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      Patrick Millard, 1902 – 1972

      4 nejslavnějších obrazů autora Patrick Millard, seřazených podle popularity

      Nejoblíbenějším dílem autora Patrick Millard je Gulls, Lyme Regis (1950), které je vystaveno v instituci Goldsmiths, London. Následují View from Trafalgar Studios, Chelsea a The Red Mill (1940) z platen, která čtenáři znají nejlépe. Náš katalog obsahuje 4 děl umělce Patrick Millard: zde je 4 nejznámějších, z nichž každé uvádí svůj rok vzniku, muzeum a důvod, proč je nezapomenutelné.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026.

      Portrét Patrick Millard
      Patrick Millard · 1902 – 1972
      Narození · úmrtí
      1902 – 1972
      Díla v našem katalogu
      4
      Nejslavnější
      Gulls, Lyme Regis (1950)
      Nejvíce děl v muzeích
      Goldsmiths

      Nejlepší 10 obrazů: Patrick Millard – plátna, která zná každý

      Kde visí plátna umělce Patrick Millard

      2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzeum Město Díla autora Patrick Millard Obrazy z tohoto seznamu
      Goldsmiths, LondonGoldsmiths London 2 Gulls, Lyme Regis, View from Trafalgar Studios, Chelsea
      Jerwood Gallery, HastingsJerwood Gallery Hastings 1 John Minton with a Violin

      Nejoblíbenější plátno každého desetiletí od Patrick Millard

      1. 1930s
      2. 1940s
      3. 1950s

      O plátnech umělce Patrick Millard: odpovědi na vaše otázky

      Kterým nejslavnějším dílem je Patrick Millard?Přečtěte si odpověď

      Gulls, Lyme Regis (1950), Goldsmiths, London. Následují View from Trafalgar Studios, Chelsea a The Red Mill (1940).

      Kolik let bylo Patrick Millard, když byl/a namalován/a dílo Gulls, Lyme Regis?Přečtěte si odpověď

      Patrick Millard, narozen 1902, měl 48 let: dílo Gulls, Lyme Regis pochází z roku 1950.

      Kolik děl celkem namaloval/a Patrick Millard?Přečtěte si odpověď

      V našem katalogu je 4 děl umělce Patrick Millard, datovaných od 1939 do 1950.

      Kde mohu vidět nejznámější plátna umělce Patrick Millard?Přečtěte si odpověď

      Většinou v Goldsmiths (London) a Jerwood Gallery (Hastings); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      Která jsou nejstarší a nejnovější slavná plátna umělce Patrick Millard?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do John Minton with a Violin (1939); nejnovější je z Gulls, Lyme Regis (1950).

      Která plátna od Patrick Millard visí v Goldsmiths?Přečtěte si odpověď

      Muzeum Goldsmiths, London se vlastní 2 děl z této stránky, mezi nimiž jsou i Gulls, Lyme Regis a View from Trafalgar Studios, Chelsea.

      Patrick Millard: život v barvách

      The Lyrical Vision of Patrick Ferguson Millard

      In the tapestry of twentieth-century British art, few threads weave together the delicate strands of Romanticism and Modernism as gracefully as Patrick Ferguson Millard. Born in 1902 amidst the rugged beauty of Aspatria, Cumberland, Millard’s very origins were steeped in a profound connection to the English landscape and intellectual heritage. The son of Reverend F.L.H. Millard, his upbringing was shaped by an environment where scholarly curiosity and natural splendor coexisted. This duality—a reverence for the historical weight of the land and an openness to new aesthetic frontiers—would become the cornerstone of his artistic identity. His lineage, connected to the esteemed historian Robert S. Ferguson, anchored him to the traditions of Cumbria, yet his spirit was destined to wander far beyond the borders of his birthplace.

      Millard’s formal journey into the heart of the art world began through a series of prestigious institutions, including the Carlisle School of Art and the Liverpool School of Art, eventually leading him to the Royal Academy Schools between 1921 and 1925. It was during this formative period that he encountered the influential mentor Walter Sickert, whose guidance proved transformative. Sickert encouraged Millard to look toward the continent, prompting a journey through Paris, Italy, and Spain. This exposure to the vibrant currents of European art—the dramatic intensity of El Greco and the structural innovations of Cubism and Surrealism—deeply enriched his palette and perspective. While he absorbed these modernistic whispers, Millard remained fundamentally tethered to a more lyrical, emotive approach, seeking to capture the soul of his subjects rather than merely their geometric essence.

      A Legacy of Light and Line

      The artistry of Millard is characterized by an exquisite sensitivity to atmosphere, often described as a visual interpretation of emotion. He was not merely a painter of scenes, but a translator of moods. His work frequently echoes the pastoral legacy of Samuel Palmer, channeling a sense of quiet contemplation and the idealized beauty of the English countryside. Through delicate linework and subtle washes of watercolor, he breathed life into landscapes that felt both ancient and immediate. His mastery extended beyond the horizon of the landscape to include intimate life studies and animal drawings, where his keen understanding of anatomy and form met a soft, poetic touch.

      Beyond his personal practice, Millard’s influence permeated the academic landscape of British art education. As a lecturer and teacher, he held prestigious positions that allowed him to shape the next generation of visionaries, including notable artists such as John Minton and Michael Ayrton. His ability to bridge the gap between the traditional Victorian sensibility and the burgeoning modern era made him a vital figure in art pedagogy. His career was marked by significant accolades, including the Royal Academy Gold Medal and the Traveling Scholarship in 1925, which served as a testament to his rising prominence on the international stage.

      To reflect upon the breadth of his contribution, one might consider these defining elements of his career:

      • The Romantic Connection: A profound stylistic debt to the pastoral traditions of Samuel Palmer and the expressive power of El Greco.
      • Educational Impact: His role as a mentor and educator at institutions like St John's Wood Art School, influencing mid-century British art.
      • Technical Versatility: An ability to move seamlessly between the precision of pen and ink and the ethereal qualities of watercolor and wash.
      • Historical Synthesis: The unique ability to harmonize the scholarly, historical weight of his Cumbrian roots with the experimental spirit of European Modernism.

      Ultimately, Patrick Ferguson Millard remains a pivotal figure whose work serves as a bridge between eras. He captured the fleeting light of the English landscape and the enduring strength of tradition, leaving behind a body of work that continues to invite viewers into a world of quiet, luminous beauty.