Ateliér — Doprava po celém světě zdarma — Dodání za 2–6 týdnů
      Jan Rustem, 1762 – 1835

      15 nejslavnějších obrazů autora Jan Rustem, seřazených podle popularity

      Nejoblíbenějším dílem autora Jan Rustem je Diana resting (1790), které je vystaveno v instituci Národní muzeum ve Varšavě, Varšava. Následují Portrait of Karolina Kublicka née Sołtan(ca. 1780–?) (1805) a Portrait of Anna of Puczyńskis (1807) z platen, která čtenáři znají nejlépe. Náš katalog obsahuje 15 děl umělce Jan Rustem: zde je 15 nejznámějších, z nichž každé uvádí svůj rok vzniku, muzeum a důvod, proč je nezapomenutelné.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.

      Portrét Jan Rustem
      Jan Rustem · 1762 – 1835
      Narození · úmrtí
      1762 – 1835, Istanbul
      Díla v našem katalogu
      15
      Nejslavnější
      Diana resting (1790)
      Nejvíce děl v muzeích
      Národní muzeum ve Varšavě

      Nejlepší 10 obrazů: Jan Rustem – plátna, která zná každý

      Diana resting (1790) od Jan Rustem
      1

      Diana resting

      1790 · Oil On Canvas · Národní muzeum ve Varšavě, Varšava

      In Jan Rustem's "Diana resting," the scene unfolds across a horizontal and balanced landscape that invites the eye to wander through a moment of quietude. At the heart of this arrangement, a reclining nude female figure rests, her form bathed in a gentle, luminous light that seems to emanate from the upper left. This soft glow traces the curves of her skin and highlights the smoothness of her limbs against…

      Ručně malovaná olejná reprodukce od $253 47 × 21 cm Velikost jako originál $572 160 × 72 cm Objednat v originální velikosti →
      Portrait of Karolina Kublicka née Sołtan(ca. 1780–?) (1805) od Jan Rustem
      2

      Portrait of Karolina Kublicka née Sołtan(ca. 1780–?)

      1805 · Oil On Canvas · Národní muzeum ve Varšavě, Varšava

      In this classical oil portrait, Jan Rustem presents the Portrait of Karolina Kublicka née Sołtan(ca. 1780–?), a bust-length study of a young woman. The composition is intimate, utilizing a close-up perspective that brings the viewer into the subject's immediate presence. She is positioned slightly off-center, her head turned in a three-quarter view toward the left of the frame. This subtle positioning creates a sense of quietude, as if we have…

      Ručně malovaná olejná reprodukce od $178 30 × 34 cm Velikost jako originál $186 34 × 38 cm Objednat v originální velikosti →
      Portrait of Anna of Puczyńskis (1807) od Jan Rustem
      3

      Portrait of Anna of Puczyńskis

      1807 · Oil On Panel · Národní muzeum ve Varšavě, Varšava

      In the Portrait of Anna of Puczyńskis by Jan Rustem, a woman is captured in a bust-length study, her form positioned slightly off-center against a void of deep browns. She turns her gaze toward the viewer, her eyes holding a subtle, enigmatic expression that remains fixed and quiet. Dark, wavy hair frames a face of pale ochre and creamy whites, catching a soft light that defines the contours of her…

      Ručně malovaná olejná reprodukce od $178 29 × 35 cm
      Portrait of Joseph Saunders (1733–1845) (1810) od Jan Rustem
      4

      Portrait of Joseph Saunders (1733–1845)

      1810 · Oil On Canvas · Národní muzeum ve Varšavě, Varšava

      In this 1810 oil portrait, we encounter Joseph Saunders, a man whose presence is felt through a quiet, dignified composure. The composition is a bust-length study, positioning the subject slightly off-center as he gazes toward the right of the frame. There is a certain stillness here, a moment captured in the soft, directional light that enters from the upper left. This illumination carves out the volume of his face, casting…

      Ručně malovaná olejná reprodukce od $178 29 × 35 cm
      Portrait of Maria Mirska, Adam Napoleon Mirski and Barbara Szumska. (1808) od Jan Rustem
      5

      Portrait of Maria Mirska, Adam Napoleon Mirski and Barbara Szumska.

      1808 · Oil · Národní muzeum ve Varšavě, Varšava

      The air on this paved terrace feels still, caught in the soft, luminous glow of a twilight sky. Two women and a small child occupy this space, framed by the heavy, silent presence of large architectural columns. On the left, a woman stands with a graceful, fluid movement, her white gown catching the light with a silky sheen. She holds a shallow dish aloft, an action that feels part of…

      Ručně malovaná olejná reprodukce od $228 28 × 35 cm Velikost jako originál $795 125 × 159 cm Objednat v originální velikosti →
      Portrait of Aniela Nowicka née Popławska (1807) od Jan Rustem
      6

      Portrait of Aniela Nowicka née Popławska

      1807 · Oil On Canvas · Národní muzeum ve Varšavě, Varšava

      The light enters from the upper left, brushing against the soft contours of Aniela Nowicka’s face with a gentle, directional touch. She sits in a three-quarter view, her gaze meeting the viewer with a calm that feels both poised and deeply private. There is a stillness here, a moment frozen in the early 19th century, where the deep, muted olive green of her drapery melts into a dark, nearly black…

      Ručně malovaná olejná reprodukce od $178 28 × 36 cm Velikost jako originál $230 47 × 58 cm Objednat v originální velikosti →
      Portrait of Wiktoria née Potocka 1.v. Choiseul Gouffier 2.v. wife of general Bakhmatiev (1807) od Jan Rustem
      7

      Portrait of Wiktoria née Potocka 1.v. Choiseul Gouffier 2.v. wife of general Bakhmatiev

      1807 · Oil On Canvas · Národní muzeum ve Varšavě, Varšava

      In this 1807 oil on canvas, we encounter a young woman captured in a moment of quietude. She is positioned slightly off-center, her gaze directed toward the left of the frame, creating a sense of introspective stillness. The composition is a bust-length portrait, where the soft, somewhat weathered texture of the paint suggests the passage of time. Her dark, curly hair provides a sharp textural contrast to the smooth, porcelain-like…

      Ručně malovaná olejná reprodukce od $178 29 × 34 cm Velikost jako originál $246 52 × 62 cm Objednat v originální velikosti →
      Self-portrait of Jonas Rustemas (1815) od Jan Rustem
      8

      Self-portrait of Jonas Rustemas

      1815 · Oil On Canvas · Lituánské národní muzeum výtvarného umění, Vilnius

      In this close-up bust portrait, titled Self-portrait of Jonas Rustemas, the artist Jan Rustem presents himself as a middle-aged man. The subject is positioned slightly off-center, creating a subtle tension within the frame. He looks directly toward the viewer with a piercing, somewhat stern expression that demands immediate attention. This direct gaze establishes an intimate connection between the subject and the observer, stripping away any sense of artifice.

      Ručně malovaná olejná reprodukce od $178 28 × 36 cm
      Portrait of Edward Jan Römer (1806–1878) (1824) od Jan Rustem
      9

      Portrait of Edward Jan Römer (1806–1878)

      1824 · Oil · Národní muzeum ve Varšavě, Varšava

      In this intimate oil portrait, we find ourselves in the presence of a young man, Edward Jan Römer, captured during a period of profound transition in his life. The composition is a close-up bust portrait, positioning the subject slightly off-center as he gazes toward the left of the frame. There is a certain stillness here, a moment of contemplation frozen in time. The lighting, descending softly from the upper left,…

      Ručně malovaná olejná reprodukce od $178 29 × 34 cm

      Více pláten od Jan Rustem, od 11 do 15

      Co nejčastěji maloval Jan Rustem

      Čtyři témata, která se na těchto plátnech nejčastěji objevují, každé s jedním z jejich nejoblíbenějších příkladů.

      Kde visí plátna umělce Jan Rustem

      2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzeum Město Díla autora Jan Rustem Obrazy z tohoto seznamu
      Národní muzeum ve Varšavě, VaršavaNárodní muzeum ve Varšavě Varšava 13 Diana resting, Portrait of Karolina Kublicka née Sołtan(ca. 1780–?), Portrait of Anna of Puczyńskis
      Lituánské národní muzeum výtvarného umění, VilniusLituánské národní muzeum výtvarného umění Vilnius 2 Self-portrait of Jonas Rustemas, Portrait of Professor Josef Frank (1771–1842). Ca. 1819

      Nejoblíbenější plátno každého desetiletí od Jan Rustem

      1. 1790s
        Diana resting (1790) od Jan Rustem
        Plátno 1 z 15

        Diana resting

        Věk 28 – 37 · Národní muzeum ve Varšavě

        In Jan Rustem's "Diana resting," the scene unfolds across a horizontal and balanced landscape that invites the eye to wander through a moment of quietude. At the heart…

      2. 1800s
        Portrait of Karolina Kublicka née Sołtan(ca. 1780–?) (1805) od Jan Rustem
        2 z 15

        Portrait of Karolina Kublicka née Sołtan(ca. 1780–?)

        Věk 38 – 47 · Národní muzeum ve Varšavě

        In this classical oil portrait, Jan Rustem presents the Portrait of Karolina Kublicka née Sołtan(ca. 1780–?), a bust-length study of a young woman. The composition is intimate, utilizing…

      3. 1810s
        Portrait of Joseph Saunders (1733–1845) (1810) od Jan Rustem
        Pořadí 4 z 15

        Portrait of Joseph Saunders (1733–1845)

        Věk 48 – 57 · Národní muzeum ve Varšavě

        In this 1810 oil portrait, we encounter Joseph Saunders, a man whose presence is felt through a quiet, dignified composure. The composition is a bust-length study, positioning the…

      4. 1820s
        Portrait of Edward Jan Römer (1806–1878) (1824) od Jan Rustem
        Pořadí 9 z 15

        Portrait of Edward Jan Römer (1806–1878)

        Věk 58 – 67 · Národní muzeum ve Varšavě

        In this intimate oil portrait, we find ourselves in the presence of a young man, Edward Jan Römer, captured during a period of profound transition in his life.…

      O plátnech umělce Jan Rustem: odpovědi na vaše otázky

      Kterým nejslavnějším dílem je Jan Rustem?Přečtěte si odpověď

      Diana resting (1790), Národní muzeum ve Varšavě, Varšava. Následují Portrait of Karolina Kublicka née Sołtan(ca. 1780–?) (1805) a Portrait of Anna of Puczyńskis (1807).

      Kolik let bylo Jan Rustem, když byl/a namalován/a dílo Diana resting?Přečtěte si odpověď

      Jan Rustem, narozen 1762, měl 28 let: dílo Diana resting pochází z roku 1790.

      Kterých 10 nejslavnějších obrazů má Jan Rustem?Přečtěte si odpověď

      Diana resting, Portrait of Karolina Kublicka née Sołtan(ca. 1780–?), Portrait of Anna of Puczyńskis, Portrait of Joseph Saunders (1733–1845), Portrait of Maria Mirska, Adam Napoleon Mirski and Barbara Szumska., Portrait of Aniela Nowicka née Popławska, Portrait of Wiktoria née Potocka 1.v. Choiseul Gouffier 2.v. wife of general Bakhmatiev, Self-portrait of Jonas Rustemas, Portrait of Edward Jan Römer (1806–1878) a Male portrait. U každého plátna v uvedeném žebříčku je uveden rok jeho vzniku a muzeum, ve kterém se nachází.

      Kolik děl celkem namaloval/a Jan Rustem?Přečtěte si odpověď

      V našem katalogu je 15 děl umělce Jan Rustem, datovaných od 1790 do 1824.

      Kde mohu vidět nejznámější plátna umělce Jan Rustem?Přečtěte si odpověď

      Většinou v Národní muzeum ve Varšavě (Varšava) a Lituánské národní muzeum výtvarného umění (Vilnius); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      Kdy Jan Rustem namaloval své nejoblíbenější obrazy?Přečtěte si odpověď

      V období 1800s, které tvoří 5 z 15 děl na této stránce, mezi nimi i Portrait of Karolina Kublicka née Sołtan(ca. 1780–?).

      Která jsou nejstarší a nejnovější slavná plátna umělce Jan Rustem?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do Diana resting (1790); nejnovější je z Portrait of Edward Jan Römer (1806–1878) (1824).

      Co nejčastěji maloval/a Jan Rustem?Přečtěte si odpověď

      Woman (6), Portrait (6) a Man (4) napříč 15 díly na této stránce.

      Kterou techniku používal(a) Jan Rustem nejčastěji?Přečtěte si odpověď

      Oil On Canvas, použito u 6 z 15 děl na této stránce.

      Která plátna od Jan Rustem visí v Národní muzeum ve Varšavě?Přečtěte si odpověď

      Muzeum Národní muzeum ve Varšavě, Varšava se vlastní 13 děl z této stránky, mezi nimiž jsou i Diana resting, Portrait of Karolina Kublicka née Sołtan(ca. 1780–?) a Portrait of Anna of Puczyńskis.

      Mohu si koupit reprodukci plátna od Jan Rustem?Přečtěte si odpověď

      Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.

      Jan Rustem: život v barvách

      A Life Bridging Cultures: The Story of Jonas Rustemas

      Jonas Rustemas, a name often echoed alongside his Polish alias Jan Rustem, occupies a fascinating, yet somewhat elusive position in the annals of 18th and 19th-century European art. Born in Constantinople in 1762, his life was one of remarkable transition and cultural synthesis. Orphaned at a young age, his trajectory took an unexpected turn when he was sponsored by Adam Kazimierz Czartoryski, a prominent figure of the Polish aristocracy and a dedicated patron of the arts. This act of generosity propelled the young Armenian boy westward, towards the heart of the Polish-Lithuanian Commonwealth around 1774, forever altering the course of his artistic development.

      Rustemas’s formative years were spent immersed in the vibrant artistic milieu of Warsaw. He received tutelage from two of the most celebrated painters working within the royal court: Jean-Pierre Norblin de la Gourdaine, renowned for his delicate genre scenes and masterful draftsmanship, and Marcello Bacciarelli, a portraitist whose skill lay in capturing the essence of aristocratic society. These influences are readily apparent in Rustemas’s early works – a refined attention to detail, a sensitivity to light and shadow, and an ability to portray both psychological depth and social standing within his subjects. He wasn't merely absorbing technique; he was learning to navigate the complex world of patronage, courtly aesthetics, and the subtle language of visual representation.

      From Warsaw to Vilnius: A Freemason’s Journey

      The late 1780s saw Rustemas embark on a period of travel that broadened his intellectual and artistic horizons. Between 1788 and 1790, he ventured into Germany, where he became initiated into the world of Freemasonry. This affiliation proved significant, shaping not only his worldview but also potentially influencing the symbolism embedded within his later paintings. The tenets of Enlightenment thought – reason, liberty, and fraternity – resonated deeply with Rustemas, and these ideals would subtly permeate his artistic practice. Upon returning to the Polish-Lithuanian Commonwealth in 1790, he settled for a time in Warsaw before ultimately relocating to Vilnius.

      Vilnius became the central stage of Rustemas’s career. In 1797, he began a long and fruitful association with Vilnius University, initially as an artist-in-residence and eventually ascending to the position of Professor of Painting in 1819. This appointment marked a turning point, solidifying his reputation as a leading figure in Lithuanian art education. He established a rigorous curriculum, emphasizing both technical proficiency and intellectual engagement. Rustemas wasn’t simply imparting skills; he was fostering a new generation of artists capable of contributing to the cultural landscape of the region.

      A Legacy Etched in Canvas: Students and Style

      Rustemas's impact extended far beyond his own artistic output, largely through the remarkable students he mentored. Among them were names that would become synonymous with Lithuanian national identity: Taras Shevchenko, the iconic Ukrainian poet and artist; Józef Oleszkiewicz, a celebrated landscape painter; Kanuty Rusiecki, known for his historical canvases; and Michał Kulesza, another prominent figure in 19th-century Lithuanian art. He instilled in them not only technical mastery but also a sense of national pride and artistic purpose.

      While Rustemas continued to paint throughout his life, retiring formally in 1826 though continuing to lecture until his death near Dūkštas in Lithuania in 1835, his style evolved. His portraits, while retaining the elegance inherited from Bacciarelli, gained a greater psychological intensity and emotional depth. He also explored historical subjects, often imbued with subtle allegorical meaning. Though not widely known outside of Eastern Europe during his lifetime, Rustemas’s work represents a unique fusion of artistic traditions – Armenian sensitivity, Polish refinement, and Lithuanian national consciousness.

      Historical Significance: A Bridge Between Worlds

      Jonas Rustemas stands as a compelling example of an artist whose life mirrored the turbulent political and cultural landscape of his time. He navigated shifting allegiances, embraced Enlightenment ideals, and dedicated himself to fostering artistic talent within a region undergoing profound change. His legacy is not merely confined to the canvases he produced but resides in the generations of artists he inspired. He was a bridge between worlds, seamlessly blending diverse influences into a distinctive artistic voice that continues to resonate today. His story serves as a poignant reminder of the power of art to transcend boundaries and shape national identities.