Z všech obrazů autora Stuart Davis je nejznámější dílo Odol. Hned za nimi následují Lucky Strike (1924) a T View (1951). Z 189 děl umělce Stuart Davis v našem katalogu je těchto 100 nejuznávanějších, z nichž každé je uvedeno s datem vzniku, muzeem a příběhem.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026.
Stuart Davisův obraz „Odol“ představuje fascinující kombinaci estetiky pop artu a modernistické ilustrace, která vypráví příběh o každodenních předmětech domácnosti. Tento dílo nezůstává jen dekorativním prvkem; je to komplexní analýza kulturního kontextu doby a uměleckého projevu jeho autora.
In "Boats, Gloucester" by Stuart Davis, the maritime essence of the coast emerges through a rhythmic, Cubist-inspired approach. The composition breaks the scene into a series of overlapping planes and simplified forms that dance across the canvas. Semi-circles suggest the curve of boat hulls or the swell of waves, while rectangular frames overlap one another to build a sense of depth and a layered perspective. This abstract expressionist arrangement transforms…
A Dynamic Vision of Modern Life: Exploring Stuart Davis’s *Tropes de Teens* (1956) Abstracted Energy and Post-War America: Painted in 1956, *Tropes de Teens* is a vibrant explosion…
Stuart Davis’s “Rocks, Gloucester,” painted in 1915, stands as a crucial bridge between the artist's early realist explorations and his eventual embrace of abstract expressionism. This vibrant landscape,…
Vividly colored, curved and straight-edged geometric shapes are piled and layered against a background of chalk white in this horizontal abstract composition. The paint is applied thickly with…
Stuart Davis, a prominent American artist, created the captivating painting Abstraction in 1937. This watercolor and gouache on paper artwork measures 45 x 59 cm and is a…
Čtyři témata, která se na těchto plátnech nejčastěji objevují, každé s jedním z jejich nejoblíbenějších příkladů.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzea | Město | Díla autora Stuart Davis | Obrazy z tohoto seznamu |
|---|---|---|---|
 The Phillips Collection |
Washington, D.C. | 6 | Blue Café, Egg Beater No. 4, Corner Cafe |
 Metropolitan Museum of Art |
New York | 3 | Edison Mazda, Jefferson Market, New York, Men and Machine |
 Smithsonian American Art Museum |
Washington, D.C. | 3 | Newark, Abstraction |
 Izraelské muzeum |
Jeruzalém | 2 | New York Under Gaslight |
 Philadelphia Museum of Art |
Philadelphia | 1 | Boats, Gloucester |
 National Gallery of Art |
Washington | 1 | Multiple Views |
 Bavarské státní sbírky malby |
Mnichov | 1 | Composition 1 |
 Pennsylvania Academy of Fine Arts |
Philadelphia | 1 | Table with Pipe |
In "Boats, Gloucester" by Stuart Davis, the maritime essence of the coast emerges through a rhythmic, Cubist-inspired approach. The composition breaks the scene into a series of overlapping…
Odol, následovaný dílem Lucky Strike (1924) a T View (1951).
Odol, Lucky Strike, T View, Blue Café, Sixth Avenue El, Arboretum by Flashbulb, Boats, Gloucester, Rue Lipp, Still Life-Flowers a Self-Portrait. U každého plátna v uvedeném žebříčku je uveden rok jeho vzniku a muzeum, ve kterém se nachází.
V našem katalogu je 189 děl umělce Stuart Davis, datovaných od 1910 do 1960.
Většinou v The Phillips Collection (Washington, D.C.), Metropolitan Museum of Art (New York) a Smithsonian American Art Museum (Washington, D.C.); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.
V období 1930s, které tvoří 13 z 100 děl na této stránce, mezi nimi i Sixth Avenue El.
Nejstarší plátno se zde datuje do Newark (1910); nejnovější je z Int'l Surface No. 1 (1960).
Geometric shapes (7), Urban landscape (5) a Geometric forms (4) napříč 100 díly na této stránce.
Oil On Canvas, použito u 2 z 100 děl na této stránce.
Modernism, jak dokazují plátna na této stránce.
Muzeum The Phillips Collection, Washington, D.C. se vlastní 6 děl z této stránky, mezi nimiž jsou i Blue Café, Egg Beater No. 4 a Corner Cafe.
Davis swiftly ascended to prominence as one of the youngest exhibitors at the monumental Armory Show of 1913, an event that irrevocably altered the course of American art history. He presented five watercolor paintings imbued with the distinctive aesthetic principles of the Ashcan School – a movement characterized by unflinching realism depicting urban life and its inhabitants. This debut showcased his commitment to portraying the everyday experiences of ordinary people with uncompromising honesty.
The 1920s witnessed Davis’s maturation into a singular artistic voice. He transitioned towards creating abstract still lifes and landscapes that incorporated elements of proto-pop art, skillfully blending geometric forms with imagery drawn from contemporary sources – notably cigarette packaging and spark plug advertisements. This daring stylistic choice reflected his fascination with the dynamism of modern life and signaled a decisive break from traditional representational conventions.
Davis’s oeuvre is instantly recognizable for its bold color palette, assertive brushstrokes, and rhythmic energy. His artistic vision was deeply influenced by jazz music, which permeated his paintings from the 1940s onward. The Ashcan School's emphasis on capturing the gritty realities of urban existence served as an enduring cornerstone of his aesthetic approach.
Odol (Modernism), completed in 1928, exemplifies Davis’s masterful synthesis of geometric abstraction and recognizable imagery from popular culture. This painting captures the essence of modern life through bold colors and dynamic compositions.
Other significant pieces include Rocks, Gloucester (1915), The Mellow Pad, and Tropes de Teens (1956).
Stuart Davis’s legacy extends far beyond his individual artworks. He stands as a pivotal figure in establishing American Modernism as a distinct artistic movement—a movement that championed innovation and challenged established norms.
His pioneering approach to abstraction paved the way for subsequent generations of artists, solidifying his place as one of the most influential figures in 20th-century art history. Davis’s unwavering dedication to portraying the complexities of human experience continues to inspire artistic endeavors today.
