Nejoblíbenějším dílem autora Benjamin Abramowitz je Labyrinth (1949), které je vystaveno v instituci The Phillips Collection, Washington, D.C.. Náš katalog obsahuje 2 děl umělce Benjamin Abramowitz: zde je 2 nejznámějších, z nichž každé uvádí svůj rok vzniku, muzeum a důvod, proč je nezapomenutelné.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Benjamin Abramowitz | Obrazy z tohoto seznamu |
|---|---|---|---|
| Washington, D.C. | 2 | Labyrinth, Capriccio |
Každé plátno s datem vzniku od Benjamin Abramowitz na této stránce bylo namalováno v roce 1949; zde jsou, od těch nejznámějších.
Labyrinth (1949)
Benjamin Abramowitz, narozen 1917, měl 32 let: dílo Labyrinth pochází z roku 1949.
V našem katalogu je 2 děl umělce Benjamin Abramowitz.
Většinou v The Phillips Collection (Washington, D.C.); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.
Muzeum The Phillips Collection, Washington, D.C. se vlastní 2 děl z této stránky, mezi nimiž jsou i Labyrinth a Capriccio.
Benjamin Abramowitz was a prolific American painter, printmaker, and sculptor whose creative output spanned nearly eight decades. Born in Brooklyn, United States, he began his artistic journey early, studying life drawing at the Brooklyn Museum School and holding his first solo exhibition there at the age of 16. During the late 1930s and early 1940s, he was known as Ben Hoffman, a name under which he joined the Works Progress Administration (WPA) in New York City. As a senior artist with the Federal Art Project, he served as a teacher, mural assistant, senior printmaker, and painter.
In 1941, Abramowitz moved to Washington, D.C., where he took on various U.S. government graphic assignments. He established his home and studio in Greenbelt, where he remained for more than half a century. His artistic evolution saw him move from the disciplined nightly practice of drawing and painting as a lithographer to a diverse practice that eventually included making wall works and freestanding sculptures in the 1970s.
Abramowitz's work is characterized by its resistance to easy categorization, encompassing painting, sculpture, and works on paper such as drawing and watercolor. His mastery was recognized by major institutions, with his pieces held in notable collections including:
Beyond his own studio practice, he was a significant educator and "art coach" in the Washington metropolitan area, teaching students such as Lilian Thomas Burwell. He also served as an artist-in-residence for the Ford Foundation, lecturing and conducting seminars across the country. His extensive body of work and his role in the mid-century modern art movement of the Washington region have been documented in numerous prestigious biographical volumes and exhibitions.