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      Moritz Michael Daffinger, 1790 – 1849

      Moritz Michael Daffinger: 20 nejznámějších obrazů

      Z všech obrazů autora Moritz Michael Daffinger je nejznámější dílo The Duke of Reichstadt (1831). Hned za nimi následují Miniature of Aleksandra Potocka (1818-1892). (1840) a The Young Emperor Franz Joseph I (1849). Z 23 děl umělce Moritz Michael Daffinger v našem katalogu je těchto 20 nejuznávanějších, z nichž každé je uvedeno s datem vzniku, muzeem a příběhem.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.

      Portrét Moritz Michael Daffinger
      Moritz Michael Daffinger · 1790 – 1849
      Narození · úmrtí
      1790 – 1849, Vienna
      Pohyb
      Biedermeier
      Díla v našem katalogu
      23
      Nejslavnější
      The Duke of Reichstadt (1831)
      Nejvíce děl v muzeích
      Národní muzeum ve Varšavě

      10 nejslavnějších obrazů autora Moritz Michael Daffinger

      The Duke of Reichstadt (1831) od Moritz Michael Daffinger
      1

      The Duke of Reichstadt

      1831 · Oil

      In this intimate portrait, titled The Duke of Reichstadt, we encounter a figure of significant historical weight. The work was executed by the Austrian artist Moritz Michael Daffinger around 1831. Through his careful hand, the subject is presented with a quiet, contemplative dignity that defines the era's approach to portraiture.

      Ručně malovaná olejná reprodukce od $178 28 × 36 cm
      Miniature of Aleksandra Potocka (1818-1892). (1840) od Moritz Michael Daffinger
      2

      Miniature of Aleksandra Potocka (1818-1892).

      1840 · Watercolor · Národní muzeum ve Varšavě, Varšava

      A single gaze meets the viewer from a small, intimate plane. The subject, Aleksandra Potocka, sits in a medium close-up, her presence defined by the soft, luminous glow of her skin. She is framed by a deep magenta and crimson drapery that falls behind her like heavy silk. To the left, a small opening reveals a sliver of sky in muted blues and golds, offering a breath of air to…

      Ručně malovaná olejná reprodukce od $178 28 × 35 cm
      The Young Emperor Franz Joseph I (1849) od Moritz Michael Daffinger
      3

      The Young Emperor Franz Joseph I

      1849 · Oil On Canvas

      The air in the room feels heavy with the weight of a crown, yet the young man before us seems caught in a moment of quiet contemplation. He sits slightly off-center, his gaze drifting toward the right of the frame as if lost in a thought that belongs to a future he cannot yet grasp. The light, soft and luminous, descends from the upper left, brushing against the contours of…

      Ručně malovaná olejná reprodukce od $178 27 × 37 cm Velikost jako originál $223 43 × 57 cm Objednat v originální velikosti →
      portrait of a girl (1850) od Moritz Michael Daffinger
      4

      portrait of a girl

      1850

      In this mid-19th-century portrait, we encounter a young woman captured in a moment of quiet, aristocratic stillness. The composition follows a three-quarter length arrangement, positioning her slightly off-center to create a sense of natural, unforced elegance. There is a certain weight to the image, conveyed through the heavy, dark fabric of her off-the-shoulder gown and the soft, directional light that brushes against the curve of her neck and shoulder. This…

      Ručně malovaná olejná reprodukce od $178 28 × 36 cm Velikost jako originál $182 29 × 39 cm Objednat v originální velikosti →
      Portrait of the Archduchess Maria Theresia (1819) od Moritz Michael Daffinger
      5

      Portrait of the Archduchess Maria Theresia

      1819 · Oil · Residenzgalerie, Salzburg

      In the delicate realm of nineteenth-century portraiture, few works capture the tender vulnerability of childhood as poignantly as Moritz Michael Daffinger’s Portrait of the Archduchess Maria Theresia. Painted in 1819, this exquisite piece serves as a window into the intimate world of the Austrian nobility during the Biedermeier era. The subject, a young child of royal lineage, is depicted not with the stiff, formal grandeur often associated with monarchy, but…

      Ručně malovaná olejná reprodukce od $178 28 × 35 cm Velikost jako originál $296 63 × 77 cm Objednat v originální velikosti →
      Miniature of Elise Wolf (1830) od Moritz Michael Daffinger
      6

      Miniature of Elise Wolf

      1830 · Watercolor · Akademie výtvarních umění Praha, Vídeň

      In the Miniature of Elise Wolf, Moritz Michael Daffinger presents a profile portrait of a woman facing to the right. Her head is tilted slightly downwards, casting a soft expression across her features. Loose curls frame her face, adding texture to the composition. She is dressed in a white garment characterized by ruffled details at the neckline, accented by a small black ribbon or bow on the left side of…

      Ručně malovaná olejná reprodukce od $178 29 × 35 cm

      Obrazy umělce Moritz Michael Daffinger se řadí od 11 do 20

      Co nejčastěji maloval Moritz Michael Daffinger

      Čtyři témata, která se na těchto plátnech nejčastěji objevují, každé s jedním z jejich nejoblíbenějších příkladů.

      Kde visí plátna umělce Moritz Michael Daffinger

      6 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzeum Město Díla autora Moritz Michael Daffinger Obrazy z tohoto seznamu
      Národní muzeum ve Varšavě, VaršavaNárodní muzeum ve Varšavě Varšava 1 Miniature of Aleksandra Potocka (1818-1892).
      Residenzgalerie, SalzburgResidenzgalerie Salzburg 1 Portrait of the Archduchess Maria Theresia
      Akademie výtvarních umění Praha, VídeňAkademie výtvarních umění Praha Vídeň 1 Miniature of Elise Wolf
      Nationalmuseum, StockholmNationalmuseum Stockholm 1 Unknown woman
      Museo Glauco Lombardi, ParmaMuseo Glauco Lombardi Parma 1 Maria Luigia of Habsburg
      Palazzo Madama, TurínPalazzo Madama Turín 1 Queen Marie Thérèse of Naples

      Dekáda po dekádě: nejuznávanější plátna umělce Moritz Michael Daffinger

      1. 1810s
        Portrait of the Archduchess Maria Theresia (1819) od Moritz Michael Daffinger
        Plátno 5 z 20

        Portrait of the Archduchess Maria Theresia

        Věk 20 – 29 · Residenzgalerie

        In the delicate realm of nineteenth-century portraiture, few works capture the tender vulnerability of childhood as poignantly as Moritz Michael Daffinger’s Portrait of the Archduchess Maria Theresia. Painted…

      2. 1830s
        The Duke of Reichstadt (1831) od Moritz Michael Daffinger
        Plátno 1 z 20

        The Duke of Reichstadt

        Věk 40 – 49

        In this intimate portrait, titled The Duke of Reichstadt, we encounter a figure of significant historical weight. The work was executed by the Austrian artist Moritz Michael Daffinger…

      3. 1840s
        Miniature of Aleksandra Potocka (1818-1892). (1840) od Moritz Michael Daffinger
        Pořadí 2 z 20

        Miniature of Aleksandra Potocka (1818-1892).

        Věk 50 – 59 · Národní muzeum ve Varšavě

        A single gaze meets the viewer from a small, intimate plane. The subject, Aleksandra Potocka, sits in a medium close-up, her presence defined by the soft, luminous glow…

      Vaše otázky k obrazům autora Moritz Michael Daffinger, odpovědi

      Který z obrazů autora Moritz Michael Daffinger je nejuznávanější?Přečtěte si odpověď

      The Duke of Reichstadt (1831), následovaný dílem Miniature of Aleksandra Potocka (1818-1892). (1840) a The Young Emperor Franz Joseph I (1849).

      Kolik let bylo Moritz Michael Daffinger ve době vzniku díla The Duke of Reichstadt?Přečtěte si odpověď

      Moritz Michael Daffinger, narozen 1790, měl 41 let: dílo The Duke of Reichstadt pochází z roku 1831.

      Kterých deset obrazů je Moritz Michael Daffinger nejznámější?Přečtěte si odpověď

      The Duke of Reichstadt, Miniature of Aleksandra Potocka (1818-1892)., The Young Emperor Franz Joseph I, portrait of a girl, Portrait of the Archduchess Maria Theresia, Miniature of Elise Wolf, Portrait of a Gentleman, Unknown woman, Baroness Von Wacquant-geozelles a Comtesse helene esterhazy. U každého plátna v uvedeném žebříčku je uveden rok jeho vzniku a muzeum, ve kterém se nachází.

      Kolik obrazů autora Moritz Michael Daffinger je známo?Přečtěte si odpověď

      V našem katalogu je 23 děl umělce Moritz Michael Daffinger, datovaných od 1819 do 1849.

      Která muzea uchovávají nejznámější plátna umělce Moritz Michael Daffinger?Přečtěte si odpověď

      Většinou v Národní muzeum ve Varšavě (Varšava), Residenzgalerie (Salzburg) a Akademie výtvarních umění Praha (Vídeň); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      V jakých letech namaloval Moritz Michael Daffinger svá nejslavnější plátna?Přečtěte si odpověď

      V období 1830s, které tvoří 2 z 20 děl na této stránce, mezi nimi i The Duke of Reichstadt.

      Jaká jsou první a poslední slavná plátna umělce Moritz Michael Daffinger?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do Portrait of the Archduchess Maria Theresia (1819); nejnovější je z The Young Emperor Franz Joseph I (1849).

      Jaká témata se v obrazech umělce Moritz Michael Daffinger objevují nejčastěji?Přečtěte si odpověď

      Portrait (5), Curly hair (3) a Woman (3) napříč 20 díly na této stránce.

      Čím obvykle maloval/a Moritz Michael Daffinger?Přečtěte si odpověď

      Oil, použito u 2 z 20 děl na této stránce.

      K kterému uměleckému směru patří Moritz Michael Daffinger?Přečtěte si odpověď

      Biedermeier, jak dokazují plátna na této stránce.

      Mohu si objednat ručně malovanou kopii obrazu od Moritz Michael Daffinger?Přečtěte si odpověď

      Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.

      Moritz Michael Daffinger: příběh malíře

      A Life Etched in Ivory: The World of Moritz Michael Daffinger

      Moritz Michael Daffinger, a name synonymous with the delicate grace of Biedermeier portraiture, was born into an artistic lineage in Vienna in 1790. His father, Johann Leopold Daffinger, a painter at the esteemed Imperial Porcelain Manufactory, laid the foundation for Moritz’s early immersion in the world of art. Even as a young boy, displaying remarkable talent, he contributed designs to his mother's glove-making business, foreshadowing the meticulous detail that would define his later work. At just eleven years old, Daffinger formally entered the porcelain manufactory as an apprentice, honing his skills under the guidance of both his father and Michael Weixlbaum. This formative period instilled in him a precision and refinement that would become hallmarks of his style. He continued his artistic education at the Academy of Fine Arts Vienna, studying painting with Heinrich Füger, further solidifying his technical foundation. Returning to the manufactory, he quickly ascended through the ranks, establishing himself as one of its leading painters before embarking on an independent career focused on portraiture.

      The Rise of a Portraitist: Capturing an Era

      From 1809 onward, Daffinger dedicated himself almost exclusively to capturing the likenesses of his contemporaries, specializing in miniature painting on ivory and small gouaches on paper. This was a period where portraiture wasn’t merely about representation; it was about conveying status, personality, and belonging within a rapidly changing society. He quickly gained recognition for his ability to imbue each subject with a unique character, moving beyond mere physical resemblance to capture an inner essence. The influence of prominent artists began to shape his evolving style. Initially inspired by Jean-Baptiste Isabey, Daffinger’s work underwent a significant transformation following the visit of English portrait painter Thomas Lawrence to Vienna in 1819. Lawrence's mastery of light, composition, and psychological insight profoundly impacted Daffinger, leading him to adopt a more dynamic and expressive approach. This influence is evident in his portraits, which began to exhibit a newfound elegance and sophistication. His talent did not go unnoticed by the Austrian elite; in 1812, he was appointed as a portraitist to Klemens von Metternich, the influential Austrian Foreign Minister. This appointment wasn’t simply a commission—it was an immersion into the heart of power and aristocracy.

      A Courtly Existence: Patronage and Artistic Flourishing

      Daffinger's role extended beyond painting portraits for Metternich; he also became curator of the Foreign Minister’s extensive portrait collection, belonging to Princess Melanie. This position granted him access to a wealth of artistic treasures and placed him at the center of Viennese high society. He painted numerous members of the Austrian nobility and European royalty, solidifying his reputation as a premier portraitist. Over the course of his career, Daffinger created over a thousand portraits, many of which remained within the collections of the Habsburg-Lorraine imperial house—a testament to his skill and the esteem in which he was held. His studio became a hub for Vienna’s elite, eager to have their likenesses preserved by this master of miniature painting. He wasn't merely documenting faces; he was crafting enduring symbols of status and identity within the Biedermeier era. As he matured as an artist, Daffinger also demonstrated versatility, increasingly concentrating on flower paintings in his later years, showcasing a different facet of his artistic talent.

      Legacy and Remembrance: An Enduring Image

      Moritz Michael Daffinger’s legacy extends far beyond the exquisite portraits he created. He is remembered as one of Austria's most accomplished miniature painters, capturing the spirit of Biedermeier society with unparalleled skill and sensitivity. His work embodies the era’s emphasis on intimacy, domesticity, and refined elegance. In a remarkable display of national recognition, his portrait was featured on the obverse of the Austrian 20-Schilling banknote until the introduction of the Euro in 1999—a powerful symbol of his cultural importance and enduring appeal. This honor speaks volumes about the lasting impact he had on Austrian identity. Further solidifying his place in history, Daffinger’s remains were transferred to an honorary grave (Ehrengrab) in Vienna's Zentralfriedhof in 1912, a fitting tribute to a master artist. Though he passed away during the cholera epidemic of 1849, initially buried in St. Marx Cemetery before his reinterment with honors, Daffinger’s influence continued to resonate through subsequent generations of Austrian portrait painters. His technical skill and refined style served as an inspiration for artists seeking to capture the essence of their own subjects. Today, his works are held in various museums and private collections around the world, continuing to be admired for their beauty, historical significance, and the enduring legacy of a life etched in ivory.