Painter's catalogue · hand-painted oils & canvas prints
Ciro Ferri Painting Reproductions, Painted Anew
30 děl Ciro Ferri dostupných jako ručně malovaná olejová reprodukce (od $178) nebo jako plátno s uměleckým tiskem (od $47), ve vašem rozměru. 24 děl na straně 1 z 2. Ciro Ferri (1634-1689) was a leading Italian Baroque sculptor & painter, Pietro da Cortona's chief pupil. Known for grand manner frescoes, religious altarpieces like St. Ambrose Healing the Sick, and designs for books. Explore his legacy!
- 1633 – 1689
- Rome, Italy
- Early Modern
- Baroque
- Zdarma celosvětová expresní doprava
- Vysoce kvalitní lněné plátno
- Kompletní pojištění přepravy
- Záruka vrácení celního poplatku
- Záruka věrného barevného souladu
- 100dení lhůta pro vrácení zboží (pouze při vadách výroby)
- 100% záruka vrácení peněz
- Sleva při více objednávkách
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Noli me tangere1672
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The Holy Family1661
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Saul and David1661
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Untitled2013
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Untitled2013
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Untitled2013
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Untitled2013
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Ciro Ferri, the painter
In the vibrant, sun-drenched streets of 17th-century Rome, a period defined by theatricality and divine light, Ciro Ferri emerged as a master of the High Baroque. Born in 1633, Ferri was not merely a participant in the Roman art scene but a vital successor to one of the era's most monumental figures. As the chief pupil of Pietro da Cortona, Ferri inherited a visual language of sweeping movement, exuberant color, and architectural grandeur. His early years in the studio of Cortona provided him with more than just technical proficiency; they instilled in him a profound understanding of how to compose vast, celestial narratives that could transform the ceilings of churches and the walls of palaces into windows onto the divine.
Číst dále
Ferri’s artistic development was characterized by a seamless blend of his master's classical elegance with a more personal, emotive intensity. While he remained deeply rooted in the Cortonesque tradition of light-filled compositions, his work often displayed a unique sensitivity to human drama and biblical pathos. This is perhaps most evident in his religious altarpiements, where the divine meets the earthly through masterful use of chiaroscuro and dynamic figure arrangements. His ability to navigate the complexities of large-scale fresco painting allowed him to leave an indelible mark on the Roman landscape, contributing to the very fabric of the city's spiritual and aesthetic identity.
- Full name
- Mary Beale Cradock
- Nationality
- English
- Date of birth
- 1633
- Date of death
- 1689
- Place of birth
- Rome, Italy
- Notable artworks
- Discourse on Friendship, Observations on Apricots