Springtime in France (1923) je obraz, podle kterého je nejznámější Max Bohm; nachází se v Smithsonian American Art Museum, Washington, D.C.. Portrait of Mr. C. (1892) a Lucy (1909) doplňují trio nejoblíbenějších pláten. Náš katalog obsahuje 7 děl umělce Max Bohm. Zde je 7 nejznámějších děl včetně roku vzniku, muzea a příběhu každého plátna.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.
Sea Babies is an oil on canvas painting executed by the American artist Max Bohm. Created in 1914, this work belongs to the category of American art produced before 1950. The piece was rendered using oil pigments on a canvas substrate, a medium that allows for the layering of color and texture seen in the finished surface.
3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Max Bohm | Obrazy z tohoto seznamu |
|---|---|---|---|
| Washington, D.C. | 4 | Springtime in France, Ancient Seaport, The Happy Mother | |
| Cleveland | 2 | Portrait of Mr. C., Lucy | |
| Detroit | 1 | Sea Babies |
Sea Babies is an oil on canvas painting executed by the American artist Max Bohm. Created in 1914, this work belongs to the category of American art produced…
Springtime in France (1923), Smithsonian American Art Museum, Washington, D.C.. Následují Portrait of Mr. C. (1892) a Lucy (1909).
Max Bohm, narozen 1868, měl 55 let: dílo Springtime in France pochází z roku 1923.
V našem katalogu je 7 děl umělce Max Bohm, datovaných od 1892 do 1923.
Většinou v Smithsonian American Art Museum (Washington, D.C.), Clevelandské muzeum umění (Cleveland) a Detroit Institute of Arts (Detroit); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.
V období 1910s, které tvoří 3 z 7 děl na této stránce, mezi nimi i Sea Babies.
Nejstarší plátno se zde datuje do Portrait of Mr. C. (1892); nejnovější je z Springtime in France (1923).
Muzeum Smithsonian American Art Museum, Washington, D.C. se vlastní 4 děl z této stránky, mezi nimiž jsou i Springtime in France, Ancient Seaport a The Happy Mother.
Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.
Max Bohm (1868-1923) was an American artist who forged a significant career primarily in Europe before returning to his native United States. Known for his romantic and often heroic depictions of everyday life, particularly the fishing communities of France and later the landscapes of Cape Cod, Bohm’s work reflects a blend of Impressionistic techniques with a deeply personal vision.
Born in Cleveland, Ohio, in 1868, Max Bohm received his foundational artistic training at the prestigious Académie Julian in Paris. This immersion in the Parisian art world proved pivotal to his development, exposing him to the latest trends and techniques of the time. He travelled extensively throughout Europe, absorbing diverse influences that would shape his unique style.
Between 1895 and 1904, Bohm established himself within the vibrant Etaples art colony in northern France. This community attracted artists from across Europe and America, fostering a spirit of collaboration and experimentation. It was here that Bohm began to develop his signature style, focusing on the lives and labors of local fishermen. His heroic portrayal of these working-class subjects culminated in a gold medal at the Paris Salon in 1898 – a major achievement that brought him widespread recognition.
Bohm’s artistic style is often described as Romantic, characterized by dramatic lighting, emotive compositions, and a sense of narrative. While influenced by Impressionism, he moved beyond simply capturing fleeting moments of light; instead, he imbued his paintings with a deeper psychological resonance. His work frequently features robust figures engaged in strenuous activity, rendered with a powerful realism that conveys both their physical strength and their inherent dignity.
After leaving Etaples, Bohm spent several years teaching painting at a school in London until 1911. He then returned to the United States, joining the burgeoning artist community on Cape Cod, Massachusetts. The rugged beauty of the Cape’s coastline and its maritime traditions provided him with new subject matter, though he continued to employ his characteristic Romantic sensibility.
Max Bohm’s work offers a compelling glimpse into the lives of working people during a period of significant social and economic change. His paintings are not merely representations of reality; they are imbued with a sense of empathy and respect for his subjects. As a National Academician, he played a role in shaping the American art landscape of the early 20th century. Furthermore, Bohm’s artistic legacy continues through his granddaughter, artist Anne Packard, demonstrating a lasting family connection to the world of fine art.
He died in Provincetown, Cape Cod in 1923 leaving behind a body of work that continues to resonate with viewers today.