Lars Ravn, narozen 1959
2 nejslavnějších obrazů autora Lars Ravn, seřazených podle popularity
Nejoblíbenějším dílem autora Lars Ravn je The Four Elements - or the Feast at the Round Table (1982), které je vystaveno v instituci Statens Museum for Kunst, Kodaň. Náš katalog obsahuje 2 děl umělce Lars Ravn: zde je 2 nejznámějších, z nichž každé uvádí svůj rok vzniku, muzeum a důvod, proč je nezapomenutelné.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026.
- Narození · úmrtí
- narozen 1959, Aalborg
- Díla v našem katalogu
- 2
- Nejslavnější
- The Four Elements - or the Feast at the Round Table (1982)
- Nejvíce děl v muzeích
- Statens Museum for Kunst
Nejlepší 10 obrazů: Lars Ravn – plátna, která zná každý
Kde visí plátna umělce Lars Ravn
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Lars Ravn | Obrazy z tohoto seznamu |
|---|---|---|---|
 Statens Museum for Kunst |
Kodaň | 2 | The Four Elements - or the Feast at the Round Table, The Coffee, the Rabbit, the Woman/Abyss |
Nejoblíbenější plátna umělce Lars Ravn rok po roce
Plátna umělce Lars Ravn na této stránce pokrývají období pouhých 4 let, od 1982 do 1985: sledujte je rok po roce, v jejich vlastním světle.
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1982
Plátno 1 z 2The Four Elements - or the Feast at the Round Table
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1985
O plátnech umělce Lars Ravn: odpovědi na vaše otázky
Kterým nejslavnějším dílem je Lars Ravn?Přečtěte si odpověď
The Four Elements - or the Feast at the Round Table (1982)
Kolik let bylo Lars Ravn, když byl/a namalován/a dílo The Four Elements - or the Feast at the Round Table?Přečtěte si odpověď
Lars Ravn, narozen 1959, měl 23 let: dílo The Four Elements - or the Feast at the Round Table pochází z roku 1982.
Kolik děl celkem namaloval/a Lars Ravn?Přečtěte si odpověď
V našem katalogu je 2 děl umělce Lars Ravn, datovaných od 1982 do 1985.
Kde mohu vidět nejznámější plátna umělce Lars Ravn?Přečtěte si odpověď
Většinou v Statens Museum for Kunst (Kodaň); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.
Která jsou nejstarší a nejnovější slavná plátna umělce Lars Ravn?Přečtěte si odpověď
Nejstarší plátno se zde datuje do The Four Elements - or the Feast at the Round Table (1982); nejnovější je z The Coffee, the Rabbit, the Woman/Abyss (1985).
Která plátna od Lars Ravn visí v Statens Museum for Kunst?Přečtěte si odpověď
Muzeum Statens Museum for Kunst, Kodaň se vlastní 2 děl z této stránky, mezi nimiž jsou i The Four Elements - or the Feast at the Round Table a The Coffee, the Rabbit, the Woman/Abyss.
Lars Ravn: život v barvách
A Life Shaped by Color and Curiosity
Born in 1959 in Aalborg, Denmark, Lars Ravn grew up in Vejle, where his early connection to the visual world began to take root. He was not a student of the Royal Danish Academy of Fine Arts; instead, he followed a path of self-directed learning. His education came from the quiet corners of libraries and the guidance of established hands. He sought out mentors to learn the physical demands of different media, studying ceramics under Erik Nyholm, glasswork with Per Hesebgaard, and the intricate process of copperplate printing with Niels Borch Jensen.
This period of apprenticeship allowed him to build a technical foundation that would later support his more experimental ideas. His high school art teacher once noted a resemblance between his emerging style and the works of Paul Klee or Wassily Kandinsky, even though Ravn had not yet encountered those names. Driven by this curiosity, he spent much of his youth immersed in art history books, teaching himself the language of form and color through sheer persistence.
The Language of the Absurd
Ravn’s work is characterized by an eclectic approach that brings together humor, surrealism, and symbolism. He often creates dreamlike scenarios where mythology and nature meet the unexpected. His paintings and drawings frequently use bold colors to explore themes that feel both fantastical and deeply human. There is a certain playfulness in his imagery, yet it remains grounded in a raw, expressive technique that avoids being purely decorative.
His artistic development has seen him move through various media, including printmaking, mixed media, and even ceramics. This versatility allows him to bridge the gap between classical traditions and contemporary pop culture. In many ways, his work functions as a visual dialogue between the old and the new, using the tools of the past to interpret the strange, often absurd realities of the present.
Connections to Legacy
A significant thread in Ravn’s career is his deep engagement with the visual legacy of Hans Christian Andersen. This fascination began early, when he painted an illustration for one of Andersen's poems. Years later, this interest evolved into large-scale projects that reinterpreted Andersen’s own sketches and paper cuttings. In 2019, at Valdemars Slot, his interpretations were placed alongside the original works of the famous author, creating a shared space between two different eras of Danish creativity.
His reach has extended far beyond the borders of Denmark, with exhibitions in Iceland, Germany, China, and Italy. His work is held in several notable collections, including:
- Trapholt
- ARoS Aarhus Kunstmuseum
- Kastrupgård Collection
- Vejle Art Museum
- National Gallery of Denmark
- Moderna Museet in Stockholm
Beyond the gallery walls, Ravn has contributed to public spaces through murals and decorations, such as a piece for a university in Hohhot, China, and glasswork for a gymnasium in Ikast. Whether working on a large-scale wall or a small print, his focus remains on the intersection of storytelling and visual expression.