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      John Boultbee, 1753 – 1812

      22 nejslavnějších obrazů autora John Boultbee

      A Bay Horse in a Field (1778) je obraz, podle kterého je nejznámější John Boultbee; nachází se v Yale Center for British Art, New Haven. Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) a 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792) doplňují trio nejoblíbenějších pláten. Náš katalog obsahuje 24 děl umělce John Boultbee. Zde je 22 nejznámějších děl včetně roku vzniku, muzea a příběhu každého plátna.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.

      Portrét John Boultbee
      John Boultbee · 1753 – 1812
      Narození · úmrtí
      1753 – 1812, Derby
      Díla v našem katalogu
      24
      Nejslavnější
      A Bay Horse in a Field (1778)
      Nejvíce děl v muzeích
      National Trust

      Deset nejoblíbenějších obrazů autora John Boultbee

      John Boultbee: plátna 11 až 22 v žebříčku

      Co nejčastěji maloval John Boultbee

      Čtyři témata, která se na těchto plátnech nejčastěji objevují, každé s jedním z jejich nejoblíbenějších příkladů.

      Kde visí plátna umělce John Boultbee

      8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzeum Město Díla autora John Boultbee Obrazy z tohoto seznamu
      National Trust, MilfordNational Trust Milford 4 'Garrick' A Bullock, 'Garrick's Sister' A Cow, 'Broken Horned Beauty' A Cow
      Yale Center for British Art, New HavenYale Center for British Art New Haven 2 A Bay Horse in a Field, A Grey Arab Stallion in a Desert Landscape
      Shugborough Hall, Stoke-on-TrentShugborough Hall Stoke-on-Trent 2 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction, 'Garrick' A Bullock
      National Trust, AltrinchamNational Trust Altrincham 2 A Bay Hunter Named 'Sir Oliver', An Oak Tree struck by Lightning in Dunham Park
      National Trust, StockportNational Trust Stockport 2 A Chestnut Horse in a Stable, A Horse and Groom outside a Porch
      National Portrait Gallery, LondýnNational Portrait Gallery Londýn 1 Robert Bakewell
      Petworth House, PetworthPetworth House Petworth 1 Two Pembrokeshire Oxen
      Sherwood Rangers Yeomanry Museum, NottinghamSherwood Rangers Yeomanry Museum Nottingham 1 Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794

      Nejslavnější plátno umělce John Boultbee, dekádu po dekádě

      1. 1770s
      2. 1780s
      3. 1790s
      4. 1800s

      Plátna umělce John Boultbee otázka po otázce

      Kterým plátnem je John Boultbee nejvíce známý/á?Přečtěte si odpověď

      A Bay Horse in a Field (1778), Yale Center for British Art, New Haven. Následují Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) a 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792).

      A Bay Horse in a Field: kolik let bylo John Boultbee, když bylo namalováno?Přečtěte si odpověď

      John Boultbee, narozen 1753, měl 25 let: dílo A Bay Horse in a Field pochází z roku 1778.

      Kterých deset nejslavnějších obrazů má John Boultbee?Přečtěte si odpověď

      A Bay Horse in a Field, Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons, 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction, A Grey Arab Stallion in a Desert Landscape, Robert Bakewell, Two Pembrokeshire Oxen, Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794, An Oak Tree struck by Lightning in Dunham Park, A Bay Hunter Named 'Sir Oliver' a An Oak Tree struck by Lightning in Dunham Park. U každého plátna v uvedeném žebříčku je uveden rok jeho vzniku a muzeum, ve kterém se nachází.

      Kolik obrazů vytvořil/a John Boultbee?Přečtěte si odpověď

      V našem katalogu je 24 děl umělce John Boultbee, datovaných od 1778 do 1808.

      Kde se dnes nacházejí nejslavnější plátna umělce John Boultbee?Přečtěte si odpověď

      Většinou v National Trust (Milford), Yale Center for British Art (New Haven) a Shugborough Hall (Stoke-on-Trent); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      Kdy John Boultbee namaloval svá nejslavnější plátna?Přečtěte si odpověď

      V období 1790s, které tvoří 4 z 22 děl na této stránce, mezi nimi i 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction.

      Které plátno slavného umělce John Boultbee vzniklo jako první a které jako poslední?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do A Bay Horse in a Field (1778); nejnovější je z An Oak Tree struck by Lightning in Dunham Park (1808).

      Jaká témata maloval John Boultbee nejčastěji?Přečtěte si odpověď

      Equestrian art (2), Landscape art (2) a Cow portrait (2) napříč 22 díly na této stránce.

      Která díla umělce John Boultbee se nacházejí v muzeu National Trust?Přečtěte si odpověď

      Muzeum National Trust, Milford se vlastní 4 děl z této stránky, mezi nimiž jsou i 'Garrick' A Bullock, 'Garrick's Sister' A Cow a 'Broken Horned Beauty' A Cow.

      Kde si mohu koupit reprodukci obrazu od John Boultbee?Přečtěte si odpověď

      Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.

      Seznamte se s malířem: John Boultbee

      John Boultbee: A Painter of Horses and British Life

      John Boultbee (1753-1812) emerges from the annals of 18th and early 19th-century England as a remarkably versatile artist, primarily celebrated for his captivating equestrian paintings and evocative depictions of rural life. Born in Osgathorpe, Leicestershire, into a family with artistic leanings – his twin brother Thomas also pursued painting – Boultbee’s career unfolded against the backdrop of a rapidly changing Britain, marked by burgeoning commerce, evolving social structures, and a growing appreciation for landscape and sporting subjects. While often overshadowed by more prominent figures of the era, Boultbee's work offers a valuable window into the tastes, customs, and artistic sensibilities of his time.

      Early influences undoubtedly stemmed from Sir Joshua Reynolds, whose presidency at the Royal Academy Schools in 1775 provided Boultbee with crucial training. The Academy’s emphasis on classical principles and naturalism shaped his initial style, evident in his early landscape paintings exhibited in 1776. However, Boultbee quickly developed a distinctive approach, particularly when it came to portraying horses – an obsession that would define much of his oeuvre. His fascination with these magnificent animals wasn't merely aesthetic; it reflected the growing importance of equestrian pursuits within British society, from hunting and racing to military displays. The influence of George Stubbs, a pioneering animal painter known for his anatomical accuracy and dynamic compositions, is readily apparent in Boultbee’s later works.

      A Royal Patronage and Sporting Subjects

      Boultbee's fortunes shifted dramatically with the patronage of King George III. Recognizing the artist’s skill in capturing the grace and power of horses, the monarch commissioned a series of portraits, solidifying Boultbee’s position within the highest echelons of British society. This royal favor afforded him a residence in Windsor Great Park, providing invaluable access to royal stables and allowing him to observe and paint these magnificent animals firsthand. The resulting paintings – often lavishly detailed and imbued with a sense of grandeur – became symbols of royal power and prestige.

      Beyond the royal commissions, Boultbee’s artistic interests extended to depicting rural landscapes and sporting scenes. He frequently portrayed hunts, races, and other equestrian events, capturing the energy and excitement of these pursuits. His paintings offer a glimpse into the lives of the landed gentry, showcasing their leisure activities and reflecting the prevailing social values of the time. His depictions of cattle, particularly those commissioned for the Duke of Bedford, demonstrate an understanding of livestock breeds and agricultural practices – a testament to his keen observational skills.

      Technique and Style

      Boultbee’s artistic style is characterized by a remarkable blend of technical skill and expressive flair. He possessed a deep knowledge of equine anatomy, meticulously rendering the musculature and movement of horses with impressive accuracy. His compositions are often dynamic and engaging, utilizing light and shadow to create a sense of depth and drama. While influenced by classical principles, Boultbee’s work is not overly formal or rigid; rather, it possesses a certain spontaneity and vitality.

      His use of color is particularly noteworthy. He favored warm, earthy tones – browns, ochres, and greens – to evoke the natural beauty of the landscapes he depicted. He also employed subtle gradations of light and shadow to create a sense of atmosphere and mood. His later works often exhibit a delicate pinkish hue, possibly influenced by the prevailing fashion for pastel shades.

      Legacy and Significance

      Despite not achieving widespread fame during his lifetime, John Boultbee’s work has since been recognized as an important contribution to British art history. His equestrian paintings are particularly valued for their technical skill, expressive quality, and historical significance. They offer a unique perspective on the social and cultural landscape of 18th-century Britain, reflecting the importance of horses in both military and sporting contexts.

      Today, Boultbee’s paintings can be found in major museums and private collections throughout the United Kingdom. His legacy endures as a testament to his artistic talent and his ability to capture the spirit of his time. The Durham Ox, commissioned by John Day, remains an iconic image of British rural life, embodying the artist's skill and the enduring fascination with horses within British culture.