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      Manuel Viola, 1916 – 1987

      Manuel Viola: 2 nejznámějších obrazů

      Z všech obrazů autora Manuel Viola je nejznámější dílo Alto dos Sete Moinhos (1953); visí v Národní muzeum Soares dos Reis, Porto. Z 4 děl umělce Manuel Viola v našem katalogu je těchto 2 nejuznávanějších, z nichž každé je uvedeno s datem vzniku, muzeem a příběhem.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026.

      Portrét Manuel Viola
      Manuel Viola · 1916 – 1987
      Narození · úmrtí
      1916 – 1987, Zaragoza
      Díla v našem katalogu
      4
      Nejslavnější
      Alto dos Sete Moinhos (1953)
      Nejvíce děl v muzeích
      Národní muzeum Soares dos Reis

      10 nejslavnějších obrazů autora Manuel Viola

      Alto dos Sete Moinhos (1953) od Manuel Viola
      1

      Alto dos Sete Moinhos

      1953 · Oil On Canvas · Národní muzeum Soares dos Reis, Porto

      In the quietude of 1953, João Manuel Navarro Hogan captured a moment of profound stillness in his masterpiece, Alto dos Sete Moinhos. This evocative landscape invites the viewer into a small, idyllic village nestled within rolling hills, where time seems to have slowed to the gentle rhythm of nature. The composition is anchored by charming houses crowned with warm, red-tiled roofs, which glow softly against the verdant backdrop of the…

      Kde visí plátna umělce Manuel Viola

      2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzeum Město Díla autora Manuel Viola Obrazy z tohoto seznamu
      Národní muzeum Soares dos Reis, PortoNárodní muzeum Soares dos Reis Porto 1 Alto dos Sete Moinhos
      Culturgest - Fundação Caixa Geral de Depósitos, LisabonCulturgest - Fundação Caixa Geral de Depósitos Lisabon 1 Paisagem

      Rok od roku: nejuznávanější plátna umělce Manuel Viola

      Od 1953 do 1957, celkem 5 let, plátna s datováním od Manuel Viola vyprávějí krátký příběh: zde je on, rok po roce.

      1. 1953
        Alto dos Sete Moinhos (1953) od Manuel Viola
        1 z 2

        Alto dos Sete Moinhos

        Věk 37 let · Národní muzeum Soares dos Reis

        In the quietude of 1953, João Manuel Navarro Hogan captured a moment of profound stillness in his masterpiece, Alto dos Sete Moinhos. This evocative landscape invites the viewer…

      2. 1957
        Paisagem (1957) od Manuel Viola
        2 z 2

        Paisagem

        Věk 41 let · Culturgest - Fundação Caixa Geral de Depósitos

      Vaše otázky k obrazům autora Manuel Viola, odpovědi

      Který z obrazů autora Manuel Viola je nejuznávanější?Přečtěte si odpověď

      Alto dos Sete Moinhos (1953)

      Kolik let bylo Manuel Viola ve době vzniku díla Alto dos Sete Moinhos?Přečtěte si odpověď

      Manuel Viola, narozen 1916, měl 37 let: dílo Alto dos Sete Moinhos pochází z roku 1953.

      Kolik obrazů autora Manuel Viola je známo?Přečtěte si odpověď

      V našem katalogu je 4 děl umělce Manuel Viola, datovaných od 1953 do 1957.

      Která muzea uchovávají nejznámější plátna umělce Manuel Viola?Přečtěte si odpověď

      Většinou v Národní muzeum Soares dos Reis (Porto) a Culturgest - Fundação Caixa Geral de Depósitos (Lisabon); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      Jaká jsou první a poslední slavná plátna umělce Manuel Viola?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do Alto dos Sete Moinhos (1953); nejnovější je z Paisagem (1957).

      Manuel Viola: příběh malíře

      Early Life and Artistic Development

      • Born: Lisbon, Portugal, February 4, 1914
      • Family Background: Descendant of a family of painters; grandson of watercolorist Ricardo Hogan and nephew of painter Álvaro Navarro Hogan. This artistic lineage significantly influenced his early exposure to art.
      • Formal Education: Briefly attended the Escola Superior de Belas Artes de Lisboa (1930-31), but ultimately rejected formal artistic training, preferring a self-taught approach.
      • Early Influences: Initially inspired by Portuguese naturalists like Silva Porto, Columbano, and Malhoa. Later embraced the styles of Van Gogh and Cézanne, incorporating geometric elements into his landscapes and emphasizing structural solidity in his compositions.
      • Trade: Worked as a carpenter alongside his artistic pursuits, demonstrating a practical skill that likely informed his understanding of structure and form.

      Artistic Career and Style

      • Early Themes: Primarily focused on landscape painting, interpreting it extensively throughout his career. Initially painted outdoors in the outskirts of Lisbon and Beira Baixa.
      • Evolution of Style: Transitioned from a more detailed, representational style to a rawer, more imaginative approach. His landscapes became increasingly simplified yet expressive.
      • Geometric Interpretation: Incorporated geometric elements into his landscape depictions, reflecting the influence of Cézanne and emphasizing structural clarity.
      • Color Palette: Employed a vibrant color palette, often drawing inspiration from Van Gogh's use of bold colors to convey emotion and energy.

      Major Achievements and Recognition

      • First Solo Exhibition: 1951 at the Sociedade Nacional de Belas Artes (SNBA).
      • International Representation: Participated in the II Bienal de S. Paulo, Brazil (1953) and the 1st Biennial of São Paulo, Brazil (1957).
      • Calouste Gulbenkian Foundation Prizes: Received 1º Painting Prize at the II Plastic Arts Exhibition of the Calouste Gulbenkian Foundation (1961) and the 1st Silva Porto Painting Prize, Sociedade Nacional de Instrução (SNI), Lisbon (1964).
      • Engraving Career: Began engraving in 1957 under the influence of William Hayter. Founding member of the Sociedade Cooperativa de Gravadores Portugueses and directed several engraving courses.

      Later Years and Legacy

      • Collections and Museums: His work is represented in significant collections, including the Soares dos Reis National Museum (Porto), the Chiado Museum, and the Modern Art Center of the Calouste Gulbenkian Foundation (Lisbon).
      • Death: Died in Lisbon in 1988.
      • Anthological Exhibition: Honored with an anthological exhibition at the Centro de Arte Moderna da Fundação Calouste Gulbenkian in 1992, solidifying his place as a significant figure in Portuguese art history.
      • Historical Significance: Recognized for his unique blend of naturalism and geometric abstraction, contributing to the development of modern Portuguese painting. His dedication to teaching engraving played a crucial role in nurturing younger generations of artists.