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      Lan Ying, 1585 – 1664

      31 nejslavnějších obrazů autora Lan Ying

      Clearing Autumn Mists in the Chu Mountains (1630) je obraz, podle kterého je nejznámější Lan Ying; nachází se v Clevelandské muzeum umění, Cleveland. 明 藍瑛 春江漁隱圖 軸 Hermit Fisherman on a Spring River (1632) a Landscape in the Style of Ancient Masters: Artist's commentary (1642) doplňují trio nejoblíbenějších pláten. Náš katalog obsahuje 32 děl umělce Lan Ying. Zde je 31 nejznámějších děl včetně roku vzniku, muzea a příběhu každého plátna.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.

      Portrét Lan Ying
      Lan Ying · 1585 – 1664
      Narození · úmrtí
      1585 – 1664, Hangzhou
      Díla v našem katalogu
      32
      Nejslavnější
      Clearing Autumn Mists in the Chu Mountains (1630)
      Nejvíce děl v muzeích
      Art Institute of Chicago

      Deset nejoblíbenějších obrazů autora Lan Ying

      Clearing Autumn Mists in the Chu Mountains (1630) od Lan Ying
      1

      Clearing Autumn Mists in the Chu Mountains

      1630 · Ink On Paper · Clevelandské muzeum umění, Cleveland

      The mist clings to the rugged cliffs of the Chu Mountains, moving in slow, silent waves through the vertical expanse of the silk. A profound stillness settles over the landscape as the autumn fog begins to lift, revealing the skeletal strength of ancient pine trees clinging to the rock. Every brushstroke captures a moment of transition, where the heavy dampness of the morning meets the first clarity of light. The…

      Ručně malovaná olejná reprodukce od $178 17 × 59 cm
      Landscape in the Style of Ancient Masters: Artist's commentary (1642) od Lan Ying
      3

      Landscape in the Style of Ancient Masters: Artist's commentary

      1642 · Ink · Art Institute of Chicago, Chicago

      A single pine tree clings to a craggy precipice, its needles rendered in fine, sharp strokes. Below, the earth rises in jagged, textured forms, where dark ink defines the weathered skin of ancient boulders. Mist drifts through the middle ground, a pale wash that separates the solid rock from the ethereal heights. This is a world of quietude, where the mountains do not shout but whisper through the varying depths…

      Ručně malovaná olejná reprodukce od $178 36 × 28 cm
      Landscape in the Style of Ancient Masters: after Fang Congyi (active c. 1340-80) (1642) od Lan Ying
      5

      Landscape in the Style of Ancient Masters: after Fang Congyi (active c. 1340-80)

      1642 · Ink On Paper · Art Institute of Chicago, Chicago

      In this landscape, Lan Ying invites us into a world of profound stillness, one that feels as though it has been exhaled from the mist. Created in 1644, the work is a meditation on the traditions of the Yuan Dynasty, specifically looking back to the brushwork of Fang Congyi. The composition avoids a singular, central focus, opting instead for a shifting perspective that guides the eye through a series of…

      Ručně malovaná olejná reprodukce od $178 36 × 28 cm
      Zhi and Xu's Pure Conversation (1643) od Lan Ying
      7

      Zhi and Xu's Pure Conversation

      1643 · Ink On Paper · Clevelandské muzeum umění, Cleveland

      Executed in 1643, Zhi and Xu's Pure Conversation is a traditional Chinese landscape painting rendered in monochrome ink on paper or silk. The vertical composition utilizes a high-angle perspective to depict a serene mountain landscape. In the foreground, two scholars are seated on a rocky outcrop, facing one another in a posture of dialogue or contemplation. The mid-ground is dominated by several large, gnarled pine trees featuring detailed, textured bark…

      Ručně malovaná olejná reprodukce od $178 21 × 48 cm
      Landscape in the Style of Ancient Masters: after Ni Zan (1301-1374) (1642) od Lan Ying
      8

      Landscape in the Style of Ancient Masters: after Ni Zan (1301-1374)

      1642 · Ink · Art Institute of Chicago, Chicago

      In this work, we find ourselves looking through the eyes of Lan Ying, a painter who lived during the Ming Dynasty. He does not merely replicate the past; he engages in a profound dialogue with the spirit of the Yuan masters. The composition draws heavily from the aesthetic language established by Ni Zan, characterized by a sense of sparse, intentional emptiness. There is a stillness here that feels earned, a…

      Ručně malovaná olejná reprodukce od $178 26 × 39 cm
      Landscape in the Style of Ancient Masters: after Gao Kegong (1248-1310) (1642) od Lan Ying
      9

      Landscape in the Style of Ancient Masters: after Gao Kegong (1248-1310)

      1642 · Ink On Paper · Art Institute of Chicago, Chicago

      Mist clings to the jagged edges of mountains, blurring the line between earth and sky. In this landscape, the world feels suspended in a quiet, breathing moment. Soft, grey washes of ink drift through the valleys, creating a sense of immense depth that pulls the eye toward a pale, indistinct horizon. The composition relies heavily on the concept of emptiness, where the void is as vital as the painted forms.…

      Ručně malovaná olejná reprodukce od $178 36 × 28 cm Velikost jako originál $186 41 × 31 cm Objednat v originální velikosti →
      明 藍瑛 仿宋元山水圖 冊 紙本 Landscapes after Song and Yuan masters (1642) od Lan Ying
      10

      明 藍瑛 仿宋元山水圖 冊 紙本 Landscapes after Song and Yuan masters

      1642 · Ink On Paper · Metropolitan Museum of Art, New York

      Created in 1642, this landscape on paper reflects the stylistic synthesis characteristic of the Ming Dynasty. The composition centers on a gnarled pine tree, its branches reaching across the foreground with a sense of weathered resilience. Behind this focal point, mountains rise through layers of mist, their forms softened by atmospheric perspective to create a profound sense of depth. A small boat rests upon a quiet body of water, grounding…

      Ručně malovaná olejná reprodukce od $178 28 × 35 cm

      Lan Ying: plátna 11 až 31 v žebříčku

      Autumn Landscape (1653) od Lan Ying
      #12

      Autumn Landscape

      1653 · Yale University Art Gallery

      This traditional Chinese landscape painting, executed in 1653, features a vertical composition depicting a rugged, mountainous terrain. The scene is dominated by a towering, craggy rock formation that…

      Nechte si to namalovat ručně od $178 →

      Co nejčastěji maloval Lan Ying

      Čtyři témata, která se na těchto plátnech nejčastěji objevují, každé s jedním z jejich nejoblíbenějších příkladů.

      Kde visí plátna umělce Lan Ying

      8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzeum Město Díla autora Lan Ying Obrazy z tohoto seznamu
      Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 6 Landscape in the Style of Ancient Masters: Artist's commentary, Landscape in the Style of Ancient Masters: colophon by Lu Hui, dated 1912, Landscape in the Style of Ancient Masters: after Fang Congyi (active c. 1340-80)
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 3 明 藍瑛 春江漁隱圖 軸 Hermit Fisherman on a Spring River, 明 藍瑛 仿宋元山水圖 冊 紙本 Landscapes after Song and Yuan masters, 明 藍瑛 紅友圖 軸 Red Friend
      Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 3 FLOWERING TREE, Autumn Colors at a Mountain Villa After Li Cheng (919-967), Landscape with Fisherman and Waterfall
      Clevelandské muzeum umění, ClevelandClevelandské muzeum umění Cleveland 2 Clearing Autumn Mists in the Chu Mountains, Zhi and Xu's Pure Conversation
      Yale University Art Gallery, New HavenYale University Art Gallery New Haven 2 Autumn Landscape, Landscape in the style of Li Tang
      Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 1 Cold Mountains and Snowy Peaks
      Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 1 Thatched Huts Among Ridges in Winter
      Song Art Museum, PekinSong Art Museum Pekin 1 Landscape in the Style of Ancient Masters

      Nejslavnější plátno umělce Lan Ying, dekádu po dekádě

      1. 1630s
        Clearing Autumn Mists in the Chu Mountains (1630) od Lan Ying
        1 z 31

        Clearing Autumn Mists in the Chu Mountains

        Věk 45 – 54 · Clevelandské muzeum umění

        The mist clings to the rugged cliffs of the Chu Mountains, moving in slow, silent waves through the vertical expanse of the silk. A profound stillness settles over…

      2. 1640s
      3. 1650s
        Cold Mountains and Snowy Peaks (1655) od Lan Ying
        Pořadí 11 z 31

        Cold Mountains and Snowy Peaks

        Věk 65 – 74 · Detroit Institute of Arts

        The stillness of the landscape finds its name in Cold Mountains and Snowy Peaks, a work that emerges from the brush of the artist Lan Ying. This scene…

      Plátna umělce Lan Ying otázka po otázce

      Kterým plátnem je Lan Ying nejvíce známý/á?Přečtěte si odpověď

      Clearing Autumn Mists in the Chu Mountains (1630), Clevelandské muzeum umění, Cleveland. Následují 明 藍瑛 春江漁隱圖 軸 Hermit Fisherman on a Spring River (1632) a Landscape in the Style of Ancient Masters: Artist's commentary (1642).

      Clearing Autumn Mists in the Chu Mountains: kolik let bylo Lan Ying, když bylo namalováno?Přečtěte si odpověď

      Lan Ying, narozen 1585, měl 45 let: dílo Clearing Autumn Mists in the Chu Mountains pochází z roku 1630.

      Kterých deset nejslavnějších obrazů má Lan Ying?Přečtěte si odpověď

      Clearing Autumn Mists in the Chu Mountains, 明 藍瑛 春江漁隱圖 軸 Hermit Fisherman on a Spring River, Landscape in the Style of Ancient Masters: Artist's commentary, Landscape in the Style of Ancient Masters: colophon by Lu Hui, dated 1912, Landscape in the Style of Ancient Masters: after Fang Congyi (active c. 1340-80), Landscape in the Style of Ancient Masters: after Wang Meng (c. 1308-1385), Zhi and Xu's Pure Conversation, Landscape in the Style of Ancient Masters: after Ni Zan (1301-1374), Landscape in the Style of Ancient Masters: after Gao Kegong (1248-1310) a 明 藍瑛 仿宋元山水圖 冊 紙本 Landscapes after Song and Yuan masters. U každého plátna v uvedeném žebříčku je uveden rok jeho vzniku a muzeum, ve kterém se nachází.

      Kolik obrazů vytvořil/a Lan Ying?Přečtěte si odpověď

      V našem katalogu je 32 děl umělce Lan Ying, datovaných od 1630 do 1655.

      Kde se dnes nacházejí nejslavnější plátna umělce Lan Ying?Přečtěte si odpověď

      Většinou v Art Institute of Chicago (Chicago), Metropolitan Museum of Art (New York) a Harvard Art Museums (Cambridge); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      Kdy Lan Ying namaloval svá nejslavnější plátna?Přečtěte si odpověď

      V období 1640s, které tvoří 10 z 31 děl na této stránce, mezi nimi i Landscape in the Style of Ancient Masters: Artist's commentary.

      Které plátno slavného umělce Lan Ying vzniklo jako první a které jako poslední?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do Clearing Autumn Mists in the Chu Mountains (1630); nejnovější je z Cold Mountains and Snowy Peaks (1655).

      Jaká témata maloval Lan Ying nejčastěji?Přečtěte si odpověď

      Mountains (10), Landscape (8) a Trees (8) napříč 31 díly na této stránce.

      Která technika se nejčastěji objevuje v obrazech umělce Lan Ying?Přečtěte si odpověď

      Ink On Paper, použito u 6 z 31 děl na této stránce.

      Která díla umělce Lan Ying se nacházejí v muzeu Art Institute of Chicago?Přečtěte si odpověď

      Muzeum Art Institute of Chicago, Chicago se vlastní 6 děl z této stránky, mezi nimiž jsou i Landscape in the Style of Ancient Masters: Artist's commentary, Landscape in the Style of Ancient Masters: colophon by Lu Hui, dated 1912 a Landscape in the Style of Ancient Masters: after Fang Congyi (active c. 1340-80).

      Kde si mohu koupit reprodukci obrazu od Lan Ying?Přečtěte si odpověď

      Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.

      Seznamte se s malířem: Lan Ying

      Lan Ying Jiang Hong: A Master of Serene Landscapes

      Born in Hangzhou, Zhejiang province, during the tumultuous Ming Dynasty (1585-1664), Lan Ying, also known as Tian Shu (田叔) – “Field Master” – and later adopting the pseudonyms Diesou (蜨叟), Shi Toutuo (石頭陀), and Dongguo Laoren (东国老仁), stands as a pivotal figure in Chinese landscape painting. His life coincided with a period of significant artistic transition, bridging the expressive dynamism of the Yuan Dynasty with the refined elegance of the subsequent Ming and Qing eras. Lan Ying’s legacy rests primarily on his masterful depictions of nature, imbued with a profound sense of tranquility and informed by both Song and Yuan artistic traditions.

      Early training undoubtedly shaped Lan Ying's distinctive style. He received formal instruction at the painting academy of the Southern Song Dynasty, an institution renowned for its rigorous curriculum and emphasis on classical techniques. This foundation provided him with a deep understanding of brushwork, composition, and the fundamental principles of landscape art. However, unlike many artists who meticulously replicated established styles, Lan Ying demonstrated a remarkable ability to synthesize diverse influences into a uniquely personal vision. He particularly revered the works of Huang Gongwang (1470-1523) and Wu Zhen (1470-1538), both celebrated for their atmospheric perspective, subtle color palettes, and evocative portrayals of mountains and rivers. Their emphasis on capturing the *qi* – or vital energy – of nature is clearly reflected in Lan Ying’s own paintings.

      The Style of ‘Tienshu’ and the Pursuit of Serenity

      Lan Ying's artistic moniker, 'Tienshu,' translated as “Field Master,” hints at a core element of his work: an intimate connection with the natural world. Unlike some of his contemporaries who focused on grand, sweeping vistas, Lan Ying often depicted smaller, more contemplative scenes – rolling hills, solitary trees, and quiet streams. These landscapes are not merely representations of scenery; they are invitations to contemplation, offering viewers a moment of respite from the complexities of human affairs. His paintings frequently feature elements associated with rural life—farmers tending their fields, fishermen casting their nets—adding layers of narrative and suggesting a harmonious relationship between humanity and nature.

      A key characteristic of Lan Ying’s style is his masterful use of atmospheric perspective. He skillfully employed variations in color and tone to create the illusion of depth, conveying the vastness and grandeur of the landscape while simultaneously evoking a sense of intimacy and closeness. His brushwork is characterized by its fluidity and spontaneity, yet it remains remarkably controlled and precise. He favored a muted palette—primarily consisting of greens, browns, grays, and blues—to create a harmonious and understated effect. The absence of dramatic contrasts or bold colors contributes to the overall sense of serenity and tranquility that pervades his paintings.

      Floral and Bird Studies: Expanding Artistic Horizons

      While primarily known for his landscapes, Lan Ying also produced exquisite depictions of flowers and birds – a relatively uncommon subject matter for landscape painters during this period. These works demonstrate his keen observational skills and his ability to capture the delicate beauty of nature with remarkable accuracy. His floral paintings often feature peonies, chrysanthemums, orchids, and bamboo—all symbols laden with cultural significance in Chinese art. Similarly, his bird studies showcase a deep understanding of avian anatomy and behavior. The integration of these smaller-scale subjects into his oeuvre suggests a broader artistic curiosity and a desire to explore the full spectrum of natural beauty.

      Legacy and Historical Significance

      Lan Ying’s influence on subsequent generations of Chinese landscape painters is undeniable. His emphasis on atmospheric perspective, subtle color palettes, and contemplative compositions set a precedent for many artists who followed. His work exemplifies the Ming Dynasty's shift towards a more refined and introspective style of landscape painting, moving away from the bolder, more expressive approaches of earlier periods. The paintings attributed to Lan Ying are highly prized by collectors and museums worldwide, serving as enduring testaments to his artistic skill and profound appreciation for the beauty of the natural world. His legacy continues to inspire artists today, reminding us of the power of art to transport us to serene landscapes and evoke a sense of peace and tranquility.