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      August Pezold, 1794 – 1859

      6 nejslavnějších obrazů autora August Pezold, seřazených podle popularity

      Nejoblíbenějším dílem autora August Pezold je Ludwig van Beethoven (1818), které je vystaveno v instituci Beethoven-Haus Bonn, Bonnd. Následují Portrait of a Lady before Landscape (1824) a Self-Portrait (1855) z platen, která čtenáři znají nejlépe. Náš katalog obsahuje 6 děl umělce August Pezold: zde je 6 nejznámějších, z nichž každé uvádí svůj rok vzniku, muzeum a důvod, proč je nezapomenutelné.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.

      Portrét August Pezold
      August Pezold · 1794 – 1859
      Narození · úmrtí
      1794 – 1859, Rakvere
      Díla v našem katalogu
      6
      Nejslavnější
      Ludwig van Beethoven (1818)
      Nejvíce děl v muzeích
      Berlinische Galerie

      Nejlepší 10 obrazů: August Pezold – plátna, která zná každý

      Ludwig van Beethoven (1818) od August Pezold
      1

      Ludwig van Beethoven

      1818 · Drawing · Beethoven-Haus Bonn, Bonnd

      This black and white drawing, created in 1818, presents a striking portrait of the composer Ludwig van Beethoven. The work captures his distinctive facial features, including his bushy hair, mustache, and beard, as he gazes directly at the viewer with an intense expression. The composition utilizes chiaroscuro, employing dramatic contrasts between light and shadow to sculpt his form and create a palpable sense of presence. In the background, two additional…

      Ručně malovaná olejná reprodukce od $178 29 × 35 cm Velikost jako originál $181 27 × 40 cm Objednat v originální velikosti →
      Portrait of a Lady before Landscape (1824) od August Pezold
      2

      Portrait of a Lady before Landscape

      1824 · Oil On Canvas · Berlinische Galerie, Berlín

      A young woman sits in a bust-length composition, her gaze fixed directly upon the viewer with a steady, calm composure. She is framed by dark, thick ringlets that fall from a center part, cascading around a face illuminated by soft, even light. Her dark, low-cut dress features subtle textures along the bodice and sleeves, while her hands rest quietly in her lap. Behind her, the landscape opens into a vista…

      Ručně malovaná olejná reprodukce od $178 28 × 36 cm Velikost jako originál $189 33 × 42 cm Objednat v originální velikosti →
      Self-Portrait (1855) od August Pezold
      3

      Self-Portrait

      1855 · Pastel

      In this 1855 self-portrait, we encounter a man caught in a moment of quiet, intellectual gravity. The subject, depicted from the chest up, gazes directly at us with piercing blue eyes that seem to hold a lifetime of thought. His expression is one of serious introspection, a stillness that suggests a mind constantly at work. The lighting, descending softly from the upper left, carves out the contours of his face,…

      Ručně malovaná olejná reprodukce od $178 27 × 37 cm
      Arm Study (1840) od August Pezold
      4

      Arm Study

      1840 · Watercolor · Berlinische Galerie, Berlín

      In "Arm Study" by August Pezold, the focus narrows to the quiet architecture of the human form. Created about 1840, this detailed anatomical study captures the forearm and hand in a tight, vertical arrangement. The limb rests horizontally at the base of the frame, a heavy presence of bone and muscle. It is a singular moment of observation, stripped of any surrounding narrative or distraction.

      Ručně malovaná olejná reprodukce od $178 29 × 34 cm
      Sketch for a Triumph Procession (1860) od August Pezold
      5

      Sketch for a Triumph Procession

      1860 · Oil · Berlinische Galerie, Berlín

      The scene unfolds within Sketch for a Triumph Procession, a work that captures a fleeting moment of movement and energy. August Pezold, the hand behind this expressive study, breathes life into the composition through a rapid and gestural approach. This piece emerges from around 1860, a period that finds the artist's hand working with a sense of immediacy and purpose. The sketch exists as a window into a world of…

      Ručně malovaná olejná reprodukce od $178 43 × 23 cm
      Ludwig van Beethoven (1818) od August Pezold
      6

      Ludwig van Beethoven

      1818 · Akryl na plátně · Beethoven-Haus Bonn, Bonnd

      Portrét Ludvíka van Beethovena – Výrazný obraz německého romantického malíře Karla Friedriicha Augusta von Klöbera Carl Friedrich August von Klöber byl významným představitelem německého umění první poloviny XIX. století, jehož dílo zůstalo nezapomenutelné především díky ikonickým portrétům osobností doby. Tento obraz Ludvíka van Beethovena, vytvořený roku 1818, je důkazem Klöberova talentu a schopnosti zachytit ducha času i charakter svého objektu – slavného skladatele. Styl a Technika: Přesvědčivé kombinace klasicismu a…

      Ručně malovaná olejná reprodukce od $178 27 × 36 cm Velikost jako originál $181 27 × 40 cm Objednat v originální velikosti →

      Co nejčastěji maloval August Pezold

      Čtyři témata, která se na těchto plátnech nejčastěji objevují, každé s jedním z jejich nejoblíbenějších příkladů.

      Kde visí plátna umělce August Pezold

      2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzeum Město Díla autora August Pezold Obrazy z tohoto seznamu
      Berlinische Galerie, BerlínBerlinische Galerie Berlín 3 Portrait of a Lady before Landscape, Arm Study, Sketch for a Triumph Procession
      Beethoven-Haus Bonn, BonndBeethoven-Haus Bonn Bonnd 2 Ludwig van Beethoven, Ludwig van Beethoven

      Nejoblíbenější plátno každého desetiletí od August Pezold

      1. 1810s
        Ludwig van Beethoven (1818) od August Pezold
        Plátno 1 z 6

        Ludwig van Beethoven

        Věk 16 – 25 · Beethoven-Haus Bonn

        This black and white drawing, created in 1818, presents a striking portrait of the composer Ludwig van Beethoven. The work captures his distinctive facial features, including his bushy…

      2. 1820s
        Portrait of a Lady before Landscape (1824) od August Pezold
        Plátno 2 z 6

        Portrait of a Lady before Landscape

        Věk 26 – 35 · Berlinische Galerie

        A young woman sits in a bust-length composition, her gaze fixed directly upon the viewer with a steady, calm composure. She is framed by dark, thick ringlets that…

      3. 1840s
        Arm Study (1840) od August Pezold
        Pořadí 4 z 6

        Arm Study

        Věk 46 – 55 · Berlinische Galerie

        In "Arm Study" by August Pezold, the focus narrows to the quiet architecture of the human form. Created about 1840, this detailed anatomical study captures the forearm and…

      4. 1850s
        Self-Portrait (1855) od August Pezold
        Plátno 3 z 6

        Self-Portrait

        Věk 56 – 65

        In this 1855 self-portrait, we encounter a man caught in a moment of quiet, intellectual gravity. The subject, depicted from the chest up, gazes directly at us with…

      O plátnech umělce August Pezold: odpovědi na vaše otázky

      Kterým nejslavnějším dílem je August Pezold?Přečtěte si odpověď

      Ludwig van Beethoven (1818), Beethoven-Haus Bonn, Bonnd. Následují Portrait of a Lady before Landscape (1824) a Self-Portrait (1855).

      Kolik let bylo August Pezold, když byl/a namalován/a dílo Ludwig van Beethoven?Přečtěte si odpověď

      August Pezold, narozen 1794, měl 24 let: dílo Ludwig van Beethoven pochází z roku 1818.

      Kolik děl celkem namaloval/a August Pezold?Přečtěte si odpověď

      V našem katalogu je 6 děl umělce August Pezold, datovaných od 1818 do 1855.

      Kde mohu vidět nejznámější plátna umělce August Pezold?Přečtěte si odpověď

      Většinou v Berlinische Galerie (Berlín) a Beethoven-Haus Bonn (Bonnd); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      Kdy August Pezold namaloval své nejoblíbenější obrazy?Přečtěte si odpověď

      V období 1810s, které tvoří 2 z 6 děl na této stránce, mezi nimi i Ludwig van Beethoven.

      Která jsou nejstarší a nejnovější slavná plátna umělce August Pezold?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do Ludwig van Beethoven (1818); nejnovější je z Self-Portrait (1855).

      Co nejčastěji maloval/a August Pezold?Přečtěte si odpověď

      Beethoven portrait (2), Romantic era (2) a Sienna (2) napříč 6 díly na této stránce.

      Která plátna od August Pezold visí v Berlinische Galerie?Přečtěte si odpověď

      Muzeum Berlinische Galerie, Berlín se vlastní 3 děl z této stránky, mezi nimiž jsou i Portrait of a Lady before Landscape, Arm Study a Sketch for a Triumph Procession.

      Mohu si koupit reprodukci plátna od August Pezold?Přečtěte si odpověď

      Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.

      August Pezold: život v barvách

      Carl Friedrich August von Klöber: A Portraitist Bridging Parisian Elegance and Prussian Tradition

      Carl Friedrich August von Klöber, born in Breslau (modern-day Wrocław), Germany, in 1793, was a pivotal figure in 19th-century German art. His life’s journey—a tapestry woven with military service, artistic study across Europe, and ultimately, the creation of compelling portraits – reflects the dynamic social and cultural shifts of his era. Klöber's career unfolded against the backdrop of Napoleonic wars, burgeoning Romanticism, and the rise of urban centers as hubs for artistic innovation. He died in Berlin in 1864, leaving behind a legacy marked by both technical skill and an ability to capture the essence of his subjects, particularly through his celebrated portraiture.

      Early Life and Artistic Foundations

      Klöber’s early years were shaped by military service; he enlisted as a volunteer in the wars of liberation against Napoleon in 1813-14, participating in battles at Groß-Görschen, Bautzen, and even briefly stationed near Paris. This experience instilled discipline and broadened his perspective beyond the confines of Breslau. Following his military service, he pursued formal artistic training, initially at the Berlin Cadet School and later at the *Bauschule* (School of Design) in Breslau. Crucially, he then enrolled at the *Königlich Preussischen Akademie der Künste* (Royal Prussian Academy of Arts) in Berlin, where he honed his skills under the tutelage of established masters. His studies there were further enriched by a period of intensive study in Paris and Vienna – cities renowned for their artistic ferment during this time. These experiences exposed him to diverse movements, including Neoclassicism and nascent Romanticism, profoundly influencing his stylistic development.

      Parisian Influence and Viennese Refinement

      Klöber’s sojourn in Paris proved particularly formative. He immersed himself in the vibrant artistic scene, absorbing the techniques of established portraitists and engaging with the prevailing trends of the era. The influence of Parisian art is readily apparent in his later works – a refined elegance, an attention to detail, and a sophisticated understanding of light and shadow all contribute to this effect. Subsequently, he spent four years in Vienna, where he continued his artistic education and developed a distinct style characterized by a balance between German realism and the more expressive tendencies of Austrian painting. This period solidified his ability to capture not just physical likeness but also the character and personality of his subjects.

      Notable Portraits and Artistic Style

      Klöber’s most enduring contribution lies in his portraiture. He was particularly celebrated for his depictions of prominent figures, including Ludwig van Beethoven – a painting that is now considered a significant work in German art history. He also produced numerous portraits of members of the Grillparzer family, capturing their individual personalities with remarkable sensitivity. His artistic style can be described as characterized by meticulous observation, skillful rendering of fabrics and textures, and an ability to convey a sense of inner life within his subjects. He wasn’t merely replicating appearances; he was striving to reveal something deeper about the individuals he portrayed. His use of light and shadow created depth and drama, while his compositions were often balanced and harmonious.

      Legacy and Continued Recognition

      Carl Friedrich August von Klöber's legacy continues to be celebrated today. His works are showcased in various museums and galleries across Germany, testament to their enduring artistic value. The *Akademie der bildenden Künste Wien* (Academy of Fine Arts Vienna), where he once studied, actively promotes fine arts education and research, ensuring that his contributions are remembered and appreciated by future generations. Resources like TopImpressionists.com provide valuable insights into his oeuvre, while the Kunstsammlungen der Akademie der bildenden Künste W Wien offer a comprehensive collection of artworks from various periods and styles, including those of other notable artists such as Wilhelm Trübner and Jörg the elder Breu. Furthermore, research conducted by sites like Artprice.com reveals valuable information about the market value and historical significance of his paintings, particularly his portraits. His work stands as a bridge between the formal training of the Prussian Academy and the artistic innovations emerging from Paris and Vienna – a testament to the interconnectedness of European art in the 19th century.