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      Frederic Yates, 1854 – 1919

      16 nejslavnějších obrazů autora Frederic Yates, seřazených podle popularity

      Nejoblíbenějším dílem autora Frederic Yates je Charlotte Mason (1842–1923) (1902). Následují Path on Nab Scar (1900) a At Dent, August 1904 (1904) z platen, která čtenáři znají nejlépe. Náš katalog obsahuje 16 děl umělce Frederic Yates: zde je 16 nejznámějších, z nichž každé uvádí svůj rok vzniku, muzeum a důvod, proč je nezapomenutelné.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.

      Portrét Frederic Yates
      Frederic Yates · 1854 – 1919
      Narození · úmrtí
      1854 – 1919, Southampton
      Díla v našem katalogu
      16
      Nejslavnější
      Charlotte Mason (1842–1923) (1902)
      Nejvíce děl v muzeích
      Abbot Hall Art Gallery

      Nejlepší 10 obrazů: Frederic Yates – plátna, která zná každý

      Charlotte Mason (1842–1923) (1902) od Frederic Yates
      1

      Charlotte Mason (1842–1923)

      1902 · Oil On Canvas

      The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a gesture of deep reflection. She wears a dark, somber dress and a scarf that wraps around her neck, grounding her presence against the warmth of the red table before her. Nearby, a book rests, its presence suggesting the source of her meditation…

      Ručně malovaná olejná reprodukce od $178 27 × 37 cm Velikost jako originál $211 40 × 52 cm Objednat v originální velikosti →

      Více pláten od Frederic Yates, od 11 do 16

      Kde visí plátna umělce Frederic Yates

      5 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzeum Město Díla autora Frederic Yates Obrazy z tohoto seznamu
      Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 5 Path on Nab Scar, Rydal Valley, View near Rydal
      Kendal Town Hall, KendalKendal Town Hall Kendal 3 Frederick Punchard, John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905), William Dilworth Crewdson (c.1838–1908), High Sheriff of Westmorland (1888) and Chairman of Westmorland County Council (1906–1907)
      Cumbria Archive And Local Studies Centre, Barrow-in-FurnessCumbria Archive And Local Studies Centre Barrow-in-Furness 1 At Dent, August 1904
      University of Birmingham, BirminghamUniversity of Birmingham Birmingham 1 Ernest de Sélincourt (1870–1943), Professor of English
      Laing Art Gallery, Newcastle upon TyneLaing Art Gallery Newcastle upon Tyne 1 Japanese Shrine

      Nejoblíbenější plátna umělce Frederic Yates rok po roce

      15 let u palety, od 1900 do 1914: nejoblíbenější plátna umělce Frederic Yates rok po roce.

      1. 1900
      2. 1901
        Girl with a Pigeon (1901) od Frederic Yates
        16 z 16

        Girl with a Pigeon

        Věk 47 let · Abbot Hall Art Gallery

        The painting "Girl with a Pigeon" by Frederic Yates is a stunning example of early 20th-century art. Created in 1901, this oil on canvas piece measures 32 x…

      3. 1902
        Charlotte Mason (1842–1923) (1902) od Frederic Yates
        Plátno 1 z 16

        Charlotte Mason (1842–1923)

        Věk 48 let

        The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a…

      4. 1904
      5. 1904
      6. 1907
      7. 1914

      O plátnech umělce Frederic Yates: odpovědi na vaše otázky

      Kterým nejslavnějším dílem je Frederic Yates?Přečtěte si odpověď

      Charlotte Mason (1842–1923) (1902), následovaný dílem Path on Nab Scar (1900) a At Dent, August 1904 (1904).

      Kolik let bylo Frederic Yates, když byl/a namalován/a dílo Charlotte Mason (1842–1923)?Přečtěte si odpověď

      Frederic Yates, narozen 1854, měl 48 let: dílo Charlotte Mason (1842–1923) pochází z roku 1902.

      Kterých 10 nejslavnějších obrazů má Frederic Yates?Přečtěte si odpověď

      Charlotte Mason (1842–1923), Path on Nab Scar, At Dent, August 1904, John Henry Bridges (1832–1906), Ernest de Sélincourt (1870–1943), Professor of English, Rydal Water, Rydal Valley, View near Rydal, Frederick Punchard a John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905). U každého plátna v uvedeném žebříčku je uveden rok jeho vzniku a muzeum, ve kterém se nachází.

      Kolik děl celkem namaloval/a Frederic Yates?Přečtěte si odpověď

      V našem katalogu je 16 děl umělce Frederic Yates, datovaných od 1900 do 1914.

      Kde mohu vidět nejznámější plátna umělce Frederic Yates?Přečtěte si odpověď

      Většinou v Abbot Hall Art Gallery (Kendal), Kendal Town Hall (Kendal) a Cumbria Archive And Local Studies Centre (Barrow-in-Furness); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      Kdy Frederic Yates namaloval své nejoblíbenější obrazy?Přečtěte si odpověď

      V období 1904, které tvoří 2 z 16 děl na této stránce, mezi nimi i At Dent, August 1904.

      Která jsou nejstarší a nejnovější slavná plátna umělce Frederic Yates?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do Path on Nab Scar (1900); nejnovější je z Rydal Water (1914).

      Která plátna od Frederic Yates visí v Abbot Hall Art Gallery?Přečtěte si odpověď

      Muzeum Abbot Hall Art Gallery, Kendal se vlastní 5 děl z této stránky, mezi nimiž jsou i Path on Nab Scar, Rydal Valley a View near Rydal.

      Mohu si koupit reprodukci plátna od Frederic Yates?Přečtěte si odpověď

      Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.

      Frederic Yates: život v barvách

      A Life Painted in Light: The Story of Frederic Yates

      Frederic Yates, born Frederick Keeping in 1854 and passing in 1919, remains a compelling figure within the landscape tradition of Victorian Britain. Though perhaps not a household name today, his evocative paintings – often signed simply as “F. Yates” – capture a particular mood of romantic contemplation that resonates deeply with viewers even now. His life story is one woven into the fabric of artistic shifts and societal changes, a journey from early promise to a dedicated practice focused on capturing the beauty of the English countryside and the dignity of portraiture. While biographical details are somewhat scarce, piecing together his exhibition history and stylistic development reveals an artist deeply attuned to both the technical demands of his craft and the emotional power of light and atmosphere.

      Early Years and Artistic Training

      The early life of Frederick Keeping is shrouded in some mystery. Records suggest a formal artistic education, though the specifics remain elusive. It’s believed he studied at the prestigious South Kensington Art Schools – later to become the Royal College of Art – during a period when academic realism was dominant. This foundation undoubtedly instilled in him a mastery of technique and an understanding of composition. However, Yates quickly moved beyond strict imitation, developing a style that embraced a more subjective interpretation of nature. The adoption of “Frederic Yates” as his professional name suggests a deliberate forging of a new artistic identity, perhaps distancing himself from the constraints of earlier training or seeking to establish a unique presence in the crowded art market. His early works demonstrate a clear influence of the Barbizon school and artists like John Constable, evident in their naturalistic depictions of rural scenes and subtle handling of light.

      The Alluring Landscapes: A Romantic Vision

      Yates’s most celebrated work centers around his landscapes. These are not merely topographical representations; they are imbued with a sense of quiet drama and emotional depth. He favored idyllic settings – rolling hills, tranquil woodlands, shimmering rivers – often bathed in the soft glow of dawn or dusk. His paintings evoke a feeling of nostalgia for a vanishing rural England, a sentiment that resonated strongly with Victorian audiences undergoing rapid industrialization. Yates’s technique is characterized by delicate brushwork and a masterful use of color to create atmospheric effects. He wasn't interested in grand, sweeping vistas but rather in intimate scenes that invited contemplation. The influence of the Pre-Raphaelites can be seen in his attention to detail and his desire to capture the beauty of the natural world with almost photographic accuracy, yet he infused these details with a romantic sensibility. He skillfully balanced realism with an emotional response to the landscape, creating works that are both visually stunning and deeply moving.

      Portraiture: Capturing Character and Dignity

      Alongside his landscapes, Yates also produced a significant body of portrait work. These portraits, often depicting members of the middle class, reveal a sensitivity to character and an ability to capture the inner life of his sitters. Unlike the flamboyant poses and elaborate costumes favored by some Victorian portraitists, Yates’s portraits are characterized by their simplicity and directness. He focused on conveying the personality and dignity of his subjects through subtle nuances of expression and gesture.
      • His use of light is particularly effective in portraiture,
      • softening features and creating a sense of intimacy.
      • He often employed a muted color palette,
      • allowing the sitter’s character to take center stage.

      Legacy and Historical Significance

      While Frederic Yates may not be as widely recognized as some of his contemporaries, his work offers a valuable insight into the artistic sensibilities of Victorian Britain. His landscapes represent a continuation of the romantic tradition, while his portraits reflect a growing interest in psychological realism. He successfully navigated the demands of the art market, producing works that were both commercially viable and artistically satisfying. Today, his paintings are increasingly sought after by collectors who appreciate their quiet beauty and emotional depth. Yates’s legacy lies not in groundbreaking innovation but in his ability to capture a particular moment in time – a fleeting glimpse of rural England and the enduring dignity of the human spirit. His work serves as a reminder of the power of art to evoke emotion, preserve memory, and connect us to the past.