Michael Dailey, 1938 – 2009
1 nejslavnějších obrazů autora Michael Dailey, seřazených podle popularity
Nejoblíbenějším dílem autora Michael Dailey je Scapa Evening (1973), které je vystaveno v instituci Smithsonian American Art Museum, Washington, D.C.. Náš katalog obsahuje 1 děl umělce Michael Dailey: zde je 1 nejznámějších, z nichž každé uvádí svůj rok vzniku, muzeum a důvod, proč je nezapomenutelné.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026.
- Narození · úmrtí
- 1938 – 2009
- Díla v našem katalogu
- 1
- Nejslavnější
- Scapa Evening (1973)
- Nejvíce děl v muzeích
- Smithsonian American Art Museum
Nejlepší 10 obrazů: Michael Dailey – plátna, která zná každý
Kde visí plátna umělce Michael Dailey
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Michael Dailey | Obrazy z tohoto seznamu |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 1 | Scapa Evening |
Nejoblíbenější plátna umělce Michael Dailey rok po roce
Každé plátno s datem vzniku od Michael Dailey na této stránce bylo namalováno v roce 1973; zde jsou, od těch nejznámějších.
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1973
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Scapa Evening
O plátnech umělce Michael Dailey: odpovědi na vaše otázky
Kterým nejslavnějším dílem je Michael Dailey?Přečtěte si odpověď
Scapa Evening (1973)
Kolik let bylo Michael Dailey, když byl/a namalován/a dílo Scapa Evening?Přečtěte si odpověď
Michael Dailey, narozen 1938, měl 35 let: dílo Scapa Evening pochází z roku 1973.
Kolik děl celkem namaloval/a Michael Dailey?Přečtěte si odpověď
V našem katalogu je 1 děl umělce Michael Dailey.
Kde mohu vidět nejznámější plátna umělce Michael Dailey?Přečtěte si odpověď
Většinou v Smithsonian American Art Museum (Washington, D.C.); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.
Michael Dailey: život v barvách
The Luminous Layers of Michael Dailey
Born in Des Moines, Iowa, Michael Dailey spent his life chasing the subtle shifts of light and atmosphere. He moved to Seattle in 1963, a transition that would define much of his professional existence. It was there that he began a long tenure as a professor of painting and drawing at the University of Washington, a position he held for over thirty years. His presence in the Pacific Northwest was not merely as an educator but as a quiet observer of the world's shifting hues. He sought to capture the very essence of light, often looking toward the misty landscapes of the region to inform his vision.
His technique was one of patience and repetition. He did not simply apply paint; he built it. By layering translucent colors, he created images that seemed to glow from within, as if the light were trapped beneath the surface of the canvas. This method allowed him to achieve a softness that felt both physical and ethereal. He would rework a single veil of color over and over again, seeking a specific, precise hue that could truly represent the moment he intended to freeze in time.
A Legacy of Light and Form
The reach of his work extended far beyond the classrooms of the University of Washington. His canvases found their way into significant collections and galleries, reflecting a deep engagement with the visual language of abstraction. His ability to translate the atmosphere of a place into a purely sensory experience led to his inclusion in several prestigious institutions:
- Smithsonian American Art Museum, Washington, D.C.
- Museum of Modern Art, NY
- Seattle Art Museum, WA
- Portland Art Museum, OR
- Municipal Gallery of Modern Art, Dublin, Ireland
One of his notable works, Scapa Evening, created in 1973, serves as a clear example of his dedication to color. Though an abstract work, it was inspired by the landscape of Scapa in Alberta, Canada. In this piece, he utilized shades of green, turquoise, and gray to mimic the fading light of dusk. The painting reveals the history of its own creation, as the underlying layers remain visible beneath the final surface, offering a glimpse into the labor required to reach his desired effect.
The Final Retrospective
In the later years of his life, the depth of his contribution to the art community was recognized through significant honors. A major retrospective at the Hallie Ford Museum of Art in 2008 provided an opportunity to view the breadth of his career. He passed away in Seattle, Washington, leaving behind a body of work that remains held in numerous public and corporate collections. His paintings continue to exist as studies in light, captured through the careful, repetitive application of oil on canvas.