Z všech obrazů autora Frédéric Millet je nejznámější dílo Ellen Brainerd Pike (Mrs. Robert Gordon Pike) (1823-1891) (1853); visí v Harvard Art Museums, Cambridge. Z 2 děl umělce Frédéric Millet v našem katalogu je těchto 2 nejuznávanějších, z nichž každé je uvedeno s datem vzniku, muzeem a příběhem.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Frédéric Millet | Obrazy z tohoto seznamu |
|---|---|---|---|
| Cambridge | 2 | Ellen Brainerd Pike (Mrs. Robert Gordon Pike) (1823-1891), Judge Robert Gordon Pike (1822-1898) |
Rok 1853 zahrnuje všechna plátna s datem vzniku od Frédéric Millet na této stránce: zde jsou, od těch nejslavnějších.
Ellen Brainerd Pike (Mrs. Robert Gordon Pike) (1823-1891) (1853)
Frédéric Millet, narozen 1786, měl 67 let: dílo Ellen Brainerd Pike (Mrs. Robert Gordon Pike) (1823-1891) pochází z roku 1853.
V našem katalogu je 2 děl umělce Frédéric Millet.
Většinou v Harvard Art Museums (Cambridge); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.
V období 1853, které tvoří 2 z 2 děl na této stránce, mezi nimi i Ellen Brainerd Pike (Mrs. Robert Gordon Pike) (1823-1891).
Muzeum Harvard Art Museums, Cambridge se vlastní 2 děl z této stránky, mezi nimiž jsou i Ellen Brainerd Pike (Mrs. Robert Gordon Pike) (1823-1891) a Judge Robert Gordon Pike (1822-1898).
Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.
Born in Charlieu to a joiner named Louis Millet and Jeanne-Marie Girard, Frédéric Millet spent his years focused on the small and the precise. He did not follow the path of his father's woodworking, but instead sought instruction under d’Aubry, Pernot, and Isabey. Of these teachers, he was noted as one of the most capable pupils of Isabey. His presence in the Paris Salon began in 1806, a regular fixture there for decades until 1859.
His domestic life in Paris was marked by his marriage to Marie-Henriette Rioux in 1810. Together they raised three children: Émile, Aimé, and Anne. He lived out his final days at home on Rue d'Amsterdam.
Millet worked primarily as a miniature painter and watercolourist. His hands were accustomed to the delicate demands of portraiture, often capturing the faces of figures from the First French Empire. He recorded the likenesses of individuals such as Marie Louise, the second wife of Napoleon, and members of the Orléans, Bassano, and Montebello families.
The technique he employed involved a specific layering of materials to achieve depth. In works like his self-portrait from around 1817, he used watercolour and gum arabic over pencil. This method allowed for a softness in the modeling of skin and a refinement in the light that gave a sense of weight to the faces he painted. His work often appeared on small scales, such as the gold bracelet containing a miniature of Marie Caroline, duchesse de Berry, which surfaced at auction in 2023.
While his name is not often confused with the painter Jean-François Millet, his own contribution to the art of the miniature remains documented through various collections and auction records. His portraits, ranging from studies of young boys to formal likenesses of royalty, show a consistent dedication to the fine details of the sitter.
Some of his traces remain in public view, including: