Ateliér — Doprava po celém světě zdarma — Dodání za 2–6 týdnů
      Daniel Saint, 1778 – 1847

      6 nejslavnějších obrazů autora Daniel Saint

      Portrait de Mme Savary, duchesse de Rovigo (1840) je obraz, podle kterého je nejznámější Daniel Saint. Portrait of Lodewijk Napoleon Bonaparte (1810) a Portrait of the duchess of berry doplňují trio nejoblíbenějších pláten. Náš katalog obsahuje 7 děl umělce Daniel Saint. Zde je 6 nejznámějších děl včetně roku vzniku, muzea a příběhu každého plátna.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.

      Portrét Daniel Saint
      Daniel Saint · 1778 – 1847
      Narození · úmrtí
      1778 – 1847, Saint-Lô
      Díla v našem katalogu
      7
      Nejslavnější
      Portrait de Mme Savary, duchesse de Rovigo (1840)
      Nejvíce děl v muzeích
      Nationalmuseum

      Deset nejoblíbenějších obrazů autora Daniel Saint

      Portrait of Lodewijk Napoleon Bonaparte (1810) od Daniel Saint
      2

      Portrait of Lodewijk Napoleon Bonaparte

      1810 · Wallace Collection, Londýn

      Portrait of Lodewijk Napoleon Bonaparte emerges from the shadows, a singular presence that commands the eye through the sheer intensity of its subject. This miniature portrait captures the likeness of the King of Holland, rendered with the precision required for such a small scale. The figure is presented with a sense of quiet dignity, emerging from a dark, atmospheric background that focuses all attention on the sitter. Every detail of…

      Ručně malovaná olejná reprodukce od $178 32 × 32 cm
      Lady with a Greyhound (1842) od Daniel Saint
      6

      Lady with a Greyhound

      1842

      Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early works are soft and vaporous in style, the mature works are more precisely painted with a pure, vibrant palette.Saint’s

      Ručně malovaná olejná reprodukce od $178 24 × 41 cm

      Kde visí plátna umělce Daniel Saint

      3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzeum Město Díla autora Daniel Saint Obrazy z tohoto seznamu
      Nationalmuseum, StockholmNationalmuseum Stockholm 2 Unknown Man, Charles X, King of France and Navarre
      Wallace Collection, LondýnWallace Collection Londýn 1 Portrait of Lodewijk Napoleon Bonaparte
      Château de Chambord, ChambordChâteau de Chambord Chambord 1 Portrait of the duchess of berry

      Nejslavnější plátna umělce Daniel Saint, rok za rokem

      33 let světla a barvy umělce Daniel Saint, od 1810 do 1842: nejznámější plátna každého roku, jedno za druhým.

      1. 1810
        Portrait of Lodewijk Napoleon Bonaparte (1810) od Daniel Saint
        2 z 6

        Portrait of Lodewijk Napoleon Bonaparte

        Věk 32 let · Wallace Collection

        Portrait of Lodewijk Napoleon Bonaparte emerges from the shadows, a singular presence that commands the eye through the sheer intensity of its subject. This miniature portrait captures the…

      2. 1840
      3. 1842
        Lady with a Greyhound (1842) od Daniel Saint
        Plátno 6 z 6

        Lady with a Greyhound

        Věk 64 let

        Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early…

      Plátna umělce Daniel Saint otázka po otázce

      Kterým plátnem je Daniel Saint nejvíce známý/á?Přečtěte si odpověď

      Portrait de Mme Savary, duchesse de Rovigo (1840), následovaný dílem Portrait of Lodewijk Napoleon Bonaparte (1810) a Portrait of the duchess of berry.

      Portrait de Mme Savary, duchesse de Rovigo: kolik let bylo Daniel Saint, když bylo namalováno?Přečtěte si odpověď

      Daniel Saint, narozen 1778, měl 62 let: dílo Portrait de Mme Savary, duchesse de Rovigo pochází z roku 1840.

      Kolik obrazů vytvořil/a Daniel Saint?Přečtěte si odpověď

      V našem katalogu je 7 děl umělce Daniel Saint, datovaných od 1810 do 1842.

      Kde se dnes nacházejí nejslavnější plátna umělce Daniel Saint?Přečtěte si odpověď

      Většinou v Nationalmuseum (Stockholm), Wallace Collection (Londýn) a Château de Chambord (Chambord); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      Které plátno slavného umělce Daniel Saint vzniklo jako první a které jako poslední?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do Portrait of Lodewijk Napoleon Bonaparte (1810); nejnovější je z Lady with a Greyhound (1842).

      Která díla umělce Daniel Saint se nacházejí v muzeu Nationalmuseum?Přečtěte si odpověď

      Muzeum Nationalmuseum, Stockholm se vlastní 2 děl z této stránky, mezi nimiž jsou i Unknown Man a Charles X, King of France and Navarre.

      Kde si mohu koupit reprodukci obrazu od Daniel Saint?Přečtěte si odpověď

      Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.

      Seznamte se s malířem: Daniel Saint

      The Delicate Touch of Parisian Miniature Painting

      Daniel Saint (French, b.1778, d.1847) stands as a pivotal figure in the history of French miniature painting during the Romantic era. Born in the quiet town of Saint Lô, Normandy, he emerged from humble beginnings to become one of the most celebrated portraitists of his time, lauded for his unparalleled ability to capture emotion and nuance within exquisitely detailed canvases often no larger than six inches square. His distinctive style—characterized by a soft, vaporous technique—established him as an innovator who subtly departed from established conventions, marking a significant shift toward Impressionistic sensibilities long before the movement officially took hold.

      Saint’s formative years were shaped by rigorous academic training under the esteemed Jean-Baptiste Regnault at the École Royale Supérieure des Beaux-Arts in Paris. Studying alongside talented contemporaries such as Augustine Aubry and François Auguste Clément, Saint absorbed the foundational principles of the School of David while simultaneously fostering a unique artistic imagination. This period of mentorship was crucial, as it provided him with the technical discipline required for precision, yet allowed him to explore the psychological depth that would become his hallmark. Interestingly, his early exposure to craftsmanship was likely influenced by his father, a printer, whose profession instilled in Saint a lifelong meticulous attention to detail and an appreciation for visual communication.

      A Revolution of Light and Texture

      What truly set Daniel Saint apart from the masters of his era was his pioneering approach to medium and method. While many of his contemporaries, such as Isabey, relied heavily on traditional glazing methods to achieve depth, Saint embraced a groundbreaking use of hatching. By drawing closely spaced parallel lines to create tonal shading, he achieved remarkable effects of light and shadow that conveyed texture with astonishing subtlety. This technique allowed him to move away from overly polished, porcelain-like surfaces in favor of a matte finish, lending his portraits an ethereal, atmospheric quality that mirrored the Romantic preoccupation with mood and psychological realism.

      As his career progressed, Saint’s work underwent a fascinating evolution. His early compositions were celebrated for their soft, vaporous, and almost dreamlike qualities, capturing the fleeting elegance of the era. However, as he matured, his palette became more pure and vibrant, and his brushwork grew increasingly precise. This transition allowed him to navigate the shifting political landscapes of France with ease, moving from the delicate aesthetics of the late 18th century into a more robust and commanding style that suited the grandeur of the Napoleonic age.

      Legacy and Imperial Recognition

      The historical significance of Daniel Saint is inextricably linked to the heights of French political power. He rose to prominence as a worthy successor to the great portrait-miniaturist Jean-Baptiste-Jacques Augustin, eventually earning the prestigious opportunity to paint official portraits of Napoleon Bonaparte and members of his imperial court. His ability to capture the likenesses of figures such as Empress Josephine and Queen Hortense ensured his place in the annals of French history, as his miniatures served not just as art, but as intimate, portable icons of power and familial connection.

      Beyond the imperial court, Saint's influence extended through his mastery of the miniature format, an art form that demanded extreme technical virtuosity. His works remain a testament to a period where the small-scale canvas could hold the weight of an entire era's emotions. Today, his legacy is preserved in collections worldwide, recognized for:

      • Technical Innovation: The pioneering use of hatching to create depth without traditional glazing.
      • Historical Connection: His role as a primary chronicler of the Bonaparte family and the Napoleonic court.
      • Stylistic Evolution: The transition from soft, vaporous Romanticism to a vibrant, precise maturity.
      • Artistic Mastery: An unparalleled ability to convey psychological depth within extremely small dimensions.
      Through his delicate touch, Daniel Saint transformed the miniature portrait from a mere keepsake into a profound medium of light, shadow, and human soul.