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      Benjamin Trott, 1770 – 1841

      22 nejslavnějších obrazů autora Benjamin Trott

      Charles Floyd (1804) je obraz, podle kterého je nejznámější Benjamin Trott; nachází se v Metropolitan Museum of Art, New York. Alexander Henry Durdin (1810) a Portrait of a Gentleman (1812) doplňují trio nejoblíbenějších pláten. Náš katalog obsahuje 24 děl umělce Benjamin Trott. Zde je 22 nejznámějších děl včetně roku vzniku, muzea a příběhu každého plátna.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.

      Portrét Benjamin Trott
      Benjamin Trott · 1770 – 1841
      Narození · úmrtí
      1770 – 1841, Boston
      Pohyb
      Neoclassicism
      Díla v našem katalogu
      24
      Nejslavnější
      Charles Floyd (1804)
      Nejvíce děl v muzeích
      Metropolitan Museum of Art

      Deset nejoblíbenějších obrazů autora Benjamin Trott

      Benjamin Trott: plátna 11 až 22 v žebříčku

      Co nejčastěji maloval Benjamin Trott

      Čtyři témata, která se na těchto plátnech nejčastěji objevují, každé s jedním z jejich nejoblíbenějších příkladů.

      Kde visí plátna umělce Benjamin Trott

      5 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzeum Město Díla autora Benjamin Trott Obrazy z tohoto seznamu
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 11 Charles Floyd, Alexander Henry Durdin, Portrait of a Gentleman
      Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 6 Portrait of a Gentleman with Initials J. B, Anne Hume Shippen, Jane Stone
      Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 1 Alexander Henry Durdin
      National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 1 Charles Wagner
      Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Portrait of John Woods Poinier

      Nejslavnější plátno umělce Benjamin Trott, dekádu po dekádě

      1. 1790s
      2. 1800s
        Charles Floyd (1804) od Benjamin Trott
        Plátno 1 z 22

        Charles Floyd

        Věk 30 – 39 · Metropolitan Museum of Art
      3. 1810s
      4. 1820s

      Plátna umělce Benjamin Trott otázka po otázce

      Kterým plátnem je Benjamin Trott nejvíce známý/á?Přečtěte si odpověď

      Charles Floyd (1804), Metropolitan Museum of Art, New York. Následují Alexander Henry Durdin (1810) a Portrait of a Gentleman (1812).

      Charles Floyd: kolik let bylo Benjamin Trott, když bylo namalováno?Přečtěte si odpověď

      Benjamin Trott, narozen 1770, měl 34 let: dílo Charles Floyd pochází z roku 1804.

      Kterých deset nejslavnějších obrazů má Benjamin Trott?Přečtěte si odpověď

      Charles Floyd, Alexander Henry Durdin, Portrait of a Gentleman, Mrs. Fox, Alexander Henry Durdin, Benjamin Chew Wilcocks, Portrait of a Gentleman, Charles Wagner, George Wood a Portrait of John Woods Poinier. U každého plátna v uvedeném žebříčku je uveden rok jeho vzniku a muzeum, ve kterém se nachází.

      Kolik obrazů vytvořil/a Benjamin Trott?Přečtěte si odpověď

      V našem katalogu je 24 děl umělce Benjamin Trott, datovaných od 1795 do 1825.

      Kde se dnes nacházejí nejslavnější plátna umělce Benjamin Trott?Přečtěte si odpověď

      Většinou v Metropolitan Museum of Art (New York), Smithsonian American Art Museum (Washington, D.C.) a Detroit Institute of Arts (Detroit); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      Kdy Benjamin Trott namaloval svá nejslavnější plátna?Přečtěte si odpověď

      V období 1810s, které tvoří 10 z 22 děl na této stránce, mezi nimi i Alexander Henry Durdin.

      Které plátno slavného umělce Benjamin Trott vzniklo jako první a které jako poslední?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do Portrait of a Gentleman with Initials J. B (1795); nejnovější je z Mrs. William Edward Wilmerding (Joanna Mary Gosman) (1825).

      Jaká témata maloval Benjamin Trott nejčastěji?Přečtěte si odpověď

      Miniature art (3), Portraiture (2) a Formal portrait (2) napříč 22 díly na této stránce.

      S jakým směrem je spojen(a) Benjamin Trott?Přečtěte si odpověď

      Neoclassicism, jak dokazují plátna na této stránce.

      Která díla umělce Benjamin Trott se nacházejí v muzeu Metropolitan Museum of Art?Přečtěte si odpověď

      Muzeum Metropolitan Museum of Art, New York se vlastní 11 děl z této stránky, mezi nimiž jsou i Charles Floyd, Alexander Henry Durdin a Portrait of a Gentleman.

      Kde si mohu koupit reprodukci obrazu od Benjamin Trott?Přečtěte si odpověď

      Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.

      Seznamte se s malířem: Benjamin Trott

      A Life in Miniature: The Enigmatic World of Benjamin Trott

      Benjamin Trott (1770-1843), a name perhaps unfamiliar to many, occupies a fascinating and unique niche within the landscape of early American portraiture. Born into a world on the cusp of significant change, Trott dedicated his life to capturing the likenesses of individuals with an exquisite precision that belies a deeper, more complex artistic sensibility. While often categorized as a miniature painter – a profession highly sought after by those desiring portable and intimate representations of loved ones – Trott’s work transcends simple replication. He was not merely a recorder of features; he was an interpreter of character, a subtle alchemist transforming pigment into presence. His full name, Mena Grabowski Trott, hints at a potentially intriguing lineage that remains largely unexplored, adding to the mystique surrounding his life and artistic motivations.

      Early Years and Artistic Training

      Details regarding Trott’s early life are scarce, shrouded in the historical gaps common for artists working outside of established academic circles. It is believed he received some formal training, likely in Philadelphia – a burgeoning center for art and culture during the late 18th century. The influence of prominent portraitists like Charles Willson Peale is subtly discernible in Trott’s early works, particularly in his attention to detail and realistic rendering of fabrics and textures. However, Trott quickly developed a distinctive style characterized by an almost ethereal quality, achieved through delicate brushwork and a masterful use of light and shadow. He wasn't simply copying the techniques of others; he was refining them, imbuing them with a personal vision that set his miniatures apart. The period saw a growing demand for portraiture among the rising middle class, and Trott skillfully positioned himself to cater to this market, establishing a reputation for producing elegant and affordable likenesses.

      The Art of Likeness: Technique and Style

      Trott’s technical prowess was remarkable. He primarily worked in watercolor on ivory, a demanding medium that required exceptional control and precision. The small scale necessitated an extraordinary level of detail – individual strands of hair, the subtle flush of skin, the glint in an eye – all rendered with painstaking accuracy. But beyond mere technical skill, Trott possessed a keen understanding of human psychology. His portraits are not static representations; they convey a sense of inner life, capturing fleeting emotions and personality traits. He often employed a soft, diffused lighting technique that created a gentle, almost dreamlike atmosphere, enhancing the intimacy and emotional resonance of his work. His miniatures were more than just images; they were windows into the souls of their subjects. The use of oval or rectangular formats was typical for the period, but Trott’s compositions often featured carefully chosen backgrounds – simple draperies or architectural elements – that subtly complemented the sitter's character and social standing.

      Beyond Portraiture: Alchemical Pursuits and Symbolism

      What truly distinguishes Benjamin Trott from his contemporaries is the intriguing connection between his artistic practice and his documented interest in alchemy. Historical records reveal a fascination with alchemical texts, symbols, and processes. This influence isn’t overt in his portraits – there are no blatant depictions of laboratory equipment or esoteric imagery – but it manifests in more subtle ways. The meticulous layering of pigments, the pursuit of luminosity, and the transformation of base materials (ivory and watercolor) into something precious can be seen as a metaphorical parallel to alchemical transmutation. Some scholars suggest that Trott viewed portraiture itself as an alchemical act – capturing the “essence” of a person and preserving it for posterity. The careful selection of colors, often with symbolic associations rooted in alchemical tradition, further supports this interpretation. For example, the use of gold might represent spiritual enlightenment, while shades of blue could signify tranquility or divine wisdom.

      Legacy and Historical Significance

      Despite his considerable talent and prolific output, Benjamin Trott remained largely unknown for many years after his death in 1843. His work was often overshadowed by the more celebrated portraitists of the era. However, recent scholarship has begun to recognize his unique contribution to American art history.
      • His miniatures offer a valuable glimpse into the lives and social customs of early America.
      • His technical skill and artistic sensibility are increasingly appreciated by collectors and connoisseurs.
      • The discovery of his alchemical interests has added a new layer of complexity to our understanding of his work, prompting re-evaluations of his motivations and artistic goals.
      Trott’s legacy lies not only in the exquisite beauty of his portraits but also in the enigmatic quality that continues to captivate and intrigue. He was a master craftsman, a keen observer of human nature, and – perhaps most importantly – an artist who dared to explore the hidden depths of perception and transformation. Walter Robertson, a prominent art historian, has championed Trott’s work in recent years, bringing renewed attention to his remarkable achievements and solidifying his place as a significant figure in the history of American miniature painting. The rediscovery of Benjamin Kintzing's related research further illuminates the context of Trott's life and artistic pursuits.