Nejoblíbenějším dílem autora John Fox je Umbrellas, Côte-des-Neiges (1954), které je vystaveno v instituci Národní galerie Kanady, Ottawa. Náš katalog obsahuje 2 děl umělce John Fox: zde je 2 nejznámějších, z nichž každé uvádí svůj rok vzniku, muzeum a důvod, proč je nezapomenutelné.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora John Fox | Obrazy z tohoto seznamu |
|---|---|---|---|
| Ottawa | 2 | Umbrellas, Côte-des-Neiges, Souvenir Street, Montreal |
Plátna umělce John Fox na této stránce pokrývají období pouhých 5 let, od 1954 do 1958: sledujte je rok po roce, v jejich vlastním světle.
Umbrellas, Côte-des-Neiges (1954)
John Fox, narozen 1927, měl 27 let: dílo Umbrellas, Côte-des-Neiges pochází z roku 1954.
V našem katalogu je 2 děl umělce John Fox, datovaných od 1954 do 1958.
Většinou v Národní galerie Kanady (Ottawa); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.
Nejstarší plátno se zde datuje do Umbrellas, Côte-des-Neiges (1954); nejnovější je z Souvenir Street, Montreal (1958).
Muzeum Národní galerie Kanady, Ottawa se vlastní 2 děl z této stránky, mezi nimiž jsou i Umbrellas, Côte-des-Neiges a Souvenir Street, Montreal.
Born in Montreal, Canada, John Fox was a multifaceted artist whose creative practice spanned painting, sculpture, collage, watercolor, and drawing. His artistic journey was marked by a rhythmic movement between different modes of expression. In his early years, his work focused on representation, a period that saw him study at the School of Art and Design at the Montreal Museum of Fine Arts under Goodridge Roberts. This education provided him with a foundational understanding of how color could be utilized to structure a composition.
His career took him to the Slade School of Fine Arts in London, where he studied from 1952 to 1953. During this time, he traveled extensively, including trips to Venice, a city that would hold a profound significance for his work. Fox's professional life was also deeply rooted in education; he taught at the Saidye Bronfman Centre for the Arts and later served as a professor and Department Chair at Concordia University.
The trajectory of Fox's oeuvre is characterized by significant stylistic shifts. From the late 1950s until 1972, his work often centered on interiors, nudes, and landscapes. This representational phase gave way to a period of Lyrical abstraction between 1972 and 1986, during which he worked on large canvases using diverse techniques such as sponges, knives, and even a spray gun to create rich, textured surfaces. His abstract works often incorporated collage elements and a variety of marks.
In the later stages of his life, beginning in 1987, Fox returned to representational painting, a style that was reconfigured by his extensive experience with abstraction. His work is held in numerous prestigious collections, including: