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      Joost Schmidt, 1893 – 1948

      1 nejslavnějších obrazů autora Joost Schmidt, seřazených podle popularity

      Nejoblíbenějším dílem autora Joost Schmidt je 2nd preliminary study for billiard ball poster (notes for own class) (1931), které je vystaveno v instituci Bauhaus Dessau Foundation, Dessau-Roßlau. Náš katalog obsahuje 1 děl umělce Joost Schmidt: zde je 1 nejznámějších, z nichž každé uvádí svůj rok vzniku, muzeum a důvod, proč je nezapomenutelné.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.

      Portrét Joost Schmidt
      Joost Schmidt · 1893 – 1948
      Narození · úmrtí
      1893 – 1948, Wunstorf
      Díla v našem katalogu
      1
      Nejslavnější
      2nd preliminary study for billiard ball poster (notes for own class) (1931)
      Nejvíce děl v muzeích
      Bauhaus Dessau Foundation

      Nejlepší 10 obrazů: Joost Schmidt – plátna, která zná každý

      2nd preliminary study for billiard ball poster (notes for own class) (1931) od Joost Schmidt
      1

      2nd preliminary study for billiard ball poster (notes for own class)

      1931 · Drawing · Bauhaus Dessau Foundation, Dessau-Roßlau

      To gaze upon this piece is not merely to look at an object, but to witness a moment suspended in the crucible of artistic thought. This 2nd preliminary study for billiard ball poster offers an intimate glimpse behind the curtain of creation, inviting us into the meticulous mind of Joost Schmidt. Far from being a finished decorative piece, this document—a sheet bearing handwritten notations and geometric markings—is a testament to…

      Ručně malovaná olejná reprodukce od $178 27 × 38 cm

      Kde visí plátna umělce Joost Schmidt

      Muzeum s největším počtem obrazů na této stránce.

      Muzeum Město Díla autora Joost Schmidt Obrazy z tohoto seznamu
      Bauhaus Dessau Foundation, Dessau-RoßlauBauhaus Dessau Foundation Dessau-Roßlau 1 2nd preliminary study for billiard ball poster (notes for own class)

      Nejoblíbenější plátna umělce Joost Schmidt rok po roce

      Každé plátno s datem vzniku od Joost Schmidt na této stránce bylo namalováno v roce 1931; zde jsou, od těch nejznámějších.

      1. 1931

      O plátnech umělce Joost Schmidt: odpovědi na vaše otázky

      Kterým nejslavnějším dílem je Joost Schmidt?Přečtěte si odpověď

      2nd preliminary study for billiard ball poster (notes for own class) (1931)

      Kolik let bylo Joost Schmidt, když byl/a namalován/a dílo 2nd preliminary study for billiard ball poster (notes for own class)?Přečtěte si odpověď

      Joost Schmidt, narozen 1893, měl 38 let: dílo 2nd preliminary study for billiard ball poster (notes for own class) pochází z roku 1931.

      Kolik děl celkem namaloval/a Joost Schmidt?Přečtěte si odpověď

      V našem katalogu je 1 děl umělce Joost Schmidt.

      Kde mohu vidět nejznámější plátna umělce Joost Schmidt?Přečtěte si odpověď

      Většinou v Bauhaus Dessau Foundation (Dessau-Roßlau); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      Mohu si koupit reprodukci plátna od Joost Schmidt?Přečtěte si odpověď

      Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.

      Joost Schmidt: život v barvách

      Joost Schmidt: The Geometric Poet of Weimar Bauhaus

      Joost Schmidt (Wunstorf, 5 January 1893 – Nürnberg, 2 December 1948) stands as a pivotal figure in the history of German art and design—specifically, the Bauhaus movement. Born into a modest family in Wunstorf, Germany, Schmidt’s early life was marked by hardship, shaping his unwavering dedication to artistic pursuits despite considerable obstacles posed by the rise of Nazism. His formative years instilled within him a profound appreciation for precision and form, principles that would become cornerstones of his groundbreaking aesthetic vision.
      • Early Influences & Education: Schmidt’s artistic journey commenced at the Grand Ducal Saxon Academy of Fine Art in Weimar, where he honed foundational skills in painting before immersing himself in the revolutionary environment of the Bauhaus School from 1919–1925. This immersion proved transformative, propelling him into the orbit of Max Thedy and fostering a mastery of wood carving alongside explorations of sculpture. Notably, his diploma in painting was awarded in winter semester 1913/1914.
      • The Bauhaus Breakthrough: Schmidt’s arrival at Bauhaus coincided with its inception as an experimental school for art, craft, and architecture—a crucible of modernist ideals. Under Johannes Iten and Oskar Schlemmer, he embraced the Bauhaus ethos of geometric abstraction and functional design, meticulously studying the interplay between elementary forms and spatial organization. His involvement in the weaving workshop solidified his understanding of materiality and craftsmanship alongside theoretical considerations.

      The Iconic Weimar Poster: A Synthesis of Form and Message

      Schmidt’s artistic reputation ascended dramatically with the creation of a single, unforgettable artwork—the poster for the Bauhaus Exhibition held in Weimar in 1923. This piece represents arguably the most recognizable visual manifestation of Bauhaus principles. Employing a masterful manipulation of geometric shapes—primarily rectangles and circles—Schmidt achieved an astonishing feat: conveying complex ideas about “elementary form” and “bodies” within a deceptively simple visual language. The poster’s stark aesthetic, characterized by its monochrome palette and deliberate asymmetry, became synonymous with the Bauhaus movement's commitment to clarity and rationalism.
      • Teaching & Artistic Direction: Schmidt transitioned seamlessly from student to teacher at Bauhaus, shaping generations of aspiring artists and designers. He headed the Sculpture Workshop from 1928-1930 and oversaw the Advertising, Calligraphy, Printing, and Graphic Design Department until 1932. His pedagogical approach emphasized the importance of conceptual rigor alongside technical proficiency—a legacy that continues to inspire educators today.
      • Beyond Bauhaus: Schmidt’s influence extended beyond the Bauhaus School's walls. He lectured at the College of Visual Arts in Berlin, fostering a dialogue between artistic experimentation and social responsibility. His work found its way into prominent museums like the Museum Ostdeutsche Galerie in Regensburg and was featured prominently on platforms such as bauhaus exhibition.com and joost schmidt | TopImpressionists.com.

      Geometric Vision & Lasting Legacy

      Schmidt’s artistic output spanned a diverse range of mediums—from graphic design to sculpture—all united by his unwavering devotion to geometric abstraction. His meticulous attention to detail and his profound understanding of visual harmony cemented his position as one of the foremost practitioners of modernist typography and graphic art. The Bauhaus Archive in Bühl, Germany, houses an impressive collection of Schmidt’s artworks alongside those of fellow luminaries like Adolph Menzel, Jan van de Cappelle, and Franz von Stuck—a testament to his enduring contribution to 20th-century artistic heritage. Schmidt's legacy resides not merely in the aesthetic beauty of his creations but also in their conceptual depth—a reminder that art can serve as a powerful tool for communicating complex ideas with unwavering precision.

      Further Exploration

      You can delve deeper into Schmidt’s artistic journey by visiting: