Ateliér — Doprava po celém světě zdarma — Dodání za 2–6 týdnů
      David Macbeth Sutherland, 1883 – 1973

      26 nejslavnějších obrazů autora David Macbeth Sutherland

      Dr James Cromar Watt (d.c.1941), LLD je obraz, podle kterého je nejznámější David Macbeth Sutherland. Don Diego de Acedo (after Diego Velázquez) (1911) a The Painting Student (1920) doplňují trio nejoblíbenějších pláten. Náš katalog obsahuje 26 děl umělce David Macbeth Sutherland. Zde je 26 nejznámějších děl včetně roku vzniku, muzea a příběhu každého plátna.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026.

      Portrét David Macbeth Sutherland
      David Macbeth Sutherland · 1883 – 1973
      Narození · úmrtí
      1883 – 1973, Wick
      Pohyb
      Impressionism
      Díla v našem katalogu
      26
      Nejslavnější
      Dr James Cromar Watt (d.c.1941), LLD
      Nejvíce děl v muzeích
      Royal Scottish Academy of Art - Architecture

      Deset nejoblíbenějších obrazů autora David Macbeth Sutherland

      David Macbeth Sutherland: plátna 11 až 26 v žebříčku

      Kde visí plátna umělce David Macbeth Sutherland

      3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzeum Město Díla autora David Macbeth Sutherland Obrazy z tohoto seznamu
      Royal Scottish Academy of Art - Architecture, ÉdinRoyal Scottish Academy of Art - Architecture Édin 4 Don Diego de Acedo (after Diego Velázquez), Breton Peasant, James Cowie (1886–1956), RSA
      The Fleming Collection, LondýnThe Fleming Collection Londýn 4 Breton Dancers, Concarneau, Bank Holiday, Portobello Beach, Breton Harvest
      Wick Town Hall, WickWick Town Hall Wick 1 General The Lord Horne of Stirkoke (1861–1929)

      Nejslavnější plátno umělce David Macbeth Sutherland, dekádu po dekádě

      1. 1910s
      2. 1920s
      3. 1930s
      4. 1940s
      5. 1950s

      Plátna umělce David Macbeth Sutherland otázka po otázce

      Kterým plátnem je David Macbeth Sutherland nejvíce známý/á?Přečtěte si odpověď

      Dr James Cromar Watt (d.c.1941), LLD, následovaný dílem Don Diego de Acedo (after Diego Velázquez) (1911) a The Painting Student (1920).

      Kterých deset nejslavnějších obrazů má David Macbeth Sutherland?Přečtěte si odpověď

      Dr James Cromar Watt (d.c.1941), LLD, Don Diego de Acedo (after Diego Velázquez), The Painting Student, Captain Cromarty, The Demolition of the Crown Hotel, Edinburgh, General The Lord Horne of Stirkoke (1861–1929), Breton Peasant, Breton Dancers, Concarneau, Bank Holiday, Portobello Beach a Flower Piece. U každého plátna v uvedeném žebříčku je uveden rok jeho vzniku a muzeum, ve kterém se nachází.

      Kolik obrazů vytvořil/a David Macbeth Sutherland?Přečtěte si odpověď

      V našem katalogu je 26 děl umělce David Macbeth Sutherland, datovaných od 1911 do 1950.

      Kde se dnes nacházejí nejslavnější plátna umělce David Macbeth Sutherland?Přečtěte si odpověď

      Většinou v Royal Scottish Academy of Art - Architecture (Édin), The Fleming Collection (Londýn) a Wick Town Hall (Wick); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      Kdy David Macbeth Sutherland namaloval svá nejslavnější plátna?Přečtěte si odpověď

      V období 1920s, které tvoří 6 z 26 děl na této stránce, mezi nimi i The Painting Student.

      Které plátno slavného umělce David Macbeth Sutherland vzniklo jako první a které jako poslední?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do Don Diego de Acedo (after Diego Velázquez) (1911); nejnovější je z The Breakwater, Stonehaven Harbour, Kincardinshire (1950).

      S jakým směrem je spojen(a) David Macbeth Sutherland?Přečtěte si odpověď

      Impressionism, jak dokazují plátna na této stránce.

      Která díla umělce David Macbeth Sutherland se nacházejí v muzeu Royal Scottish Academy of Art - Architecture?Přečtěte si odpověď

      Muzeum Royal Scottish Academy of Art - Architecture, Édin se vlastní 4 děl z této stránky, mezi nimiž jsou i Don Diego de Acedo (after Diego Velázquez), Breton Peasant a James Cowie (1886–1956), RSA.

      Seznamte se s malířem: David Macbeth Sutherland

      A Life Captured in Light and Landscape

      Born in the rugged beauty of Wick, Caithness, David Macbeth Sutherland emerged as a profound voice in Scottish art, weaving together the textures of his homeland with a sophisticated, impressionistic sensibility. His journey from a student of law to a master of the brush is a testament to a deep-seated passion for visual storytelling. After moving to Edinburgh to work as an apprentice in a lithographic business, Sutherland found his true calling within the halls of the Royal Scottish Academy (RSA) and the Edinburgh College of Art. Under the guidance of mentors like Charles Mackie, he honed a technique that could oscillate between the delicate precision of watercolor and the evocative, textured depth of oil on canvas.

      His early development was marked by a spirit of exploration, fueled by the prestigious RSA Carnegie Travelling Scholarship in 1911. This opportunity allowed him to wander through Spain, France, and the Netherlands, absorbing the light and atmosphere of the continent. These travels enriched his palette and expanded his vision, bringing a cosmopolitan flair back to the Scottish landscapes he so dearly loved. Alongside fellow artists, he became a pivotal figure in the revival of the Edinburgh Group, contributing to a vibrant era of artistic community and shared studio spaces in Edinburgh.

      The Soul of the Scottish Landscape

      Sutherland’s oeuvre is a love letter to the varied terrains of Scotland and beyond. He possessed a remarkable ability to capture the ephemeral qualities of nature—the hazy mountains of Wester Ross, the serene greens of a quiet noon, and the shifting urban realities of Edinburgh. His work often transcends mere representation, utilizing impressionistic brushwork to evoke the emotional weight of a place. Whether depicting the ruggedness of Drambuie or the architectural transformations of his city, his paintings resonate with an intimate connection to the land.

      Beyond the landscapes, Sutherland was also a gifted portraitist, capable of capturing the dignity and character of his subjects. His versatility allowed him to move seamlessly between the vastness of the outdoors and the focused intimacy of a studio portrait. This duality in his work—the ability to command both the grand scale of nature and the subtle nuances of human expression—cemented his reputation as a versatile and deeply perceptive artist.

      Legacy and Artistic Leadership

      The later years of Sutherland's life were defined by a significant commitment to the cultivation of future generations. His long tenure as the Director of Gray's School of Art in Aberdeen allowed him to shape the trajectory of art education in Scotland. This period of leadership was not merely administrative; it was an extension of his lifelong devotion to the arts. Even during the tumultuous years of World War II, his artistic spirit remained undimmed, serving as an Official War Artist and recording the poignant scenes of Newfoundland lumberjacks on Deeside.

      Sutherland's historical significance lies in his ability to bridge the gap between traditional Scottish themes and modern impressionistic techniques. His life, marked by both personal bravery—having been awarded the Military Cross—and academic excellence, reflects a man who was as much a part of the history he painted as the landscapes themselves. Through his paintings and his teaching, the essence of the Scottish spirit continues to endure.