Self-Portrait (1932) je obraz, podle kterého je nejznámější Kaj Ejstrup; nachází se v Statens Museum for Kunst, Kodaň. Women Bathing (1938) a Landscape, Odsherred (1942) doplňují trio nejoblíbenějších pláten. Náš katalog obsahuje 5 děl umělce Kaj Ejstrup. Zde je 5 nejznámějších děl včetně roku vzniku, muzea a příběhu každého plátna.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Kaj Ejstrup | Obrazy z tohoto seznamu |
|---|---|---|---|
| Kodaň | 5 | Self-Portrait, Women Bathing, Landscape, Odsherred |
Self-Portrait (1932), Statens Museum for Kunst, Kodaň. Následují Women Bathing (1938) a Landscape, Odsherred (1942).
Kaj Ejstrup, narozen 1902, měl 30 let: dílo Self-Portrait pochází z roku 1932.
V našem katalogu je 5 děl umělce Kaj Ejstrup, datovaných od 1932 do 1955.
Většinou v Statens Museum for Kunst (Kodaň); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.
V období 1930s, které tvoří 2 z 5 děl na této stránce, mezi nimi i Self-Portrait.
Nejstarší plátno se zde datuje do Self-Portrait (1932); nejnovější je z View of Lammefjorden (1955).
Muzeum Statens Museum for Kunst, Kodaň se vlastní 5 děl z této stránky, mezi nimiž jsou i Self-Portrait, Women Bathing a Landscape, Odsherred.
Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.
Kaj Ejstrup was born in 1902, the adopted son of a customs official. His upbringing in Buddinge, just north of Copenhagen, set the stage for a life dedicated to visual expression. Though he did not find a place at the Royal Danish Academy of Fine Arts, his path remained focused on the craft. He spent time between 1931 and 1937 learning the intricacies of wood engraving under Aksel Jørgensen, a period that helped refine his technical skill and eye for detail.
By 1930, he had settled in Åsen near Ordrup in Odsherred. He lived in an old homestead near Skamlebæk until 1944, and even after leaving that specific home, he returned to the Odsherred region for extended periods every year. This connection to the land became the heartbeat of his creative life.
As a central figure in the Odsherred Painters, Ejstrup helped define a specific way of seeing the Danish countryside. His landscapes often capture the quietude of the northwest Zealand region. He frequently painted buildings, outhouses, and farm animals, sometimes including a human figure to ground the scene. His palette in these works remained limited, focusing on the essential colors of the earth and sky. He had a particular talent for depicting horses, often showing them in motion—running or jumping—which added a sense of sudden energy to an otherwise peaceful setting.
His approach changed when he turned his attention to people. While his landscapes were restrained, his figure paintings utilized more vivid colors and an expressive tone. His versatility extended beyond the canvas to include:
Ejstrup was a man of community within the art world, becoming a founding member of the Corner artists association in 1932. His work moved beyond the borders of Denmark, finding its way to galleries in Glasgow, Oslo, and Gothenburg. His contributions to Danish art were recognized in 1954 when he was awarded the Eckersberg Medal.
Today, his visual history is preserved in several important institutions. His paintings, woodcuts, and sculptures can be found in many of Denmark's art museums, including a large collection held at the Statens Museum for Kunst and much of his work housed at the Odsherreds Museum of Art.