Z všech obrazů autora Petro Levchenko je nejznámější dílo Glukhoman (1900); visí v Národní umělecké muzeum v Kyjevě, Kyjev. Z 2 děl umělce Petro Levchenko v našem katalogu je těchto 2 nejuznávanějších, z nichž každé je uvedeno s datem vzniku, muzeem a příběhem.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Petro Levchenko | Obrazy z tohoto seznamu |
|---|---|---|---|
| Kyjev | 2 | Glukhoman, Watermill |
Od 1900 do 1910, přibližně deset let světla a barvy: plátna umělce Petro Levchenko seřazená chronologicky rok po roce.
Glukhoman (1900)
Petro Levchenko, narozen 1856, měl 44 let: dílo Glukhoman pochází z roku 1900.
V našem katalogu je 2 děl umělce Petro Levchenko, datovaných od 1900 do 1910.
Většinou v Národní umělecké muzeum v Kyjevě (Kyjev); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.
Nejstarší plátno se zde datuje do Glukhoman (1900); nejnovější je z Watermill (1910).
Muzeum Národní umělecké muzeum v Kyjevě, Kyjev se vlastní 2 děl z této stránky, mezi nimiž jsou i Glukhoman a Watermill.
Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.
In the twilight of the nineteenth century, a period marked by profound cultural shifts and the burgeoning of national identities, the art of Petro Levchenko emerged as a luminous bridge between classical tradition and the dawn of modern impressionism. Born on July 11, 1856, in Kharkiv, Levchenko was an artist whose very essence was intertwined with the rich, fertile landscapes of his homeland. His journey began in the academic rigor of Kharkiv under the guidance of Dmytro Bezperchy, but it was his subsequent travels through the great art capitals of Europe that would truly refine his vision. By immersing himself in the prestigious Saint Petersburg Academy of Arts and later wandering the sun-drenched streets of Paris and the timeless vistas of Rome, Levchenko absorbed a global vocabulary of light and color, which he would eventually translate into a uniquely Ukrainian artistic dialect.
Levchenko’s technical evolution is a fascinating study of an artist in constant dialogue with his era. While his early training provided him with a formidable foundation in academic precision, his mature work reveals a profound susceptibility to the new philosophies of light and atmosphere. He was not merely a recorder of scenery; he was a poet of the plein air. His canvases often capture the fleeting, ephemeral qualities of nature—the way a morning mist clings to a riverbank or how the late afternoon sun dissolves the edges of a distant forest. This transition from structured realism toward a more fluid, impressionistic "handwriting" allowed him to capture the emotional resonance of the landscape, moving beyond mere topography to touch upon the very spirit of the land.
Beyond his individual canvases, Levchenko played a pivotal role in the institutional fabric of the Ukrainian art scene. As a dedicated pedagogue, he shared his vast knowledge with new generations, lecturing at the Kharkiv Painting School from 1886 onwards. His influence extended far beyond the classroom through his active participation in the most significant artistic circles of his time. He was a respected member of the Society of South Russian Artists and a frequent contributor to the exhibitions of the Peredvizhniki, the famous "Wanderers" movement. Through these platforms, he helped champion a style of painting that celebrated local subjects and truthfulness in art, resisting the sterile academicism of the past in favor of something much more visceral and grounded.
The breadth of his creative output is nothing short of remarkable, encompassing a diverse range of genres that showcase his versatility as a master. His oeuvre includes:
Though his life came to an end in Kharkiv in 1917, at the dawn of a new and turbulent century, Petro Levchenko’s artistic significance remains undiminished. He stands as an innovative figure who successfully synthesized the grandeur of European academic training with the soulful, impressionistic textures of the Ukrainian landscape. His work continues to serve as a vital historical and cultural touchstone, reminding us of a period when art was a profound vessel for both personal discovery and national identity.