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      Ann Lees, 1736 – 1784

      1 nejslavnějších obrazů autora Ann Lees, seřazených podle popularity

      Nejoblíbenějším dílem autora Ann Lees je Psittacus Iris (1770), které je vystaveno v instituci Royal Albert Memorial Museum - Art Gallery, Exeter. Náš katalog obsahuje 1 děl umělce Ann Lees: zde je 1 nejznámějších, z nichž každé uvádí svůj rok vzniku, muzeum a důvod, proč je nezapomenutelné.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.

      Portrét Ann Lees
      Ann Lees · 1736 – 1784
      Narození · úmrtí
      1736 – 1784, Manchester
      Díla v našem katalogu
      1
      Nejslavnější
      Psittacus Iris (1770)
      Nejvíce děl v muzeích
      Royal Albert Memorial Museum - Art Gallery

      Nejlepší 10 obrazů: Ann Lees – plátna, která zná každý

      Psittacus Iris (1770) od Ann Lees
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      Psittacus Iris

      Miss Ann Lee was the daughter of the botanist John Lee. This work is just one of 79 drawings of butterflies, birds and insects by Lee in RAMM’s collection. Before 1800 there were only a few women working as professional botanical artists. These women were often tutored by their husbands and other relatives. At this time some upper-class women published books of botanical drawings anonymously. This was because of the…

      Ručně malovaná olejná reprodukce od $178 27 × 38 cm

      Kde visí plátna umělce Ann Lees

      Muzeum s největším počtem obrazů na této stránce.

      Muzeum Město Díla autora Ann Lees Obrazy z tohoto seznamu
      Royal Albert Memorial Museum - Art Gallery, ExeterRoyal Albert Memorial Museum - Art Gallery Exeter 1 Psittacus Iris

      Nejoblíbenější plátna umělce Ann Lees rok po roce

      Každé plátno s datem vzniku od Ann Lees na této stránce bylo namalováno v roce 1770; zde jsou, od těch nejznámějších.

      1. 1770
        Psittacus Iris (1770) od Ann Lees
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        Psittacus Iris

        Věk 34 let · Royal Albert Memorial Museum - Art Gallery

        Miss Ann Lee was the daughter of the botanist John Lee. This work is just one of 79 drawings of butterflies, birds and insects by Lee in RAMM’s…

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      Psittacus Iris (1770)

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      Ann Lees, narozen 1736, měl 34 let: dílo Psittacus Iris pochází z roku 1770.

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      Většinou v Royal Albert Memorial Museum - Art Gallery (Exeter); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

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      Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.

      Ann Lees: život v barvách

      A Visionary Founder: The Life and Legacy of Ann Lee

      Ann Lee, known to her followers as Mother Ann, remains a compelling figure in American religious history—a woman who forged a uniquely communal faith from the fringes of 18th-century England and transplanted it to the nascent United States. Born Ann Lees in Manchester on February 29, 1736, her early life was marked by hardship and spiritual seeking. The daughter of a blacksmith, she experienced poverty and loss, working in textile mills as a young woman and enduring the deaths of four infant children after marrying Abraham Standerin in 1762. These experiences profoundly shaped her worldview, fostering a deep empathy for suffering and a relentless quest for spiritual purity.

      Lee’s journey toward religious leadership began within a small dissenting sect led by James and Jane Wardley, known as the Shaking Quakers due to their ecstatic worship practices. This group emphasized personal revelation and public confession of sin, beliefs that resonated deeply with Lee's own inclinations. However, it was through her own intense visionary experiences in 1770 that she began to articulate a radical theology centered on celibacy as the path to perfection. She proclaimed herself to be the female embodiment of Christ’s second coming, a claim that both inspired devotion and provoked controversy.

      From England to America: Establishing Shakerism

      The increasingly fervent beliefs and disruptive public testimony of Lee and her followers led to persecution in England. In 1774, seeking religious freedom, Lee embarked on a transatlantic voyage with a small band of adherents to the American colonies. After years of wandering, they established their first permanent settlement at Niskayuna, near Albany, New York, in 1781. This marked the true beginning of American Shakerism—the United Society of Believers in Christ’s Second Appearing. The name “Shakers” derived from the distinctive ecstatic dancing that characterized their worship, a physical manifestation of spiritual fervor and purification.

      Lee's leadership was transformative. She preached a message of equality, pacifism, and communal living, rejecting traditional hierarchies and embracing simplicity in all aspects of life. Her charisma drew converts from diverse backgrounds, attracted by the promise of spiritual renewal and social harmony. Despite facing skepticism and hostility, Lee tirelessly traveled throughout New England, spreading her teachings and establishing new communities. She led the Shaker church at a time when few women held positions of religious authority, challenging societal norms and paving the way for greater female participation in spiritual life.

      The Core Tenets of Shaker Belief

      At the heart of Shakerism lay a profound belief in the dual nature of God—both masculine and feminine—and the necessity of living a life free from worldly corruption. Celibacy was considered paramount, allowing individuals to focus solely on spiritual devotion and communal service. Pacifism was another cornerstone, rejecting violence and embracing peaceful resolution of conflict. Shakers lived communally, sharing all possessions and laboring together for the common good. This emphasis on equality extended to both genders and, remarkably for the time, to people of color.

      The aesthetic principles that emerged from these beliefs were equally distinctive. Shaker furniture, architecture, and crafts are renowned for their minimalist design, functional simplicity, and exquisite craftsmanship. Every object was created with a sense of purpose and reverence, reflecting the Shakers’ commitment to order, cleanliness, and spiritual purity. These objects weren't merely utilitarian; they were considered expressions of devotion—a tangible manifestation of their faith.

      A Lasting Impact on Art, Design, and Spirituality

      Ann Lee died in Watervliet, New York, on September 8, 1784, leaving behind a burgeoning religious movement that would flourish for much of the 19th century. Though Shaker communities have dwindled significantly today, their legacy endures—not only in the surviving settlements and artifacts but also in their profound influence on American art, design, and spirituality.

      The Shakers’ emphasis on simplicity, functionality, and craftsmanship continues to inspire designers and artists around the world. Their commitment to equality and pacifism resonates with contemporary values, offering a compelling alternative to materialism and conflict. Mother Ann Lee, despite her humble origins and lack of formal education, left an indelible mark on American culture—a testament to the power of vision, faith, and unwavering dedication to one’s beliefs.

      • Her teachings emphasized a direct relationship with God, accessible to all regardless of gender or social status.
      • The Shaker aesthetic—minimalist furniture, architecture, and crafts—continues to be celebrated for its functional beauty and spiritual resonance.
      • Her legacy challenges conventional notions of religious leadership and inspires a search for alternative ways of living in harmony with nature and community.