Nejoblíbenějším dílem autora John Appleton Brown je On the Coast of France (1875), které je vystaveno v instituci Muzeum umění v Bostonu, Boston. Následují New England Landscape (1887) a A Showery May Morning z platen, která čtenáři znají nejlépe. Náš katalog obsahuje 6 děl umělce John Appleton Brown: zde je 6 nejznámějších, z nichž každé uvádí svůj rok vzniku, muzeum a důvod, proč je nezapomenutelné.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.
2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora John Appleton Brown | Obrazy z tohoto seznamu |
|---|---|---|---|
| Boston | 5 | On the Coast of France, New England Landscape, A Showery May Morning | |
| Cambridge | 1 | Pond in the Woods |
13 let u palety, od 1875 do 1887: nejoblíbenější plátna umělce John Appleton Brown rok po roce.
On the Coast of France (1875), Muzeum umění v Bostonu, Boston. Následují New England Landscape (1887) a A Showery May Morning.
John Appleton Brown, narozen 1844, měl 31 let: dílo On the Coast of France pochází z roku 1875.
V našem katalogu je 6 děl umělce John Appleton Brown, datovaných od 1875 do 1887.
Většinou v Muzeum umění v Bostonu (Boston) a Harvard Art Museums (Cambridge); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.
Nejstarší plátno se zde datuje do On the Coast of France (1875); nejnovější je z New England Landscape (1887).
Muzeum Muzeum umění v Bostonu, Boston se vlastní 5 děl z této stránky, mezi nimiž jsou i On the Coast of France, New England Landscape a A Showery May Morning.
Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.
Born in West Newbury, Massachusetts, John Appleton Brown was an American landscape painter who worked primarily in oils and pastels. His artistic journey began with studies under Alfred Thompson Bricher before he traveled to France in 1866. During his time in France, he studied under Emile Lambinet, a protégé of Jean-Baptiste-Camille Corot. By the 1870s, Brown had become a successful painter in Boston, exhibiting his work at the Boston Art Club and various prominent galleries. In 1874, he and his wife, the artist Agnes Augusta Bartlett, traveled to France to study and paint, eventually displaying his work at the Paris Salon of 1875.
Brown's career saw him move from the artistic circles of Boston to an artists' colony in England in 1886, where he worked alongside figures such as John Singer Sargent. He also spent summers on Appledore Island among the Isles of Shoals, painting seascapes like Storm at the Isles of Shoals. In the 1890s, his success led him to move to New York City. His technical skill was recognized on a grand scale when he received a medal at the World's Columbian Exposition in 1893. He died in New York City in 1902.
Brown was noted for his lyrical landscapes, particularly those of the rural New England countryside. In the 1880s, he adopted a brighter palette and frequently painted images of fruit trees in full flower, earning him the sobriquet "Appleblossom Brown." His works were often described as tender and delicate, capturing the essence of nature. His repertoire included a variety of natural scenes, such as:
His ability to capture light and shadow was celebrated by critics, with some noting his evocative treatment of clouds and water. His art even served as inspiration for poetry and book illustrations, such as his collaboration with Lucy Larcom for the book Landscape in American Poetry.