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      Reprodukce obrazů Jun Sin, znovu namalované

      12 děl Jun Sin dostupných jako ručně malovaná olejová reprodukce (od $178) nebo jako plátno s uměleckým tiskem (od $47), ve vašem rozměru. 24 děl na straně 1 z 1. A master of Joseon Dynasty genre painting known for his vibrant depictions of daily life and romantic scenes like Album of Obscene Paintings, Shin Yun-bok invites you to discover the delicate beauty of historical Korea.

      • 1758 – 1813
      • Dynastie Čoson, Dynastie Čoson
      • – Raná modernita
      • Joseon Dynasty
      • Zdarma celosvětová expresní doprava
      • Vysoce kvalitní lněné plátno
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      12 obrazů od Jun Sin

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      Portrét Jun Sin

      Jun Sin, malíř

      Shin Yun-bok, widely recognized by his art name Hyewon, stands as one of the most captivating figures in the history of Korean art. A painter active during the late Joseon Dynasty, he belonged to an elite group of masters often referred to as the "Three Great Genre Painters." While his contemporaries like Kim Hong-do focused on the simpler, more rugged lives of commoners, Shin Yun-bok carved out a unique niche by exploring the more intimate, sophisticated, and sometimes provocative layers of urban life. His work serves as a vibrant window into the social dynamics of his era, capturing the delicate interplay between romantic longing, societal norms, and the quiet beauty of everyday moments.

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      Born in Seoul, South Korea, Shin Yun-bok was immersed in an artistic lineage from a young age, coming from a family of painters. His technical prowess eventually led him to serve as a cheomjeoljesa, a junior officer, at the Dohwaseo, the royal painting bureau. However, his artistic spirit was perhaps too bold for the rigid structures of the time. Known for his skill in depicting genre scenes that leaned toward the erotic and the romantic, he famously faced expulsion from the royal bureau. This departure from officialdom allowed him to pursue a more personal and daring vision, focusing on the lives of urban gentlemen and courtesans through a lens of stylized realism.