Ateliér — Doprava po celém světě zdarma — Dodání za 2–6 týdnů
      Robert Taylor, 1714 – 1788

      Robert Taylor: 6 nejznámějších obrazů

      Z všech obrazů autora Robert Taylor je nejznámější dílo Richard Gwynne Esq of Taliaris (1740); visí v National Library of Wales, Aberystwyth. Hned za nimi následují Alderman Sir William Christie (1913–2008), Bt, JP, ODAS, Lord Mayor (1972–1973) a G. I (1944). Z 6 děl umělce Robert Taylor v našem katalogu je těchto 6 nejuznávanějších, z nichž každé je uvedeno s datem vzniku, muzeem a příběhem.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.

      Portrét Robert Taylor
      Robert Taylor · 1714 – 1788
      Narozen · zemřel
      1714 – 1788
      Díla v našem katalogu
      6
      Nejslavnější
      Richard Gwynne Esq of Taliaris (1740)
      Nejvíce děl v
      Belfast City Hall

      10 nejslavnějších obrazů autora Robert Taylor

      G. I (1944) od Robert Taylor
      3

      G. I

      1944 · Royal Ulster Academy, Belfast

      The G. I painting by Robert Taylor Carson is a remarkable piece of art that showcases the artist's skill in capturing the essence of his subject. Created in 1944, this oil on canvas painting measures 61 x 51 cm and is currently located at the Royal Ulster Academy in Belfast, United Kingdom. The Artist and His Work Robert Taylor Carson was a talented artist known for his portraits, and G.…

      Ručně malovaná olejná reprodukce od $178 29 × 35 cm Velikost jako originál $243 51 × 61 cm Objednat v originální velikosti →

      Co nejčastěji maloval Robert Taylor

      Čtyři témata, která se na těchto plátnech nejčastěji objevují, každé s jedním z jejich nejoblíbenějších příkladů.

      Kde visí plátna umělce Robert Taylor

      4 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzea Město Díla autora Robert Taylor Obrazy z tohoto seznamu
      Belfast City Hall, BelfastBelfast City Hall Belfast 3 Alderman Sir William Christie (1913–2008), Bt, JP, ODAS, Lord Mayor (1972–1973), Sir William Neill (1889–1960), DL, JP, Lord Mayor (1946–1949), Sir William Johnston (1884–1951), Lord Mayor (1949–1950)
      National Library of Wales, AberystwythNational Library of Wales Aberystwyth 1 Richard Gwynne Esq of Taliaris
      Royal Ulster Academy, BelfastRoyal Ulster Academy Belfast 1 G. I
      Queen's University Belfast, BelfastQueen's University Belfast Belfast 1 Professor Sir Douglas Lloyd Savory (1878–1969)

      Rok od roku: nejuznávanější plátna umělce Robert Taylor

      Rok 1740 zahrnuje všechna plátna s datem vzniku od Robert Taylor na této stránce: zde jsou, od těch nejslavnějších.

      1. 1740

      Vaše otázky k obrazům autora Robert Taylor, odpovědi

      Který z obrazů autora Robert Taylor je nejuznávanější?Přečtěte si odpověď

      Richard Gwynne Esq of Taliaris (1740), National Library of Wales, Aberystwyth. Následují Alderman Sir William Christie (1913–2008), Bt, JP, ODAS, Lord Mayor (1972–1973) a G. I (1944).

      Kolik let bylo Robert Taylor ve době vzniku díla Richard Gwynne Esq of Taliaris?Přečtěte si odpověď

      Robert Taylor, narozen 1714, měl 26 let: dílo Richard Gwynne Esq of Taliaris pochází z roku 1740.

      Kolik obrazů autora Robert Taylor je známo?Přečtěte si odpověď

      V našem katalogu je 6 děl umělce Robert Taylor.

      Která muzea uchovávají nejznámější plátna umělce Robert Taylor?Přečtěte si odpověď

      Většinou v Belfast City Hall (Belfast), National Library of Wales (Aberystwyth) a Royal Ulster Academy (Belfast); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      Co mohu vidět od Robert Taylor v Belfast City Hall?Přečtěte si odpověď

      Muzeum Belfast City Hall, Belfast se vlastní 3 děl z této stránky, mezi nimiž jsou i Alderman Sir William Christie (1913–2008), Bt, JP, ODAS, Lord Mayor (1972–1973), Sir William Neill (1889–1960), DL, JP, Lord Mayor (1946–1949) a Sir William Johnston (1884–1951), Lord Mayor (1949–1950).

      Mohu si objednat ručně malovanou kopii obrazu od Robert Taylor?Přečtěte si odpověď

      Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.

      Robert Taylor: příběh malíře

      Robert Taylor Carson: Bridging Academic Realism and Southern Gothic

      Robert Taylor Carson (1884–1951), born in Oxford, England, was a prolific portrait painter whose distinctive style—characterized by meticulous academic realism infused with the melancholic spirit of Southern Gothic—established him as one of Britain’s foremost artists of his era. His artistic journey began amidst the intellectual fervor of the Edwardian period, nurtured by formal training at Slade School of Fine Art and subsequently honed through independent study and travel to Italy and Spain. Carson's unwavering dedication to mastering traditional techniques—particularly oil painting—became a cornerstone of his oeuvre, resulting in canvases imbued with luminous color palettes and painstakingly rendered surfaces that capture both physical likeness and psychological depth. Early Life & Education: Carson’s formative years were marked by exposure to influential thinkers and artists such as Walter Sickert and Cyril Leonard Partridge, fostering a deep appreciation for Impressionism and Symbolism alongside a burgeoning fascination with the darker currents of human emotion. He demonstrated exceptional artistic talent from a young age—receiving a scholarship to Belfast College of Art at the tender age of fourteen—where he honed his skills under the tutelage of respected instructors. This early training instilled in him a profound understanding of compositional principles and a meticulous attention to detail—qualities that would define his artistic practice throughout his life. Italian Influences: A pivotal moment in Carson's artistic development arrived during his extended sojourn in Italy between 1908 and 1912. Absorbing the stylistic innovations of Futurists like Umberto Boccioni and Giacomo Matteotti, he experimented with dynamic compositions and bold brushstrokes—a departure from the prevailing academic conventions—yet retaining a core commitment to anatomical precision. This encounter with Italian Futurism broadened his artistic horizons and encouraged him to explore new expressive possibilities while upholding the standards of classical art. He meticulously studied the techniques employed by leading Italian painters—particularly Leonardo da Vinci—drawing inspiration from their mastery of sfumato and chiaroscuro—methods that he skillfully incorporated into his own portraits. Spanish Exploration: Carson’s subsequent expeditions to Spain further enriched his artistic repertoire. He immersed himself in the vibrant culture of Barcelona and Madrid, drawing inspiration from Iberian art traditions and incorporating elements of decorative patterning into his portraits. His travels provided him with invaluable observational experience—allowing him to capture the nuances of Spanish landscapes and architectural grandeur—which he translated into evocative canvases that conveyed a palpable sense of place. Carson’s artistic sensibilities were profoundly shaped by the influence of Spanish Baroque painters such as Diego Velázquez—whose monumental portraits exemplified a masterful blend of realism and psychological insight. Carson's Portrait Style & Technique: Carson’s artistic hallmark lay in his masterful execution of portraiture—a genre he pursued with unwavering seriousness and intellectual curiosity throughout his career. He eschewed sentimental embellishments, prioritizing instead a rigorously objective representation of his subjects’ physical features and expressions. However, Carson transcended mere anatomical accuracy by delving beneath the surface to capture elusive psychological nuances—a hallmark of Southern Gothic that resonated deeply within his canvases. His meticulous attention to detail—evident in the rendering of skin textures, drapery folds, and subtle tonal gradations—was achieved through painstaking layering of glazes and impasto techniques, resulting in surfaces that shimmered with luminosity and conveyed a palpable sense of presence. He skillfully employed glazing—applying thin layers of translucent oil paint over progressively darker underlayers—to build up tonal complexity and achieve remarkable depth of color. Simultaneously, he utilized impasto—thickly applied pigment—to sculpt textural variations onto the canvas surface, emphasizing contours and creating a tactile quality that mirrored the materiality of his subjects. Carson’s color palettes were deliberately restrained yet profoundly expressive. He favored muted hues—particularly browns, golds, and blues—that evoked associations with antiquity and conveyed an atmosphere of solemn contemplation. Notable Commissions & Artistic Legacy: Carson amassed a distinguished clientele comprising prominent figures from British society—including Sir William Johnston (Lord Mayor), Professor Sir Douglas Lloyd Savory, and G. I.—resulting in a substantial body of portrait commissions that cemented his reputation as one of the era’s most respected artists. His portraits are housed in prestigious institutions worldwide—including The Robert McLaughlin Gallery and Oxford's Taylor Institution Library—serving as enduring testaments to his artistic vision and technical prowess. Carson’s influence extended beyond his immediate contemporaries, inspiring subsequent generations of portrait painters who sought to emulate his unwavering commitment to academic realism and his ability to imbue his canvases with psychological resonance. His works are celebrated for their profound emotional depth and intellectual rigor—demonstrating the enduring power of art to illuminate the complexities of human experience. Carson’s legacy continues to inspire artists today, cementing his place among the most significant figures in British art history.