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      Jacob Coning, 1647 – 1724

      Jacob Coning: 16 nejznámějších obrazů

      Z všech obrazů autora Jacob Coning je nejznámější dílo Nicolas de Seue (1691). Hned za nimi následují Portrait of Peter Wessel Tordenskiold (1700) a Nikolaj Sibbern (1720). Z 16 děl umělce Jacob Coning v našem katalogu je těchto 16 nejuznávanějších, z nichž každé je uvedeno s datem vzniku, muzeem a příběhem.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.

      Portrét Jacob Coning
      Jacob Coning · 1647 – 1724
      Narození · úmrtí
      1647 – 1724, The Hague
      Díla v našem katalogu
      16
      Nejslavnější
      Nicolas de Seue (1691)
      Nejvíce děl v muzeích
      Národní muzeum umění, architektury a designu

      10 nejslavnějších obrazů autora Jacob Coning

      Obrazy umělce Jacob Coning se řadí od 11 do 16

      Kde visí plátna umělce Jacob Coning

      3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzeum Město Díla autora Jacob Coning Obrazy z tohoto seznamu
      Národní muzeum umění, architektury a designu, OsloNárodní muzeum umění, architektury a designu Oslo 9 Krapfoss near Moss, Halden, seen from a hill on the foreground, View of Moss
      Oslo Museum, OsloOslo Museum Oslo 3 Portrait of Peter Wessel Tordenskiold, Halden (Fredrikshald), Oslo Hospital
      Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 1 The Cattle Pen

      Dekáda po dekádě: nejuznávanější plátna umělce Jacob Coning

      1. 1660s
        The Cattle Pen (1666) od Jacob Coning
        4 z 16

        The Cattle Pen

        Věk 13 – 22 · Museum Boijmans Van Beuningen
      2. 1690s
      3. 1700s
      4. 1720s

      Vaše otázky k obrazům autora Jacob Coning, odpovědi

      Který z obrazů autora Jacob Coning je nejuznávanější?Přečtěte si odpověď

      Nicolas de Seue (1691), následovaný dílem Portrait of Peter Wessel Tordenskiold (1700) a Nikolaj Sibbern (1720).

      Kolik let bylo Jacob Coning ve době vzniku díla Nicolas de Seue?Přečtěte si odpověď

      Jacob Coning, narozen 1647, měl 44 let: dílo Nicolas de Seue pochází z roku 1691.

      Kterých deset obrazů je Jacob Coning nejznámější?Přečtěte si odpověď

      Nicolas de Seue, Portrait of Peter Wessel Tordenskiold, Nikolaj Sibbern, The Cattle Pen, Halden (Fredrikshald), Oslo Hospital, Krapfoss near Moss, Halden, seen from a hill on the foreground, View of Moss a Akershus Fortress near Christiania/Oslo. U každého plátna v uvedeném žebříčku je uveden rok jeho vzniku a muzeum, ve kterém se nachází.

      Kolik obrazů autora Jacob Coning je známo?Přečtěte si odpověď

      V našem katalogu je 16 děl umělce Jacob Coning, datovaných od 1666 do 1720.

      Která muzea uchovávají nejznámější plátna umělce Jacob Coning?Přečtěte si odpověď

      Většinou v Národní muzeum umění, architektury a designu (Oslo), Oslo Museum (Oslo) a Museum Boijmans Van Beuningen (Rotterdam); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      V jakých letech namaloval Jacob Coning svá nejslavnější plátna?Přečtěte si odpověď

      V období 1690s, které tvoří 10 z 16 děl na této stránce, mezi nimi i Nicolas de Seue.

      Jaká jsou první a poslední slavná plátna umělce Jacob Coning?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do The Cattle Pen (1666); nejnovější je z Nikolaj Sibbern (1720).

      Co mohu vidět od Jacob Coning v Národní muzeum umění, architektury a designu?Přečtěte si odpověď

      Muzeum Národní muzeum umění, architektury a designu, Oslo se vlastní 9 děl z této stránky, mezi nimiž jsou i Krapfoss near Moss, Halden, seen from a hill on the foreground a View of Moss.

      Mohu si objednat ručně malovanou kopii obrazu od Jacob Coning?Přečtěte si odpověď

      Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.

      Jacob Coning: příběh malíře

      A Master of the Topographical Eye

      In the golden twilight of the seventeenth century, a period defined by the meticulous observation of the natural world, Jacob Coning emerged as a vital bridge between the storied traditions of Dutch landscape painting and the burgeoning courtly aesthetics of Denmark-Norway. Born around 1647 in The Hague, Coning was steeped in the rich artistic heritage of his homeland from his very first breaths. As the son of the Dutch painter Jacob Koninck, his apprenticeship began within the intimate confines of a family workshop, where he learned to capture the subtle nuances of light and atmosphere that had made Dutch art the envy of Europe. This foundational training was further refined under the guidance of masters such as Adriaen van de Velde, an influence that undoubtedly instilled in him a profound respect for topographical accuracy and the delicate interplay of shadow and sky.

      The trajectory of Coning’s life took a transformative turn in 1676 when he traveled to Copenhagen. This migration was more than a mere change of scenery; it was a pivotal moment that allowed him to transplant the sophisticated techniques of the Dutch school into a new cultural landscape. Settling in Denmark, Coning found himself uniquely positioned to serve the needs of the Danish Court. His arrival coincided with a period where the nobility sought to document their lands and estates with a sense of grandeur and permanence. Through his marriage to Dorothea Tranberg, a lady-in-waiting to Queen Charlotte Amalie, Coning secured a prestigious foothold within the royal circle, eventually earning the esteemed title of painter to the Danish Court.

      The Art of the Landscape and the Court

      Coning’s oeuvre is characterized by a remarkable duality, oscillating between the intimate precision of topographical painting and the formal dignity of portraiture. He was a pioneer in Denmark-Norway, specializing in landscapes that functioned as much as historical documents as they did works of fine art. His approach to topography was not merely about mapping terrain; it was about capturing the soul of a place. Whether rendering the sweeping vistas of Norway or the manicured estates of Denmark, Coning possessed an uncanny ability to imbable his scenes with a sense of lived reality and atmospheric depth.

      His technical mastery is perhaps most evident in his ability to navigate various artistic demands:

      • Topographical Precision: His works, such as the celebrated View of Moss from 1699, demonstrate an exacting eye for detail, documenting specific locales with a clarity that serves both aesthetic and archival purposes.
      • Portraiture: Beyond the landscape, Coning was a sought-after portraitist for the Danish and Norwegian nobility, translating the status and character of his subjects onto canvas with grace and sophistication.
      • Decorative Artistry: His versatility extended to the ornamental, as he undertook tasks such as the gilding of frames, ensuring that the presentation of art matched the quality of the painting itself.

      Despite his proximity to royal splendor, Coning’s personal journey was marked by the harsh realities of economic instability. The life of a court painter, while prestigious, did not always guarantee financial security. He faced periods of significant hardship, often finding himself forced to auction off his beloved creations to sustain himself. This struggle adds a poignant layer to his legacy, painting a picture of an artist whose dedication to his craft persisted even amidst the shadows of poverty.

      Legacy and Historical Significance

      The historical significance of Jacob Coning lies in his role as a cultural conduit. He did not merely bring Dutch techniques to Scandinavia; he helped foster a new visual language for the region. His efforts to establish an art academy in Copenhagen, alongside a circle of contemporary artists, reflect his vision for a structured and flourishing artistic community in Denmark. Though he spent his final years in the humble surroundings of a reformed church poorhouse, his impact on the Northern European landscape tradition remains indelible.

      Today, Coning’s works are cherished not only as beautiful objects of art but as essential windows into the past. His landscapes remain significant for their cultural and historic value, offering contemporary viewers a glimpse into the topography and spirit of a bygone era. Through his brush, the rugged beauty of the North and the refined elegance of the Court continue to breathe, preserved in the enduring legacy of a true master of observation.