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      Basawan, 1560 – 1600

      13 nejslavnějších obrazů autora Basawan

      Mihrdukht aims her arrow at the ring (1570) je obraz, podle kterého je nejznámější Basawan; nachází se v Metropolitan Museum of Art, New York. The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) a The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) doplňují trio nejoblíbenějších pláten. Náš katalog obsahuje 13 děl umělce Basawan. Zde je 13 nejznámějších děl včetně roku vzniku, muzea a příběhu každého plátna.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.

      Portrét Basawan
      Basawan · 1560 – 1600
      Narození · úmrtí
      1560 – 1600, Uttar Pradesh
      Díla v našem katalogu
      13
      Nejslavnější
      Mihrdukht aims her arrow at the ring (1570)
      Nejvíce děl v muzeích
      Clevelandské muzeum umění

      Deset nejoblíbenějších obrazů autora Basawan

      Mihrdukht aims her arrow at the ring (1570) od Basawan
      1

      Mihrdukht aims her arrow at the ring

      1570 · Tempera · Metropolitan Museum of Art, New York

      The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture that freezes the very pulse of the court. Below her, the world unfolds in layers of architectural precision and organic life. Attendants and observers gather in the shadows of the structure, their eyes drawn upward to the woman and her task. The…

      Ručně malovaná olejná reprodukce od $403 28 × 36 cm Velikost jako originál $481 52 × 68 cm Objednat v originální velikosti →

      Basawan: plátna 11 až 13 v žebříčku

      Kde visí plátna umělce Basawan

      6 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzeum Město Díla autora Basawan Obrazy z tohoto seznamu
      Clevelandské muzeum umění, ClevelandClevelandské muzeum umění Cleveland 8 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Mihrdukht aims her arrow at the ring
      Victoria and Albert Museum, LondýnVictoria and Albert Museum Londýn 1 Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer
      Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama
      San Diego Museum of Art, San DiegoSan Diego Museum of Art San Diego 1 The Virgin and Child
      Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 A Mughal and a Rajput Converse at Dusk

      Nejslavnější plátno umělce Basawan, dekádu po dekádě

      1. 1570s
        Mihrdukht aims her arrow at the ring (1570) od Basawan
        Pořadí 1 z 13

        Mihrdukht aims her arrow at the ring

        Věk 10 – 19 · Metropolitan Museum of Art

        The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture…

      2. 1580s
      3. 1590s

      Plátna umělce Basawan otázka po otázce

      Kterým plátnem je Basawan nejvíce známý/á?Přečtěte si odpověď

      Mihrdukht aims her arrow at the ring (1570), Metropolitan Museum of Art, New York. Následují The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) a The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560).

      Mihrdukht aims her arrow at the ring: kolik let bylo Basawan, když bylo namalováno?Přečtěte si odpověď

      Basawan, narozen 1560, měl 10 let: dílo Mihrdukht aims her arrow at the ring pochází z roku 1570.

      Kterých deset nejslavnějších obrazů má Basawan?Přečtěte si odpověď

      Mihrdukht aims her arrow at the ring, The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night, A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur), Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer, The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama, The Virgin and Child, The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) a Page from Tales of a Parrot (Tuti-nama): text page. U každého plátna v uvedeném žebříčku je uveden rok jeho vzniku a muzeum, ve kterém se nachází.

      Kolik obrazů vytvořil/a Basawan?Přečtěte si odpověď

      V našem katalogu je 13 děl umělce Basawan, datovaných od 1570 do 1596.

      Kde se dnes nacházejí nejslavnější plátna umělce Basawan?Přečtěte si odpověď

      Většinou v Clevelandské muzeum umění (Cleveland), Metropolitan Museum of Art (New York) a Victoria and Albert Museum (Londýn); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      Kdy Basawan namaloval svá nejslavnější plátna?Přečtěte si odpověď

      V období 1590s, které tvoří 4 z 13 děl na této stránce, mezi nimi i Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer.

      Které plátno slavného umělce Basawan vzniklo jako první a které jako poslední?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do Mihrdukht aims her arrow at the ring (1570); nejnovější je z The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) (1596).

      Která díla umělce Basawan se nacházejí v muzeu Clevelandské muzeum umění?Přečtěte si odpověď

      Muzeum Clevelandské muzeum umění, Cleveland se vlastní 8 děl z této stránky, mezi nimiž jsou i The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night a The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night.

      Kde si mohu koupit reprodukci obrazu od Basawan?Přečtěte si odpověď

      Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.

      Seznamte se s malířem: Basawan

      Basawan: The Pioneer of Mughal Portraiture

      Basawan (flourished 1580–1600), a name whispered with reverence in Indian art history, stands as one of the foremost figures of the Mughal miniature tradition. Though shrouded in obscurity—details about his life remain scant—his legacy endures through his breathtaking depictions of human subjects within the monumental Akbarnama, cementing his place as an innovator who elevated portraiture to unprecedented heights. Born in New Delhi during a period of significant cultural exchange between Persia and India, Basawan’s artistic journey began amidst the opulent courts of Akbar the Great. His formative years were spent under the tutelage of Abd al-Samad, a renowned artist whose influence profoundly shaped Basawan's stylistic sensibilities. This mentorship instilled within him a meticulous observation of human anatomy and expression—a hallmark that distinguishes his work from contemporaries.
      • Akbarnama Influence: Basawan’s contribution to the Akbarnama is arguably his most celebrated achievement. Unlike previous chronicles, Akbar commissioned a series of portraits capturing not merely royal figures but also individuals representing diverse social strata – scholars, musicians, and artisans. This bold decision signaled a departure from conventional artistic practices and established Basawan as a trailblazer in portraying human character with remarkable realism.
      • Color Palette & Technique: Basawan’s mastery lay primarily in his exceptional color palette and technique. Utilizing opaque watercolor pigments combined with gold leaf—a practice considered revolutionary at the time—he achieved luminous hues and textural depth that captivated viewers. His meticulous layering of colors created an illusionistic effect, mirroring the subtleties of light and shadow and conveying a profound sense of atmosphere.
      • Family Legacy: Basawan’s artistic lineage continued through his son Manohar Das, who carried on the family tradition as a court painter. Today, the Das family maintains a thriving manufacturing business specializing in handcrafted carpets—a tangible connection to their ancestral heritage and a testament to the enduring influence of Basawan's artistic vision.

      Exploring His Artistic Output: Beyond Akbarnama Illustrations

      While the Akbarnama undoubtedly represents Basawan’s magnum opus, evidence suggests he engaged in diverse artistic endeavors extending beyond royal commissions. Fragments of manuscripts depicting scenes from Hindu mythology—particularly those featuring Tara Kalan—offer glimpses into his versatility and willingness to explore different thematic concerns. These works demonstrate a keen understanding of symbolism and narrative complexity, reflecting the broader intellectual currents of the Mughal era.
      • Notable Works: Among Basawan’s surviving paintings are depictions of angels (Peri) riding composite camels—a striking visual representation of Islamic cosmology—and portraits capturing the dignity and solemnity of royal figures.

      Connections to Western Artistic Traditions

      Basawan's artistic development coincided with the arrival of Jesuit missionaries in India, bringing with them European paintings that profoundly impacted Mughal artists. This exposure fostered a dialogue between Eastern and Western aesthetics—a pivotal moment in Indian art history—and Basawan’s oeuvre bears subtle traces of this influence. His meticulous attention to detail and his masterful use of perspective foreshadowed developments occurring across the ocean, marking him as an artist attuned to global artistic trends.

      Historical Significance: A Reflection of Mughal Patronage

      Basawan's success is inextricably linked to Akbar’s enlightened patronage—a royal commitment to fostering artistic excellence and promoting cultural enrichment. Akbar recognized Basawan’s talent and entrusted him with monumental commissions, securing his place as one of the most influential artists of his time. His work serves as a poignant reminder of the transformative power of royal support in shaping artistic innovation and preserving cultural heritage for posterity.