch Coruisk, Skye, 1874 4,0%
    10. 10 In Brittany, 1886 4,0%
    11. 11 Homeward, Sunset, 1890 4,0%
    12. 12 In Summertime, 1897 4,0%
    13. 13 Green Summertime 4,0%
    14. 14 Landscape, 1885 4,0%
    15. 15 Music by the Lake 4,0%
    16. 16 Landscape with a Figure and Sheep, 1879 4,0%
    17. 17 The Half Moon 4,0%
    18. — June, 1903 tento obraz 0,0%

    Tyto práce společně tvoří 100,0% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 44 děl tohoto umělce, z nichž 17 byla prohlédnuta alespoň jednou. Tento obraz zatím nebyl v daném období prohlédnut – uzavírá seznam bez uvedeného pořadí. Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    Umělec a muzeum

    Umělec

    Sir David Scott Murray

    Sir David Scott Murray: A Master of Highland Light

    The canvases that bear the signature of Sir David Scott Murray – landscapes steeped in the misty grandeur of Scotland’s Highlands and Islands, portraits imbued with a quiet dignity – represent more than just skillful observation. They are windows into a particular way of seeing, a deeply felt connection to the land and its people, shaped by a life spent immersed in the rugged beauty of his native country. Born in Edinburgh in 1866, Murray’s artistic journey was one of gradual refinement, informed by both formal training and an intimate understanding gleaned from years of solitary exploration and painstaking study.

    Murray's early life instilled a profound appreciation for the natural world. His childhood, spent largely at his family’s farm in Sandyknowe, near Kelso, fostered a close relationship with the landscape – its shifting mists, dramatic peaks, and the ever-changing light that sculpted its contours. This formative experience would become the bedrock of his artistic vision. He received his initial education at the Royal High School in Edinburgh, followed by studies at the University of Edinburgh, where he immersed himself in classical literature and history. However, it was a brief apprenticeship with the printer James Ballantyne that proved pivotal, exposing him to the world of art reproduction and sparking an interest in capturing the nuances of light and color.

    Formal training came through studies at the Royal Scottish Academy in Edinburgh, where he honed his technical skills under the tutelage of established artists. Yet, Murray’s artistic voice remained distinctly his own – a blend of meticulous observation, atmospheric depth, and a subtle, almost melancholic beauty. He was particularly drawn to the dramatic lighting effects characteristic of Highland weather, often depicting scenes shrouded in mist or bathed in the golden light of sunset.

    The Palette of the Highlands

    Murray’s artistic style is immediately recognizable for its atmospheric quality and masterful use of color. He eschewed bright, vibrant hues in favor of a muted palette dominated by shades of gray, blue, green, and brown – colors that perfectly mirrored the somber beauty of the Scottish landscape. His technique involved layering thin washes of paint to create a sense of depth and luminosity, capturing the subtle shifts in light and shadow with remarkable precision. He was particularly adept at depicting the effects of mist and fog, which he often rendered as swirling masses of gray and white that enveloped his subjects, lending them an air of mystery and timelessness.

    His most celebrated works include depictions of Loch Coruisk on the Isle of Skye, a scene that perfectly encapsulates his artistic sensibilities – a vast expanse of water framed by towering cliffs shrouded in mist. Similarly, his paintings of the Scottish coastline, such as those depicting the dramatic cliffs and rugged beaches of Sutherland, reveal a deep understanding of the region’s geology and topography. Beyond landscapes, Murray also produced a significant body of portraiture, capturing the dignity and character of Highland clansmen and local residents with quiet empathy.

    Influences and Legacy

    Murray's artistic development was undoubtedly influenced by the Pre-Raphaelites, particularly their interest in depicting nature with meticulous detail and emotional intensity. However, he forged his own distinct style, rooted in his deep connection to the Scottish landscape. The works of J.M.W. Turner, with his atmospheric landscapes and masterful use of light, also served as a significant inspiration. Furthermore, Murray’s work reflects the broader cultural context of late 19th-century Scotland – a period marked by both industrialization and a growing awareness of national identity.

    Despite not achieving widespread fame during his lifetime, Sir David Scott Murray is now recognized as one of the most important Scottish landscape painters of the late Victorian era. His paintings are prized for their atmospheric beauty, technical skill, and profound sense of place. His legacy endures through the numerous museums that house his works – including the National Galleries of Scotland and the Walker Art Gallery in Liverpool – and continues to inspire artists seeking to capture the spirit of the Scottish Highlands.

    Notable Works

    Loch Coruisk, Skye (1906): Arguably his most iconic work, showcasing the dramatic interplay of light and mist over the loch.

    Spectacle (detail) (1897): A study in atmospheric perspective, capturing the ethereal quality of Highland weather.

    London Bridge from Bankside, London (1898): Demonstrates his versatility, depicting a familiar urban scene with a subtle Scottish sensibility.

    Sir David Scott Murray: A Biographical Sketch

    Born in Edinburgh on January 29, 1866, Sir David Scott Murray was the son of Walter Scott and Anne Rutherford. He spent his childhood at Sandyknowe Farm near Kelso, a formative experience that instilled within him a lifelong love for the Scottish landscape. He received his early education at the Royal High School in Edinburgh and later studied at the Royal Scottish Academy. Murray’s artistic career spanned several decades, during which he produced a significant body of work characterized by its atmospheric quality and masterful use of color. He was elected to the Royal Academy in 1906. Sir David Scott Murray died on November 14, 1935, leaving behind a legacy as one of Scotland’s most celebrated landscape painters.

    Muzeum

    Mcmanus: Dundee's Art Galleries And Museums

    Vystaveno v Dundee, United Kingdom

    A Victorian Jewel on the Tay: Exploring The McManus

    Dundee, a city reborn through innovation and cultural resurgence, holds within its heart a testament to a grander era – The McManus: Dundee’s Art Gallery and Museum. More than simply a repository of artifacts, it is an immersive journey through time, art, and the very spirit of this Scottish metropolis. Housed in a breathtaking Victorian Gothic building designed by George Gilbert Scott Jr., the museum itself stands as a work of art, its intricate detailing and soaring halls whispering tales of ambition and civic pride. Completed in 1867, originally as the Dundee Municipal Buildings, it was envisioned as a memorial to Prince Albert, intended to be a vision beautifully realized today. The building’s very foundations speak to challenges overcome; constructed upon marshy ground, its stability ensured through innovative engineering that still supports this architectural marvel.

    Architectural Grandeur:

    Gilbert Scott Jr.’s design embodies Victorian Gothic principles – pointed arches, ribbed vaults, and stained glass windows—creating a space of solemn beauty and inspiring reverence for history.

    Engineering Innovation:

    Recognizing the unstable nature of Dundee’s terrain, engineers employed groundbreaking techniques to stabilize the building, demonstrating Victorian ingenuity and securing its legacy as an enduring landmark.

    From Jute Mills to Masterpieces: A Collection Reflecting Dundee's Soul

    Stepping inside The McManus is akin to entering a multifaceted narrative of Scotland and beyond. The museum’s collections are remarkably diverse, encompassing fine art, history, and natural sciences – all interwoven to paint a comprehensive portrait of the region and its people. Perhaps most powerfully represented is the story of Dundee’s jute industry, once the lifeblood of the city. Exhibits vividly portray the rise and fall of this global trade, showcasing the machinery, products, and personal stories connected to this defining period. But The McManus doesn't dwell solely on industrial heritage; it boasts an impressive Victorian art collection, filled with paintings that capture the aesthetic sensibilities and social concerns of the time. Portraits like George Agnew Reid’s ‘Mrs Alexander Hay Moncur’ exemplify the era’s attention to detail and luxurious elegance, offering a glimpse into the lives of Dundee's prominent citizens. Beyond these highlights, visitors can explore fascinating natural history displays, from ancient fossils revealing Scotland’s geological past to meticulously preserved specimens that illuminate the region’s unique ecosystems.

    Victorian Art Highlights:

    The collection features masterpieces by Scottish artists like Thomas Millie Dow (“The Herald of Winter”) and Hugh Cameron Wilson (“The Kitten”), reflecting the artistic trends prevalent during Queen Victoria's reign.

    Notable Portraits:

    ‘Mrs Alexander Hay Moncur’ by George Agnew Reid exemplifies Victorian portraiture, capturing a noblewoman’s likeness with meticulous realism and opulent embellishments – a symbol of Dundee’s social standing.

    A Legacy of Learning and Accessibility

    The McManus has always been deeply rooted in its community, evolving over the years from a civic building to a dedicated museum and art gallery. Originally incorporating the collections of the Watt Institute and later serving as part of Dundee’s public library service, it underwent significant refurbishment in 2010, solidifying its role as a cultural cornerstone. This commitment to accessibility is further emphasized by its policy of free admission – a welcoming gesture that ensures everyone can experience the wonders within its walls. The museum actively fosters engagement through a dynamic program of exhibitions, events, and family-friendly activities, making learning an enjoyable and inclusive experience for all ages.

    Community Engagement:

    From its origins as a civic building to its current status as Dundee’s Art Gallery & Museum, The McManus has consistently prioritized serving the local population.

    Free Admission Policy:

    Recognizing the importance of cultural access for all, Dundee's museum operates on a free admission basis – inviting visitors from across Scotland and beyond to explore its treasures.

    What Truly Sets The McManus Apart

    What truly sets The McManus apart is its unique blend of disciplines under one magnificent roof. It’s not simply an art gallery or a history museum; it's a holistic exploration of the human story, viewed through the lenses of creativity, innovation, and scientific inquiry. This interdisciplinary approach encourages visitors to make connections between seemingly disparate fields, fostering a deeper understanding of the world around them. The McManus stands as a vibrant cultural hub, constantly evolving and adapting to meet the needs of its community while preserving and celebrating its rich heritage. It is a place where the past comes alive, inspiring curiosity and igniting imaginations – a true gem in the heart of Dundee.

    Více informací zde

    Najděte si online

    QR kód odkazující na stránku ke stažení June

    topimpressionists.com/cs/art/download/sir-david-scott-murray-june-AQTRZD-en/

    Citace tohoto díla

    MLA
    Murray, Sir David Scott. June. 1903, Mcmanus: Dundee's Art Galleries And Museums. https://topimpressionists.com/cs/art/sir-david-scott-murray-june-AQTRZD-en/
    APA
    Murray, Sir David Scott (1903). June [Painting]. Mcmanus: Dundee's Art Galleries And Museums. https://topimpressionists.com/cs/art/sir-david-scott-murray-june-AQTRZD-en/
    Chicago
    Sir David Scott Murray. June. 1903. Mcmanus: Dundee's Art Galleries And Museums. https://topimpressionists.com/cs/art/sir-david-scott-murray-june-AQTRZD-en/
    Harvard
    Murray, Sir David Scott (1903) June. Mcmanus: Dundee's Art Galleries And Museums. Available at: https://topimpressionists.com/cs/art/sir-david-scott-murray-june-AQTRZD-en/

    Zaměřte se pozorně

    June — Sir David Scott Murray

    Detailní pohled

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Vraťte se k dílu Loch Coruisk, Skye (1874), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    4. Sir David Scott Murray bylo při vzniku tohoto díla ve věku přibližně 37. Co v něm vypadá jako práce umělce právě v této životní fázi?
    5. Co by vás umělec mohl chtít vyvolat?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Otázky a odpovědi

    V jakém roce byl vytvořen "June"?

    Vznik díla „June“ od Sir David Scott Murray se datuje do roku 1903.

    Působí dílo "June" celkově spíše světle, nebo spíše tmavě?

    Zaznamenané hodnoty pro dílo „June“ od Sir David Scott Murray jsou: jas brilliant, luminance Gentle Luminance.

    Jak se v díle "June" propojují kontrast a harmonie?

    Barevná analýza díla „June“ od Sir David Scott Murray zachycuje Bold kontrast a Strong Color Unity harmonii.