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      Barnaba Da Modena, 1328 – 1386

      Barnaba Da Modena: 9 nejznámějších obrazů

      Z všech obrazů autora Barnaba Da Modena je nejznámější dílo The Virgin and Child between Saint John the Baptist and Saint Michael (1350); visí v Musée du Petit Palais, Avignon. Hned za nimi následují Madonna and Child (1367) a Pentecost (1371). Z 9 děl umělce Barnaba Da Modena v našem katalogu je těchto 9 nejuznávanějších, z nichž každé je uvedeno s datem vzniku, muzeem a příběhem.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.

      Portrét Barnaba Da Modena
      Barnaba Da Modena · 1328 – 1386
      Narozen · zemřel
      1328 – 1386, Modena
      Díla v našem katalogu
      9
      Nejslavnější
      The Virgin and Child between Saint John the Baptist and Saint Michael (1350)
      Nejvíce děl v
      National Gallery

      10 nejslavnějších obrazů autora Barnaba Da Modena

      Virgin and Child (1370) od Barnaba Da Modena
      5

      Virgin and Child

      1370 · Oil On Canvas · Louvre, Paříž

      To gaze upon this depiction of the Virgin and Child is to step directly into the devotional heart of fourteenth-century Italy. The scene unfolds with an almost palpable intimacy; the Virgin Mary, adorned in rich blue robes and crowned with regal grace, cradles her infant son close to her breast. It is a moment suspended in time—a tender communion that speaks volumes of maternal love intertwined with divine mystery. Barnaba…

      Ručně malovaná olejná reprodukce od $178 26 × 39 cm Velikost jako originál $386 72 × 109 cm Objednat v originální velikosti →
      Virgin and Child (1360) od Barnaba Da Modena
      7

      Virgin and Child

      1360 · Tempera On Panel · Muzeum umění v Bostonu, Boston

      In the quiet intimacy of Barnaba da Modena’s Virgin and Child, we are invited into a sacred moment that transcends the centuries. Created around 1360, this masterpiece serves as a profound window into the spiritual heart of the Trecento period. The painting captures a deeply human connection between the Virgin Mary and her infant son, presenting a scene where divine majesty meets maternal tenderness. As she cradles the young boy,…

      Ručně malovaná olejná reprodukce od $178 25 × 40 cm Velikost jako originál $339 63 × 100 cm Objednat v originální velikosti →
      Crucifixion (1375) od Barnaba Da Modena
      9

      Crucifixion

      1375 · Tempera On Panel · Museum of Art, Indianapolis

      In the quiet sanctity of the Museum of Art in Indianapolis, there exists a window into the fourteenth century that transcends the mere passage of time. The Crucifixion by Barnaba da Modena, executed around 1375, is not merely a painting but a profound spiritual encounter. As one gazes upon this tempera on wooden panel, the viewer is immediately enveloped by the solemnity of the late medieval period. The composition centers…

      Ručně malovaná olejná reprodukce od $178 25 × 40 cm Velikost jako originál $360 67 × 104 cm Objednat v originální velikosti →

      Co nejčastěji maloval Barnaba Da Modena

      Čtyři témata, která se na těchto plátnech nejčastěji objevují, každé s jedním z jejich nejoblíbenějších příkladů.

      Kde visí plátna umělce Barnaba Da Modena

      8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzea Město Díla autora Barnaba Da Modena Obrazy z tohoto seznamu
      National Gallery, LondýnNational Gallery Londýn 2 Pentecost, Scenes of the Virgin; The Trinity; The Crucifixion
      Musée du Petit Palais, AvignonMusée du Petit Palais Avignon 1 The Virgin and Child between Saint John the Baptist and Saint Michael
      Städel Museum, Frankfurt nad MohanemStädel Museum Frankfurt nad Mohanem 1 Madonna and Child
      Gemäldegalerie, BerlínGemäldegalerie Berlín 1 Madona and Child
      Louvre, PařížLouvre Paříž 1 Virgin and Child
      Yale University Art Gallery, New HavenYale University Art Gallery New Haven 1 Mourning Virgin
      Muzeum umění v Bostonu, BostonMuzeum umění v Bostonu Boston 1 Virgin and Child
      Museum of Art, IndianapolisMuseum of Art Indianapolis 1 Crucifixion

      Dekáda po dekádě: nejuznávanější plátna umělce Barnaba Da Modena

      1. 1350s
      2. 1360s
      3. 1370s
        Pentecost (1371) od Barnaba Da Modena
        3 z 9

        Pentecost

        Věk 42 – 51 · National Gallery

      Vaše otázky k obrazům autora Barnaba Da Modena, odpovědi

      Který z obrazů autora Barnaba Da Modena je nejuznávanější?Přečtěte si odpověď

      The Virgin and Child between Saint John the Baptist and Saint Michael (1350), Musée du Petit Palais, Avignon. Následují Madonna and Child (1367) a Pentecost (1371).

      Kolik let bylo Barnaba Da Modena ve době vzniku díla The Virgin and Child between Saint John the Baptist and Saint Michael?Přečtěte si odpověď

      Barnaba Da Modena, narozen 1328, měl 22 let: dílo The Virgin and Child between Saint John the Baptist and Saint Michael pochází z roku 1350.

      Kolik obrazů autora Barnaba Da Modena je známo?Přečtěte si odpověď

      V našem katalogu je 9 děl umělce Barnaba Da Modena, datovaných od 1350 do 1375.

      Která muzea uchovávají nejznámější plátna umělce Barnaba Da Modena?Přečtěte si odpověď

      Většinou v National Gallery (Londýn), Musée du Petit Palais (Avignon) a Städel Museum (Frankfurt nad Mohanem); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      V jakých letech namaloval Barnaba Da Modena svá nejslavnější plátna?Přečtěte si odpověď

      V období 1370s, které tvoří 4 z 9 děl na této stránce, mezi nimi i Pentecost.

      Jaká jsou první a poslední slavná plátna umělce Barnaba Da Modena?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do The Virgin and Child between Saint John the Baptist and Saint Michael (1350); nejnovější je z Crucifixion (1375).

      Jaká témata se v obrazech umělce Barnaba Da Modena objevují nejčastěji?Přečtěte si odpověď

      Byzantine style (3), Virgin mary (2) a Madonna and child (2) napříč 9 díly na této stránce.

      Čím obvykle maloval/a Barnaba Da Modena?Přečtěte si odpověď

      Tempera On Panel, použito u 2 z 9 děl na této stránce.

      Co mohu vidět od Barnaba Da Modena v National Gallery?Přečtěte si odpověď

      Muzeum National Gallery, Londýn se vlastní 2 děl z této stránky, mezi nimiž jsou i Pentecost a Scenes of the Virgin; The Trinity; The Crucifixion.

      Mohu si objednat ručně malovanou kopii obrazu od Barnaba Da Modena?Přečtěte si odpověď

      Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.

      Barnaba Da Modena: příběh malíře

      Barnaba da Modena (c. 1328 – c. 1386): A Byzantine Echo in Lombard Painting

      Barnaba da Modena stands as a singular figure in the artistic landscape of fourteenth-century Italy—a pioneer who bravely championed a stylistic tradition largely abandoned by his contemporaries, firmly rooted in the grandeur and spirituality of Byzantium. Born around 1328 in Modena (Emilia), he emerged from obscurity to become arguably the first Lombard painter of considerable renown, leaving behind an impressive oeuvre that testifies to his unwavering devotion to this venerable artistic heritage. His activity spanned Lombardy, Piedmont, and Pisa in Tuscany, establishing him as a pivotal artist within the burgeoning cultural dynamism of the era.
      • Early Life & Training: Precise biographical details surrounding Barnaba’s formative years remain elusive. Records indicate he was active in Genoa from approximately 1364, where he secured patronage and honed his craft amidst a vibrant artistic milieu. This Genoese engagement undoubtedly exposed him to the prevailing stylistic currents of the time—a stark contrast to the increasingly naturalistic tendencies gaining traction elsewhere in Italy.
      • Byzantine Influence: Barnaba’s distinctive style is undeniably indebted to Byzantine painting, particularly its use of gold leaf and shimmering backgrounds. He meticulously replicated techniques perfected centuries earlier, prioritizing luminous color palettes and compositional schemes that emphasized symbolic grandeur rather than realistic representation. This commitment to tradition speaks volumes about his artistic sensibilities and reflects a profound understanding of the visual language of religious art.
      • Notable Works & Patronage: Barnaba’s prolific output encompassed around fifty paintings—a remarkable achievement considering the period—primarily focused on depictions of the Virgin Mary and Christ, often framed within elaborate architectural settings reminiscent of Byzantine churches. His commissions included prominent roles in Genoa’s Palazzo Ducale and contributed significantly to the artistic embellishment of ecclesiastical spaces throughout Lombardy.
      • Technique & Innovation: Despite adhering to Byzantine conventions, Barnaba demonstrated considerable technical skill—a testament to his meticulous attention to detail and masterful manipulation of pigment. His paintings exhibit a remarkable level of refinement, achieved through painstaking layering of glazes and incorporating subtle gradations of color that imbue the images with an ethereal quality.
      • Legacy & Influence: Barnaba’s artistic vision profoundly impacted subsequent generations of Lombard painters. Notably, Nicolò da Voltri continued his stylistic trajectory in Liguria until circa 1420, perpetuating Barnaba's Byzantine aesthetic and solidifying his position as a foundational figure in the development of Lombard painting. His enduring legacy resides not merely in his individual masterpieces but also in his contribution to shaping the artistic landscape of his time—a beacon of spiritual contemplation amidst the burgeoning complexities of the Renaissance.

      Major Achievements & Artistic Style

      Barnaba’s most celebrated achievements lie in his masterful execution of monumental frescoes adorning churches throughout Lombardy and Genoa. These works exemplify the pinnacle of Byzantine influence, characterized by:
      • Gold Leaf Backgrounds: Extensive use of gold leaf created radiant surfaces that evoked the splendor of imperial cathedrals—a deliberate stylistic choice reflecting Barnaba’s reverence for Byzantine iconography.
      • Symbolic Composition: Paintings prioritized conveying theological concepts through carefully orchestrated visual narratives, emphasizing spiritual significance over mere aesthetic beauty.
      • Luminous Color Palette: Barnaba skillfully employed vibrant hues—particularly blues and reds—to illuminate biblical scenes and imbue them with emotional intensity.

      Connections & Artistic Context

      Barnaba’s artistic milieu was shaped by the prevailing stylistic trends of his time, yet he steadfastly resisted the emerging naturalism championed by artists like Giotto di Bondone. He remained firmly committed to Byzantine principles—a conscious decision that distinguished him from many of his contemporaries and cemented his reputation as a champion of tradition. His work stands apart as an exceptional example of artistic integrity—a testament to his unwavering devotion to conveying spiritual truths through visual art.

      Further Exploration

      For deeper insights into Barnaba da Modena’s life and oeuvre, consult the following resources:
      • tiraboschi, Giuseppe Maria.Storia della letteratura lombarda dal secolo IX al XVI. Milano: Boccaveri Editore, 1867.