Nejoblíbenějším dílem autora Max Ackermann je Tenerife (1956), které je vystaveno v instituci Staatliche Kunsthalle Karlsruhe, Karlsruhe. Následují Festive Song (1960) a Vertical Accents (1959) z platen, která čtenáři znají nejlépe. Náš katalog obsahuje 5 děl umělce Max Ackermann: zde je 5 nejznámějších, z nichž každé uvádí svůj rok vzniku, muzeum a důvod, proč je nezapomenutelné.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026.
2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Max Ackermann | Obrazy z tohoto seznamu |
|---|---|---|---|
| Mnichov | 3 | Festive Song, Composition in Blue, Composition in Blue and Brown | |
| Karlsruhe | 2 | Tenerife, Vertical Accents |
Plátna umělce Max Ackermann na této stránce pokrývají období pouhých 7 let, od 1956 do 1962: sledujte je rok po roce, v jejich vlastním světle.
Tenerife (1956), Staatliche Kunsthalle Karlsruhe, Karlsruhe. Následují Festive Song (1960) a Vertical Accents (1959).
Max Ackermann, narozen 1887, měl 69 let: dílo Tenerife pochází z roku 1956.
V našem katalogu je 5 děl umělce Max Ackermann, datovaných od 1956 do 1962.
Většinou v Bavarské státní sbírky malby (Mnichov) a Staatliche Kunsthalle Karlsruhe (Karlsruhe); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.
V období 1962, které tvoří 2 z 5 děl na této stránce, mezi nimi i Composition in Blue.
Nejstarší plátno se zde datuje do Tenerife (1956); nejnovější je z Composition in Blue (1962).
Muzeum Bavarské státní sbírky malby, Mnichov se vlastní 3 děl z této stránky, mezi nimiž jsou i Festive Song, Composition in Blue a Composition in Blue and Brown.
Born in Berlin, Germany, Max Ackermann began his creative journey by carving wooden figures and modeling ornaments in his father's studio. His formal training took him through several significant institutions, including studying under Henry van de Velde in Weimar and at Gotthardt Kuehl's studio in Dresden. He later attended the Munich Art Academy in the class of Franz von Stuck and studied at the State Academy of Fine Arts in Stuttgart under Adolf Hölzel. It was through Hölzel that Ackermann was introduced to non-representational painting, a direction that would shape his future works.
Ackermann's practice encompassed various mediums, working as a painter, lithographer, graphic artist, draftsperson, and pastellist. His career was marked by both significant engagement and hardship; he was considered degenerate by the Nazi authorities, which led to a decree forbidding him from exhibiting and teaching, as well as the official confiscation of his works. Despite these challenges, he continued his abstract work at Hornstaad on Lake Constance, a location that became an artists' colony.
Throughout his life, Ackermann's work was showcased in numerous exhibitions, including solo shows in Stuttgart and West German cities, as well as collective exhibitions in Paris and Zurich. His reach extended internationally, with a retrospective exhibition in 1967 that traveled to locations such as Koblenz, Kaiserslautern, Constance, Wolfsburg, Cologne, and the University of Chicago. In 2018, his work was presented in a solo exhibition in Daegu, South Korea.
Ackermann received several honors for his contributions to art, including the honorary title of Professor in 1957 and being honored by the West German Academy in 1964. His notable works include: