Orange and Book (1817) je obraz, podle kterého je nejznámější Raphaelle Peale. Artemas Ward (1727-1800) (1795) a Portrait of a Gentleman (1800) doplňují trio nejoblíbenějších pláten. Náš katalog obsahuje 72 děl umělce Raphaelle Peale. Zde je 72 nejznámějších děl včetně roku vzniku, muzea a příběhu každého plátna.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.
In this oil on canvas work, titled Orange and Book, Raphaelle Peale turns his attention to the quietude of the domestic sphere. Created in 1817, the painting captures a specific moment of stillness. It is a work that reflects the artist's early focus on the textures and forms of the natural world. Peale was a pioneer in the American tradition, often finding profound detail in the most humble of subjects.
The man sits in a quiet, three-quarter view, his gaze fixed steadily toward the right as if caught in a moment of profound contemplation. He is an elderly figure, his face etched with the dignity of a life lived through significant history. A soft, directional light spills from the upper left, carving out the high ridge of his forehead and the bridge of his nose, while casting the right side…
The artwork titled Portrait of a Gentleman is a miniature portrait painting created by the artist Raphaelle Peale. This specific piece dates to about 1800. It functions as a formal portrait of a gentleman, capturing the likeness of the subject within a small-scale format. The work is executed as a miniature, a detail that dictates the intimate scale of the composition.
In Raphaelle Peale's Portrait of a Gentleman, the subject is held within the quiet confines of an oval frame. The gentleman is captured in a bust-length view, facing forward to meet the viewer's gaze directly. Above him, a single decorative element, resembling a looped ring or a pendant, hangs suspended in the space. The background remains neutral and indistinct, a void that pushes the figure into the immediate foreground. This…
The portrait of Mrs. John Montgomery, also known as Sarah Diemer, is a monochrome study rendered in graphite on paper. The subject is depicted from the bust up, positioned within an oval border that frames her head and shoulders. Her torso is angled slightly toward the right, while her gaze remains directed forward. The background is a plain, neutral space that provides no environmental context, focusing all visual attention on…
The gaze of the subject meets us from within the delicate confines of an oval miniature. This intimate work, titled Portrait of a Gentleman, captures a man from the chest up, presenting a quiet moment of dignity. Raphaelle Peale renders the figure against a neutral background, a choice that keeps the focus entirely on the man himself. There is a stillness here, as if the subject has paused mid-breath to…
is a formal portrait by Raphaelle Peale, executed about 1810. The work presents a medium close-up of the sitter, an African American clergyman, positioned slightly off-center. He is depicted in clerical attire, holding a large book, likely a Bible, which signifies his religious authority and scholarship.
In the portrait miniature Perry Albert Cohea by Raphaelle Peale, the subject is held within the quiet confines of an oval format. This close-up perspective creates an immediate, intimate connection, drawing the eye toward a man presented in a three-quarter view. He sits centered against a soft, neutral background that allows the silhouette of his form to emerge with clarity. The composition is formal and steady, capturing a moment of…
This portrait, titled Jonathan Jones Wheeler, was painted by Raphaelle Peale in 1812. Created in the United States, the work belongs to the genre of portraiture. It offers a focused study of an individual, captured during a period when the artist was establishing his presence in the American artistic landscape.
This 1821 miniature portrait presents a formal bust of P. F. Ronbeau, rendered in a grayscale palette. The subject is positioned within an oval frame, facing forward with a direct, steady gaze. His attire, consisting of a dark coat and a white shirt with a cravat, creates sharp geometric contrasts against the softer tones of his skin. The composition focuses entirely on the head and shoulders, utilizing the miniature format…
This miniature portrait painting, dating from 1815, depicts the bust of William E. Dickson. The subject is presented in a centered composition, facing directly toward the viewer with…
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In Osborne Sprigg, Raphaelle Peale centers the gaze upon a young boy and his dog. They occupy the majority of the frame, anchored within a domestic scene of…
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A collection of ripe blackberries and red raspberries rests within and around a shallow white bowl. The composition is horizontal, positioning the fruit in the lower half of…
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The quiet arrangement known as Still Life with Oranges by Raphaelle Peale captures a moment of domestic abundance. Created in 1818, this work presents a collection of fruit…
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Raphaelle Peale's "Venus Rising from the Sea – A Deception," painted in 1822, is far more than a simple depiction of a woman emerging from a bath. It’s…
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Melons and Morning Glories is an oil on canvas painting created by Raphaelle Peale in 1813. The work is held within the Smithsonian American Art Museum collection. This…
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In this 1822 oil on panel, we find ourselves invited into a private, silent moment of domesticity. The composition rests upon a flat, neutral surface, pulling the viewer…
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In this 1795 portrait, we encounter a man who would later become a significant figure in the Peale family legacy. He is depicted wearing a blue coat, accented…
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The portrait carries the gravity of a life lived in the early American era. The dark tones of his attire absorb the light, creating a silhouette that feels…
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Raphaelle Peale executed this watercolor on paper in 1795. The work, titled George Fisher, captures a man presented in a direct, frontal orientation. He gazes toward the viewer,…
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A young girl stares out from the frame, her expression heavy with a seriousness that belies her years. Her blonde hair is held in place by a delicate…
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The artwork titled Robert Oliphant is a portrait painted by Raphaelle Peale. This specific work dates to 1799. The subject of the painting is a man, depicted in…
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This portrait of Rubens Peale was executed by Raphaelle Peale around 1800. It offers a quiet glimpse into the life of the subject, who was the son of…
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Raphaelle Peale painted Corn and Cantaloupe in 1813. This oil on panel work focuses on a collection of harvest items, specifically corncobs and fruit. The composition centers on…
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A small, round pendant holds a quiet collision of faces. The outer portrait captures a young man with light hair, his gaze steady and neutral against a dark…
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The scene unfolds in a hushed, domestic stillness, where the passage of time seems to pause mid-breath. A bowl sits at the heart of the composition, overflowing with…
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In this 1813 oil painting, the quietude of a tabletop arrangement takes center stage. Three triangular slices of cheese rest upon a plate, their pale surfaces contrasting against…
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In this 1813 oil on canvas, we find ourselves in the presence of a quiet, domestic scene that captures the essence of early American naturalism. The composition centers…
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The scene unfolds upon a tabletop, where a pale, yellowish cake sits as the central figure. Slices have been removed from its body, leaving behind a jagged, inviting…
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Created in 1814, this work emerges from a period when American art primarily focused on the faces of the prominent and the powerful. While others sought to immortalize…
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The Portrait of a Gentleman is a delicate miniature portrait painting by Raphaelle Peale. Created about 1805, this work offers an intimate glimpse into the social fabric of…
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is a still life painting by Raphaelle Peale, executed in 1814. The work represents a significant moment in early nineteenth-century American art, a period when the nation's visual…
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This watercolor on ivory, dating to 1805, captures a man of distinction through a highly intimate lens. The subject is rendered from the head to the upper torso,…
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The oil on canvas painting Melons and Morning Glories emerges from 1813, a moment when the quiet life of objects begins to command the attention of the American…
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In the quiet intimacy of Raphaelle Peale’s 1820 masterpiece, Still Life with Raisins, Yellow and Red Apples in Porcelain Basket, we are invited to pause and witness the…
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In Raphaelle Peale's Still Life with a Basket of Peaches, the viewer meets a quiet moment of abundance captured from a straight-on, eye-level perspective. A silver wire basket…
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In Still Life with Peaches by Raphaelle Peale, a white, perforated ceramic or metal bowl sits at the center of a quiet universe. The vessel overflows with ripe…
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A single, blemished apple sits near a cluster of dark raisins and a small, frosted cake. This arrangement, rendered in oil on panel, captures a quiet moment of…
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Still Life with Fruit, Cakes and Wine is a still life painting by Raphaelle Peale. Executed in 1821, the work originated in the United States. It belongs to…
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is a still life oil painting executed by Raphaelle Peale in 1816. The work emerged during a period when the artist was establishing himself as a specialist in…
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In Still Life with Steak, Raphaelle Peale presents a close-up arrangement of various foodstuffs that invites a quiet, steady observation. The composition is anchored by a large, prominent…
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The composition centers on a ceramic pitcher filled with white cream, positioned near a plate of ripe red strawberries. Greenery and trailing vines extend from the central arrangement,…
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The painting Still Life with Apples, Sherry, and Tea Cake is a composition featuring various fruits and drinks. The central focus of the work is a group of…
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The painting titled Fruits and Nuts in a Dish was created in 1818. This work is an oil on wood painting by Raphaelle Peale. The artist was born…
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A quiet arrangement of sustenance occupies the tabletop, rendered with a precision that emphasizes the physical weight of each object. Two bottles, positioned at the periphery, flank a…
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In this 1822 oil composition, the domestic sphere is rendered with a precision that borders on the scientific. Three apples occupy the center of the arrangement, their forms…
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In this 1822 composition, the viewer is invited into a silent, domestic space where the mundane is granted a singular focus. A large watermelon dominates the lower half…
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In this 1818 oil on canvas, Still Life with Cake presents a quiet study of domesticity and abundance. The work is attributed to Raphaelle Peale, a figure who…
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In this 1815 composition, we find ourselves in the presence of a singular, quiet moment captured on canvas. The scene is a simple arrangement of fruit upon a…
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Still Life with Strawberries and Ostrich Egg Cup is a work by Raphaelle Peale, dating to 1822. In this composition, Peale turns his attention to the quiet arrangement…
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The scene unfolds with a startlingly tactile presence, as if the viewer has just stepped into a sunlit kitchen to find a meal prepared but left momentarily untouched.…
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Lemon and Grapes is an oil on canvas painting by Raphaelle Peale. The work dates to 1818. The artist, born in 1774, was a professional painter of still…
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In this work, we see the early nineteenth-century American impulse to find significance in the domestic and the everyday. Rather than seeking the grand or the dramatic, the…
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Still Life with Wine Glass is an oil on wood painting created by Raphaelle Peale in 1818. The artist, born in Annapolis, United States, in 1774, was a…
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In Lemons and Sugar, Raphaelle Peale presents a quiet arrangement of domestic objects from about 1822. The central focus is a bowl filled with lemons, into which two…
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The scene unfolds with the quiet presence of Fox Grapes and Peaches, a work that captures a moment of stillness in 1815. In this composition, Raphaelle Peale arranges…
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Still Life with Orange and Book, painted in 1817, represents a significant moment in the development of American genre painting. Raphaelle Peale, the first professional American painter of…
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This watercolor painting, created in 1818, presents a portrait of a woman identified as Catherine Douglas Dickson. The subject is depicted from the chest up, looking directly at…
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In this 1815 composition, we find ourselves in the presence of a singular, quiet moment captured in oil. The central figure is a dried fish, a herring, resting…
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The quiet presence of Still Life with Peach meets the viewer through a delicate layer of oil on panel. Created in 1816, this work captures a singular moment…
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The quiet stillness of 1819 finds its focus in Fruit Piece with Peaches Covered by a Handkerchief (also known as Covered Peaches). This oil on panel work captures…
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The painting Still Life with Watermelon was executed by Raphaelle Peale in 1822. This work emerged from a hand that sought the quietude of the inanimate. Born in…
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In this oil on canvas work, titled Still Life with Jug and Fish, we encounter a quiet moment from the early nineteenth century. The artist, Raphaelle Peale, composed…
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Raphaelle Peale's "Still Life with Cake," painted in 1818, isn’t merely a depiction of food; it’s a carefully constructed tableau brimming with quiet contemplation and subtle social commentary.…
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This exquisite hand-painted reproduction captures the essence of Abigail Adams, a pivotal figure in early American history, as immortalized by the pioneering still life painter, Raphaelle Peale. Executed…
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The painting captures a sense of historical permanence, a snapshot of a woman existing within a specific, structured reality. The lighting pulls her forward from the dark background,…
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Před námi se nachází obraz, který vypráví tichou, ale hlubokou příběh. "Still Life with Wine Glass" od Raphaelle Pealeho z roku 1818 není jenom reprezentace několika předmětů na…
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The Raphaelle Peale painting, Still Life with Peach, is a stunning example of American still life art. Created in 1816, this oil on panel piece is currently housed…
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Raphaelle Peale's "Still Life, Strawberries and Nuts," painted in 1822, is more than just a depiction of fruit and nuts; it’s a meticulously crafted snapshot of early 19th-century…
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Still Life with Cake is an oil on canvas work by Raphaelle Peale. Painted in 1818, this Neoclassical still life captures a quiet, domestic moment. The artist, Raphaelle…
Přineste toto světlo k sobě domů od $178 →Čtyři témata, která se na těchto plátnech nejčastěji objevují, každé s jedním z jejich nejoblíbenějších příkladů.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Raphaelle Peale | Obrazy z tohoto seznamu |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 10 | Jonathan Jones Wheeler, William E. Dickson, George Fisher |
 Metropolitan Museum of Art |
New York | 8 | Portrait of a Gentleman, Portrait of a Gentleman, Mrs. John Montgomery (Sarah Diemer) |
 National Gallery of Art |
Washington | 3 | A Dessert, Strawberries and Cream, Still Life with Apples, Sherry, and Tea Cake |
 Harvard Art Museums |
Cambridge | 2 | Artemas Ward (1727-1800), Perry Albert Cohea |
 Art Institute of Chicago |
Chicago | 2 | Still Life - Strawberries, Nuts, &c., Still Life, Strawberries and Nuts |
 Brooklyn Museum |
Brooklyn | 2 | Still Life with Peaches, Still Life with Cake |
 Detroit Institute of Arts |
Detroit | 2 | Still LIfe with Wine Glass, Still Life with Wine Glass |
 Delaware Art Museum |
1 | The Reverend Absalom Jones |
The man sits in a quiet, three-quarter view, his gaze fixed steadily toward the right as if caught in a moment of profound contemplation. He is an elderly…
The artwork titled Portrait of a Gentleman is a miniature portrait painting created by the artist Raphaelle Peale. This specific piece dates to about 1800. It functions as…
In this oil on canvas work, titled Orange and Book, Raphaelle Peale turns his attention to the quietude of the domestic sphere. Created in 1817, the painting captures…
This 1821 miniature portrait presents a formal bust of P. F. Ronbeau, rendered in a grayscale palette. The subject is positioned within an oval frame, facing forward with…
Orange and Book (1817), následovaný dílem Artemas Ward (1727-1800) (1795) a Portrait of a Gentleman (1800).
Raphaelle Peale, narozen 1774, měl 43 let: dílo Orange and Book pochází z roku 1817.
Orange and Book, Artemas Ward (1727-1800), Portrait of a Gentleman, Portrait of a Gentleman, Mrs. John Montgomery (Sarah Diemer), Portrait of a Gentleman, The Reverend Absalom Jones, Perry Albert Cohea, Jonathan Jones Wheeler a P. F. Ronbeau. U každého plátna v uvedeném žebříčku je uveden rok jeho vzniku a muzeum, ve kterém se nachází.
V našem katalogu je 72 děl umělce Raphaelle Peale, datovaných od 1795 do 1822.
Většinou v Smithsonian American Art Museum (Washington, D.C.), Metropolitan Museum of Art (New York) a National Gallery of Art (Washington); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.
V období 1810s, které tvoří 37 z 72 děl na této stránce, mezi nimi i Orange and Book.
Nejstarší plátno se zde datuje do Artemas Ward (1727-1800) (1795); nejnovější je z Venus Rising from the Sea - A Deception (also known as After the Bath) (1822).
Fruit (31), Still life (18) a Man (12) napříč 72 díly na této stránce.
Oil On Canvas, použito u 28 z 72 děl na této stránce.
Neoclassicism, jak dokazují plátna na této stránce.
Muzeum Smithsonian American Art Museum, Washington, D.C. se vlastní 10 děl z této stránky, mezi nimiž jsou i Jonathan Jones Wheeler, William E. Dickson a George Fisher.
Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.
V rozkvétající krajině amerického umění počátku devatenáctého století, kde vládlo portrétní malířství jako hlavní nástroj pro vyjádření statusu a odkazu, se Raphaelle Peale odvážil obrátit svůj pohled k tiché, často přehlížené kráse neživého světa. Narodil se v Annapolisu v roce 1774 a nebyl pouze malířem, ale průkopníkem, který si vybudoval specializovanou niski, jež byla v uměleckém repertoáru mladého národa dříve zanedbávána. Jako syn legendárního Charlese Willsona Peala byl jeho samotný život neoddělitelně spjat s tepem amerických vědeckých a uměleckých objevů. Vyrostl v orbitě jedné z nejvlivnějších amerických uměleckých dynastií, kde byl ponořen do prostředí, v němž byla precizní pozorování považována za vysoce umělecké i vědecké nutnosti.
Jeho raná výchova byla hluboce zakořeněna v této dvojité tradici naturalismu a řemeslné zručnosti. Pod bdělým dohledem svého otce se Peale naučil vidět svět skrze čočku hlubokého detailu, což se později stalo znamením jeho dospělého stylu. Zatímco jeho sourozenci často hledali uplatnění v medicíně či přírodovědě, Raphaelle kanalizoval tuto dědictou vášeň pro dokumentaci do média olejů na plátno. Nesnažil se objekty pouze reprezentovat; usiloval o jejich povýšení. Soustředěním se na textury ovoce, lesk porcelánu a jemný rozklad organické hmoty vnesl do toho, co je pomíjivé, pocit trvalosti a proměnil prosté kuchyňské předměty v předměty vysokého umění.
Skutečný brilantní rys Pealeovy práce spočívá v jeho technické nadvládě nad světlem a povrchem. Stal se mistrem techniky trompe l'oeil – tedy techniky navržené tak, aby „oklamala oko“ – a vytvářel iluze natolik přesvědčivé, že diváci byli často sváděni k tomu, aby natahovali ruku a dotýkali se zobrazených předmětů. Jeho kompozice, jako například ty zobrazující broskve, rozinky nebo ryby, jsou studií taktilní reality. Skrze jeho mistrovské použití glazury a stínu lze téměř cítit sametovou slupku dozrávající broskve nebo chladný, hladký povrch keramické džbánku.
Pealeův stylistický vývoj byl významně ovlivněn povědomím o evropských tradicích, zejména vlivem španělských mistrů, kteří dlouho zdokonalovali umění zátiší. Propojením této starověké sofistikovanosti s jedinečnou americkou citlivostí vytvořil díla, která působila globálně informovaně i lokálně zakotženě. Jeho malby často vykazují:
Ačkoliv byla jeho kariéra relativně krátká a skončila jeho smrtí v roce 1825, dopad Raphaelle Peale na trajektorii amerického umění nelze přeceňovat. Porušil monopol portrétního malířství a dokázal, že domácí a naturalistické motivy si zaslouží nejvyšší úroveň uměleckého nasazení. Tím položil základy pro generace amerických malířů zátiší, kteří v jeho stopách zkoumali témata hojnosti, rozkladu a krásy každodennosti.
Dnes je Peale vzpomínán nejen jako člen slavné rodiny, ale jako výjimečný talent, který měl odvahu nacházet velikost v malých věcech. Jeho díla zůstávají živými svědectvími o období amerických dějin, kdy národ stále definoval svou vizuální identitu. Díky jeho štětci se prostý obsah košíku nebo skromná aranžmá na stole stala trvalými symboly schopnosti rostoucí kultury pozorovat, ocenit a nesmrtelným způsobem zachytit svět kolem sebe.
