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      Frederick Milner, 1855 – 1939

      Frederick Milner: 9 nejznámějších obrazů

      Z všech obrazů autora Frederick Milner je nejznámější dílo Marshland (1903); visí v Harris Museum - Art Gallery, Preston. Hned za nimi následují Near Ludlow (1939) a Rochester (1934). Z 9 děl umělce Frederick Milner v našem katalogu je těchto 9 nejuznávanějších, z nichž každé je uvedeno s datem vzniku, muzeem a příběhem.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.

      Portrét Frederick Milner
      Frederick Milner · 1855 – 1939
      Narození · úmrtí
      1855 – 1939
      Pohyb
      Impressionism
      Díla v našem katalogu
      9
      Nejslavnější
      Marshland (1903)
      Nejvíce děl v muzeích
      Harris Museum - Art Gallery

      10 nejslavnějších obrazů autora Frederick Milner

      Rochester (1934) od Frederick Milner
      3

      Rochester

      1934

      The painting Rochester by Frederick Milner is a stunning depiction of a city by the water, showcasing the beauty and tranquility of the harbor. Created in 1934, this oil on canvas piece measures 71 x 91 cm and is currently located at the Royal Cornwall Museum in the United Kingdom. A Detailed Cityscape The painting features a large body of water with several boats floating in it, adding to the…

      Ručně malovaná olejná reprodukce od $178 36 × 28 cm Velikost jako originál $344 91 × 71 cm Objednat v originální velikosti →

      Co nejčastěji maloval Frederick Milner

      Čtyři témata, která se na těchto plátnech nejčastěji objevují, každé s jedním z jejich nejoblíbenějších příkladů.

      Kde visí plátna umělce Frederick Milner

      5 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzeum Město Díla autora Frederick Milner Obrazy z tohoto seznamu
      Harris Museum - Art Gallery, PrestonHarris Museum - Art Gallery Preston 2 Marshland, Near Ludlow
      Haworth Art Gallery, AccringtonHaworth Art Gallery Accrington 1 At Marazion (Riverside Farm)
      Royal West of England Academy, BristolRoyal West of England Academy Bristol 1 Oil Study
      Sunderland Museum - Winter Gardens, SunderlandSunderland Museum - Winter Gardens Sunderland 1 In the Heart of the Cotswolds
      Lewisham Local History And Archives Centre, LondonLewisham Local History And Archives Centre London 1 Bend of the Ravensbourne

      Rok od roku: nejuznávanější plátna umělce Frederick Milner

      Dlouhá éra v barvách: 37 let, od 1903 do 1939, a nejuznávanější plátna umělce Frederick Milner z každého roku.

      1. 1903
        Marshland (1903) od Frederick Milner
        Plátno 1 z 9

        Marshland

        Věk 48 let · Harris Museum - Art Gallery
      2. 1934
        Rochester (1934) od Frederick Milner
        3 z 9

        Rochester

        Věk 79 let

        The painting Rochester by Frederick Milner is a stunning depiction of a city by the water, showcasing the beauty and tranquility of the harbor. Created in 1934, this…

      3. 1939
        Near Ludlow (1939) od Frederick Milner
        Plátno 2 z 9

        Near Ludlow

        Věk 84 let · Harris Museum - Art Gallery

      Vaše otázky k obrazům autora Frederick Milner, odpovědi

      Který z obrazů autora Frederick Milner je nejuznávanější?Přečtěte si odpověď

      Marshland (1903), Harris Museum - Art Gallery, Preston. Následují Near Ludlow (1939) a Rochester (1934).

      Kolik let bylo Frederick Milner ve době vzniku díla Marshland?Přečtěte si odpověď

      Frederick Milner, narozen 1855, měl 48 let: dílo Marshland pochází z roku 1903.

      Kolik obrazů autora Frederick Milner je známo?Přečtěte si odpověď

      V našem katalogu je 9 děl umělce Frederick Milner, datovaných od 1903 do 1939.

      Která muzea uchovávají nejznámější plátna umělce Frederick Milner?Přečtěte si odpověď

      Většinou v Harris Museum - Art Gallery (Preston), Haworth Art Gallery (Accrington) a Royal West of England Academy (Bristol); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      Jaká jsou první a poslední slavná plátna umělce Frederick Milner?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do Marshland (1903); nejnovější je z Near Ludlow (1939).

      Jaká témata se v obrazech umělce Frederick Milner objevují nejčastěji?Přečtěte si odpověď

      Landscape (2) a Tranquility (2) napříč 9 díly na této stránce.

      K kterému uměleckému směru patří Frederick Milner?Přečtěte si odpověď

      Impressionism, jak dokazují plátna na této stránce.

      Co mohu vidět od Frederick Milner v Harris Museum - Art Gallery?Přečtěte si odpověď

      Muzeum Harris Museum - Art Gallery, Preston se vlastní 2 děl z této stránky, mezi nimiž jsou i Marshland a Near Ludlow.

      Mohu si objednat ručně malovanou kopii obrazu od Frederick Milner?Přečtěte si odpověď

      Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.

      Frederick Milner: příběh malíře

      The Impressionistic Vision of Frederick Milner

      Frederick Milner, a name synonymous with the evocative landscapes of the late Victorian and Edwardian eras, possessed a rare ability to translate the fleeting whispers of nature into enduring oil paintings. Born in 1855, his artistic journey was shaped by a rigorous academic foundation that balanced meticulous observation with an emerging passion for light and atmosphere. While his roots can be traced back to Doncaster, where he began his studies at the local art schools, it was his time at the prestigious Slade School of Fine Art that truly forged his technical prowess. Under the watchful eyes of masters such as Frederic Leighton and Joseph Noel Paton, Milner learned the importance of classical composition and the profound impact of capturing the grandeur of the British landscape. This period of intense training instilled in him a lifelong dedication to detail, yet it also planted the seeds for a more expressive, Impressionistic approach that would later define his most celebrated works.

      As his career matured, Milner’s focus drifted toward the dramatic and serene vistas of Cornwall, a region whose rugged coastline and shifting tides provided endless inspiration. He became a master of the coastal scene, capturing not just the physical geography of places like St Ives and Marazion, but the very soul of the Atlantic breeze and the shimmering light upon the water. His technique often employed loose, expressive brushstrokes and a rich impasto texture, allowing him to convey the movement of waves or the heavy mist of an early morning. This ability to blend academic precision with an emotive, atmospheric quality allowed him to transcend mere representation; he did not simply paint a river or a harbor, but rather invited the viewer to experience the temperature of the air and the quietude of a twilight scene.

      A Journey Through Light and Landscape

      Milner’s travels were as much a part of his artistic development as his formal education. While Cornwall remained his spiritual home, his curiosity led him far beyond the English coast. He explored the rolling hills of the Cotswolds, the verdant landscapes of Kent, and even ventured into the sun-drenched terrains of France, Spain, and Portugal. Each new environment offered a different palette of light for him to master. In the Cotswolds, he captured the tranquil rhythm of rural streams, while his excursions abroad introduced him to more vibrant, Mediterranean hues. This breadth of experience is evident in his diverse body of work, which ranges from the poignant, misty landscapes of Early Morning on the Somme to the bustling, detailed maritime scenes like Rochester.

      The significance of Milner’s contribution to British art lies in his role as a bridge between traditional realism and the burgeoning Impressionist movement. He maintained a deep respect for the structural integrity of his subjects—a legacy of his Slade training—yet he was unafraid to let color and light dissolve form in favor of mood. His works often feature:

      • Atmospheric Depth: The use of hazy skies and soft light to create a sense of infinite space.
      • Textural Richness: A heavy application of paint to mimic the rugged textures of rocks, foliage, and sea foam.
      • Emotional Resonance: A focus on the "intangible" qualities of nature, such as the melancholy of dusk or the vitality of a gale.

      By the time of his passing in 1939, Frederick Milner had left behind a legacy of paintings that serve as windows into a bygone era of British landscape art. His ability to document the changing face of the English countryside and the Cornish coast ensures that his work remains a vital part of the historical record, offering a nostalgic yet profoundly moving encounter with the natural world.