Z všech obrazů autora Luke Jerram je nejznámější dílo Chrysler Chandelier (2014); visí v Chrysler Museum of Art, Norfolk. Z 1 děl umělce Luke Jerram v našem katalogu je těchto 1 nejuznávanějších, z nichž každé je uvedeno s datem vzniku, muzeem a příběhem.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026.
What does light look like? Luke Jerram’s kinetic sculpture makes light visible by converting photons into movement. As infrared light (from the sun and tiny LEDs) shines on the sculpture, it warms up the vanes inside each glass globe, or radiometer. The black sides of the paddles absorb more heat than the white sides, and the uneven heat distribution causes the vanes to spin. Because the process only occurs within…
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Luke Jerram | Obrazy z tohoto seznamu |
|---|---|---|---|
 Chrysler Museum of Art |
Norfolk | 1 | Chrysler Chandelier |
Rok 2014 zahrnuje všechna plátna s datem vzniku od Luke Jerram na této stránce: zde jsou, od těch nejslavnějších.
What does light look like? Luke Jerram’s kinetic sculpture makes light visible by converting photons into movement. As infrared light (from the sun and tiny LEDs) shines on…
Chrysler Chandelier (2014)
Luke Jerram, narozen 1974, měl 40 let: dílo Chrysler Chandelier pochází z roku 2014.
V našem katalogu je 1 děl umělce Luke Jerram.
Většinou v Chrysler Museum of Art (Norfolk); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.
In the quiet corners of Stroud, United Kingdom, where the landscape of the Cotswolds meets a sense of profound stillness, the journey of Luke Jerram began. Born in 1974, Jerram has emerged not merely as a sculptor, but as an architect of experience, a creator who bridges the seemingly unbridgeable gap between the cold precision of scientific data and the warm, visceral pulse of human emotion. His practice is a masterclass in multidisciplinary storytelling, weaving together the delicate fragility of hand-blown glass with the monumental scale of celestial mechanics. To encounter a Jerram installation is to step out of the mundane and into a realm where the microscopic and the cosmic exist in a singular, breathtaking harmony.
Jerram’s academic foundations provided the essential tools for this transformative vision. During his undergraduate studies at Cardiff University, he immersed himself in the rigors of Fine Art, later expanding his horizons through a fellowship at Saint Lawrence University in New York. This exposure to diverse cultural perspectives and global artistic dialogues allowed him to develop a unique visual language—one that utilizes materiality as a vessel for meaning. Whether he is working with the translucent, ethereal qualities of glass or the heavy, rhythmic presence of sound, his work always seeks to communicate something much larger than its physical form: the interconnectedness of all living things.
The true brilliance of Jerram’s oeuvre lies in his ability to make the invisible, visible. In his celebrated series, Glass Microbiology, he performs a kind of artistic alchemy, transforming deadly pathogens like Smallpox, HIV, and Ebola into exquisite, hand-blown glass sculptures. By rendering these terrifying microscopic entities as fragile, jewel-like objects, he strips away their clinical fear and replaces it with a sense of awe at their biological complexity. This technique does more than just showcase his technical mastery of glassblowing; it invites the viewer to contemplate the profound beauty found within the very structures that threaten our existence, forcing a confrontation between aesthetic pleasure and biological reality.
This fascination with scale extends far beyond the microscopic. Jerram’s work often reaches toward the heavens, most notably in his monumental installations Museum of the Moon and Gaia. These massive, inflatable spheres—replicas of our celestial neighbors—serve as luminous orbs that transform public spaces into sites of wonder. Gaia, a seven-meter replica of the Earth, utilizes high-resolution satellite imagery to present a view of our planet that mimics the "overview effect" experienced by astronauts. Through these works, Jerram creates a sense of shared stewardship, using the sheer physical presence of the Earth and Moon to remind us of our place within a much larger, more delicate cosmic ecosystem.
Beyond the visual, Jerram’s practice is deeply rooted in the auditory and the temporal. He has long been fascinated by how data can be translated into sensation, a pursuit exemplified by his groundbreaking acoustic sculpture, Tide. By converting gravitational data into sound, he allows audiences to hear the rhythmic breathing of the oceans, driven by the invisible tug of the moon. This integration of soundscapes ensures that his installations are not merely objects to be looked at, but environments to be inhabited. His work functions as a bridge between disciplines, drawing heavily from astronomy, biology, and physics to create a sensory experience that is both intellectually stimulating and emotionally resonant.
The historical significance of Luke Jerram’s contribution to contemporary art lies in his refusal to stay within the confines of a single medium. He has successfully navigated the transition from traditional sculpture to large-scale immersive installation, leaving an indelible mark on the global art scene. His work has been exhibited in over 900 exhibitions and resides in more than 50 permanent collections worldwide, including prestigious institutions like The Metropolitan Museum of Art and the Corning Museum of Glass. As he continues to explore the intersections of science and perception, Jerram remains a vital voice in an era that demands art capable of addressing our most pressing global challenges through the lens of beauty and profound connection.
