1
Death of Malfilatre, Norman Poet
Ručně malovaná olejná reprodukce od $228 37 × 27 cm
Velikost jako originál $759 155 × 120 cm Objednat v originální velikosti →
Frédéric Legrip, 1817 – 1871
1 nejslavnějších obrazů autora Frédéric Legrip, seřazených podle popularity
Nejoblíbenějším dílem autora Frédéric Legrip je Death of Malfilatre, Norman Poet (1850). Náš katalog obsahuje 1 děl umělce Frédéric Legrip: zde je 1 nejznámějších, z nichž každé uvádí svůj rok vzniku, muzeum a důvod, proč je nezapomenutelné.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.
- Narození · úmrtí
- 1817 – 1871, Rouen
- Díla v našem katalogu
- 1
- Nejslavnější
- Death of Malfilatre, Norman Poet (1850)
Nejlepší 10 obrazů: Frédéric Legrip – plátna, která zná každý
Nejoblíbenější plátna umělce Frédéric Legrip rok po roce
Každé plátno s datem vzniku od Frédéric Legrip na této stránce bylo namalováno v roce 1850; zde jsou, od těch nejznámějších.
-
1850
Plátno 1 z 1
Death of Malfilatre, Norman Poet
O plátnech umělce Frédéric Legrip: odpovědi na vaše otázky
Kterým nejslavnějším dílem je Frédéric Legrip?Přečtěte si odpověď
Death of Malfilatre, Norman Poet (1850)
Kolik let bylo Frédéric Legrip, když byl/a namalován/a dílo Death of Malfilatre, Norman Poet?Přečtěte si odpověď
Frédéric Legrip, narozen 1817, měl 33 let: dílo Death of Malfilatre, Norman Poet pochází z roku 1850.
Kolik děl celkem namaloval/a Frédéric Legrip?Přečtěte si odpověď
V našem katalogu je 1 děl umělce Frédéric Legrip.
Mohu si koupit reprodukci plátna od Frédéric Legrip?Přečtěte si odpověď
Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.
Frédéric Legrip: život v barvách
The Painter of Normandy
Born in the city of Rouen, Frédéric Legrip carried the spirit of his home into every stroke of his brush. He was a man shaped by the light and the history of France, a painter who found his voice through the guidance of masters. His early training began under the watchful eye of Hyacinthe Langlois, an archaeologist who likely instilled in him a deep respect for the remnants of the past. This foundation was further strengthened by the sculptor David d'Angers, whose influence helped Legrip master the physical presence of his subjects. He was a man of many talents, moving between the delicate precision of lithography and the expressive freedom of painting.
His early years were spent absorbing the textures of the landscape and the weight of history. By the time he began exhibiting at the Salon in 1844, he had already developed a profound connection to the scenery of Normandy. He did not merely observe the world; he sought to capture its essence, whether through the quietude of a landscape or the dramatic tension of a historical scene. His work often reflected a deep admiration for the classical order of Nicolas Poussin, a preference that guided his hand toward clarity and structure.
A Life of Study and Recognition
Legrip’s career was marked by a steady ascent through the artistic circles of Paris and Rouen. He was a student of the world as much as he was a student of art, and his technical skill allowed him to navigate various mediums with ease. His dedication to his craft was recognized by his peers and institutions alike, leading him to a position of authority in the academic world. His life was defined by this constant pursuit of technical perfection and historical truth.
His achievements were not merely personal but were recognized by the formal institutions of his time:
- Exhibited at the Salon starting in 1844.
- Won a competition in 1860 for the best local history painting, organized by the Rouen Academy of Sciences, Letters and Arts.
- Appointed as a professor at the Ecole Municipale de Dessin in Paris.
The Final Years in Paris
The later years of his life saw him settled in Paris, where he shared his knowledge with the next generation of artists. As a professor, he helped shape the hands and minds of those who would follow him, ensuring that the traditions he learned from Langlois and d'Angers would endure. His presence in the capital was a testament to his standing in the French art world. He remained a painter of landscapes, portraits, and history until his death in the 6th arrondissement of Paris. His legacy remains held within the walls of several French museums, preserving the vision of a man who was deeply rooted in the soil of his birth but reached for the heights of the Parisian academy.