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      Aubrey Beardsley, 1872 – 1898

      100 nejslavnějších obrazů autora Aubrey Beardsley, seřazených podle popularity

      Nejoblíbenějším dílem autora Aubrey Beardsley je Frontispiece for 'The Yellow Book: An Illustrated Quarterly' (1894), které je vystaveno v instituci Yale Center for British Art, New Haven. Následují La Beale Isoud at Joyous Gard (1894) a The Climax z platen, která čtenáři znají nejlépe. Náš katalog obsahuje 242 děl umělce Aubrey Beardsley: zde je 100 nejznámějších, z nichž každé uvádí svůj rok vzniku, muzeum a důvod, proč je nezapomenutelné.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.

      Portrét Aubrey Beardsley
      Aubrey Beardsley · 1872 – 1898
      Narozen · zemřel
      1872 – 1898, Brighton
      Směr
      Art nouveau
      Díla v našem katalogu
      242
      Nejslavnější
      Frontispiece for 'The Yellow Book: An Illustrated Quarterly' (1894)
      Nejvíce děl v
      Britská knihovna

      Nejlepší 10 obrazů: Aubrey Beardsley – plátna, která zná každý

      Frontispiece for 'The Yellow Book: An Illustrated Quarterly' (1894) od Aubrey Beardsley
      1

      Frontispiece for 'The Yellow Book: An Illustrated Quarterly'

      1894 · Ink · Yale Center for British Art, New Haven

      In the twilight of the Victorian era, a singular voice emerged from the shadows of Brighton to redefine the boundaries of graphic art. Aubrey Vincent Beardsley’s 'Frontispiece for The Yellow Book' is not merely an illustration; it is a profound manifesto of the Decadent movement, captured in a breathtaking dance of ink and void. Created in 1894, this work serves as a gateway into a world where elegance meets the…

      La Beale Isoud at Joyous Gard (1894) od Aubrey Beardsley
      2

      La Beale Isoud at Joyous Gard

      1894 · Engraving

      La Beale Isoud at Joyous Gard is an illustration created by the artist Aubrey Beardsley in 1894. This work originated from a commission to illuminate a new edition of Le Morte d’Arthur by Thomas Malory. The edition was released by the publisher J.M. Dent. The piece functions as a visual accompaniment to the medieval narrative, specifically focusing on the character of La Beale Isoud. She is identified in the text…

      The cover of The Yellow Book (1894) od Aubrey Beardsley
      5

      The cover of The Yellow Book

      1894 · Ink

      The Aubrey Vincent Beardsley painting, The cover of The Yellow Book, is a quintessential representation of the Art Nouveau style. Created in 1894, this iconic piece showcases Beardsley's unique ability to blend elegance and simplicity. As a prominent figure in the Art Nouveau movement, Beardsley's work continues to inspire artists and art enthusiasts alike. Background and Inspiration Beardsley's The cover of The Yellow Book was designed for the first issue…

      The Black Cape (1894) od Aubrey Beardsley
      6

      The Black Cape

      1894 · Ink On Paper

      In the evocative realm of 1894, Aubrey Vincent Beardsley captured a moment of profound theatricality with his ink drawing, The Black Cape. This masterpiece of the Art Nouveau movement presents a captivating study of a woman caught in a dynamic, almost breathless pose. As she lifts her skirt, there is an undeniable sense of movement and mystery, as if the viewer has stumbled upon a private, fleeting instant of revelation.…

      Ali Baba in the Woods (1897) od Aubrey Beardsley
      9

      Ali Baba in the Woods

      1897 · Lithography

      In this lithograph from 1897, we find ourselves drawn into a theatrical, almost unsettling moment from the tale of Ali Baba. The scene is stripped of color, relying entirely on a monochrome palette of black, white, and grey to establish its mood. A central figure dominates the left side of the composition, his body elongated and his arms outstretched in a gesture that feels both summoning and desperate. His expression…

      Více pláten od Aubrey Beardsley, od 11 do 100

      Salomé, Plate 3 (1906) od Aubrey Beardsley
      #52

      Salomé, Plate 3

      1906 · Britská knihovna

      Salomé, Plate 3 is a lithography print created by Aubrey Beardsley. Published by John Lane, this work functions as a cover design from a portfolio of drawings by…

      Chopin od Aubrey Beardsley
      #66

      Chopin

      In this lithograph, we find ourselves drawn into a quiet, monochromatic world where the boundaries between reality and a storybook dream begin to blur. A woman, draped in…

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      Plátna umělce Aubrey Beardsley podle jednotlivých období

      Co nejčastěji maloval Aubrey Beardsley

      Čtyři témata, která se na těchto plátnech nejčastěji objevují, každé s jedním z jejich nejoblíbenějších příkladů.

      Kde visí plátna umělce Aubrey Beardsley

      3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzea Město Díla autora Aubrey Beardsley Obrazy z tohoto seznamu
      Britská knihovna, LondýnBritská knihovna Londýn 2 Salomé, Plate 9, Salomé, Plate 3
      Yale Center for British Art, New HavenYale Center for British Art New Haven 1 Frontispiece for 'The Yellow Book: An Illustrated Quarterly'
      Bratislava City Gallery, BratislavaBratislava City Gallery Bratislava 1 Cover 1894

      Nejoblíbenější plátna umělce Aubrey Beardsley rok po roce

      Plátna umělce Aubrey Beardsley na této stránce pokrývají období pouhých 6 let, od 1893 do 1898: sledujte je rok po roce, v jejich vlastním světle.

      1. 1893
        Waiting (1893) od Aubrey Beardsley
        Pořadí 17 z 100

        Waiting

        Věk 21 let
      2. 1893
      3. 1893
      4. 1893
      5. 1893
      6. 1894
      7. 1894
        La Beale Isoud at Joyous Gard (1894) od Aubrey Beardsley
        2 z 100

        La Beale Isoud at Joyous Gard

        Věk 22 let

        La Beale Isoud at Joyous Gard is an illustration created by the artist Aubrey Beardsley in 1894. This work originated from a commission to illuminate a new edition…

      8. 1894
        The cover of The Yellow Book (1894) od Aubrey Beardsley
        Plátno 5 z 100

        The cover of The Yellow Book

        Věk 22 let

        The Aubrey Vincent Beardsley painting, The cover of The Yellow Book, is a quintessential representation of the Art Nouveau style. Created in 1894, this iconic piece showcases Beardsley's…

      9. 1894
        The Black Cape (1894) od Aubrey Beardsley
        6 z 100

        The Black Cape

        Věk 22 let

        In the evocative realm of 1894, Aubrey Vincent Beardsley captured a moment of profound theatricality with his ink drawing, The Black Cape. This masterpiece of the Art Nouveau…

      10. 1894
      11. 1895
      12. 1895
      13. 1895
      14. 1895
      15. 1896
      16. 1896
      17. 1896
      18. 1896
      19. 1896
      20. 1897
        Ali Baba in the Woods (1897) od Aubrey Beardsley
        Plátno 9 z 100

        Ali Baba in the Woods

        Věk 25 let

        In this lithograph from 1897, we find ourselves drawn into a theatrical, almost unsettling moment from the tale of Ali Baba. The scene is stripped of color, relying…

      21. 1897
      22. 1897
      23. 1897
      24. 1897
      25. 1898

      O plátnech umělce Aubrey Beardsley: odpovědi na vaše otázky

      Kterým nejslavnějším dílem je Aubrey Beardsley?Přečtěte si odpověď

      Frontispiece for 'The Yellow Book: An Illustrated Quarterly' (1894), Yale Center for British Art, New Haven. Následují La Beale Isoud at Joyous Gard (1894) a The Climax.

      Kolik let bylo Aubrey Beardsley, když byl/a namalován/a dílo Frontispiece for 'The Yellow Book: An Illustrated Quarterly'?Přečtěte si odpověď

      Aubrey Beardsley, narozen 1872, měl 22 let: dílo Frontispiece for 'The Yellow Book: An Illustrated Quarterly' pochází z roku 1894.

      Kterých 10 nejslavnějších obrazů má Aubrey Beardsley?Přečtěte si odpověď

      Frontispiece for 'The Yellow Book: An Illustrated Quarterly', La Beale Isoud at Joyous Gard, The Climax, The Scarlet Pastorale, The cover of The Yellow Book, The Black Cape, The Yellow Book, Sir Launcelot and the Witch Hellawes, Ali Baba in the Woods a Caprice. Verso: Masked Woman with a White Mouse. U každého plátna v uvedeném žebříčku je uveden rok jeho vzniku a muzeum, ve kterém se nachází.

      Kolik děl celkem namaloval/a Aubrey Beardsley?Přečtěte si odpověď

      V našem katalogu je 242 děl umělce Aubrey Beardsley, datovaných od 1893 do 1898.

      Kde mohu vidět nejznámější plátna umělce Aubrey Beardsley?Přečtěte si odpověď

      Většinou v Britská knihovna (Londýn), Yale Center for British Art (New Haven) a Bratislava City Gallery (Bratislava); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      Kdy Aubrey Beardsley namaloval své nejoblíbenější obrazy?Přečtěte si odpověď

      V období 1894, které tvoří 21 z 100 děl na této stránce, mezi nimi i Frontispiece for 'The Yellow Book: An Illustrated Quarterly'.

      Která jsou nejstarší a nejnovější slavná plátna umělce Aubrey Beardsley?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do Waiting (1893); nejnovější je z Initial Letter 'V' to Volpone (1898).

      Co nejčastěji maloval/a Aubrey Beardsley?Přečtěte si odpověď

      Characters (29), Women (12) a Men (11) napříč 100 díly na této stránce.

      Kterou techniku používal(a) Aubrey Beardsley nejčastěji?Přečtěte si odpověď

      Lithography, použito u 3 z 100 děl na této stránce.

      Kterému směru patří obraz autora Aubrey Beardsley?Přečtěte si odpověď

      Art nouveau, jak dokazují plátna na této stránce.

      Která plátna od Aubrey Beardsley visí v Britská knihovna?Přečtěte si odpověď

      Muzeum Britská knihovna, Londýn se vlastní 2 děl z této stránky, mezi nimiž jsou i Salomé, Plate 9 a Salomé, Plate 3.

      Mohu si koupit reprodukci plátna od Aubrey Beardsley?Přečtěte si odpověď

      Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.

      Aubrey Beardsley: život v barvách

      Early Life and Career

      Aubrey Vincent Beardsley (21 August 1872 – 16 March 1898) was born in Brighton, Sussex, England, and christened on 24 October 1872. His father, Vincent Paul Beardsley (1839–1909), was a son of a businessman, and his mother, Ellen Agnes Pitt (1846–1932), was the daughter of a military doctor. Despite facing considerable social instability and emotional turmoil—characterized by recurrent bouts of tuberculosis—Beardsley’s mother fostered his artistic inclinations, nurturing his passion for music and literature. This early environment profoundly shaped his worldview and fueled his creative pursuits.

      Artistic Style and Influences

      Beardsley's distinctive artistic style emerged from a confluence of influences, primarily Japanese woodcuts and the burgeoning Art Nouveau movement. He meticulously studied the intricate compositions and stylized depictions found in Japanese prints, adopting techniques that prioritized visual impact and symbolic resonance. This fascination with Eastern aesthetics translated into his artwork, where grotesque imagery—often unsettling and darkly humorous—was juxtaposed with refined lines and elegant ornamentation. Furthermore, Beardsley’s work was deeply rooted in decadent sensibilities, exploring themes of sexuality and psychological complexity. He skillfully blended these elements to create unforgettable images that captivated audiences and cemented his place as a pioneer of Art Nouveau.

      Notable Works and Collaborations

      Beardsley achieved considerable renown through collaborations with prominent literary figures, notably Oscar Wilde. His illustrations for Wilde’s play *Salome* became instantly iconic, capturing the drama and eroticism of the narrative with unparalleled artistry. Equally significant was his involvement in *The Yellow Book*, a groundbreaking magazine co-founded by Wilde—a publication that served as a showcase for Art Nouveau aesthetics and Beardsley's singular vision. Beyond theatrical productions and literary magazines, Beardsley produced a substantial body of independent drawings, including *Tannhauser* and *Billet doux*, which solidified his reputation as one of the era’s foremost illustrators.

      Legacy and Impact

      Aubrey Beardsley’s influence extended far beyond his lifetime, resonating throughout the Symbolist movement and shaping subsequent Art Nouveau artists. His uncompromising aesthetic—characterized by a masterful command of black ink drawing and an unflinching exploration of disturbing subjects—challenged conventional artistic norms and provoked considerable debate. He remains celebrated as a visionary artist who anticipated many trends in modern art, demonstrating an extraordinary ability to convey emotion and psychological depth through visual form. Beardsley’s enduring legacy continues to inspire artists today, ensuring that his distinctive style and profound insights into the human condition endure for generations to come.

      Museum Exhibitions Featuring Beardsley's Work

      Beardsley’s artwork can be admired in several museums across Europe: The Tate Britain (London), England; Musée d’Art Moderne et Contemporain Ville de Montréal (Montreal), Canada; Kunsthalle Düsseldorf (Düsseldorf), Germany; and Musée Beaux-Arts Nantes (Nantes), France. These institutions offer visitors the opportunity to immerse themselves in Beardsley's artistic universe and appreciate his contribution to Art Nouveau history.

      Všechna díla od Aubrey Beardsley: 242 →