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      Jan Asselijn, 1610 – 1652

      84 nejslavnějších obrazů autora Jan Asselijn, seřazených podle popularity

      Nejoblíbenějším dílem autora Jan Asselijn je The Threatened Swan (1652), které je vystaveno v instituci Rijksmuseum, Amsterdam. Následují The Threatened Swan (1650) a King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634) z platen, která čtenáři znají nejlépe. Náš katalog obsahuje 84 děl umělce Jan Asselijn: zde je 84 nejznámějších, z nichž každé uvádí svůj rok vzniku, muzeum a důvod, proč je nezapomenutelné.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.

      Portrét Jan Asselijn
      Jan Asselijn · 1610 – 1652
      Narozen · zemřel
      1610 – 1652, Dieppe
      Směr
      Dutch golden age
      Díla v našem katalogu
      84
      Nejslavnější
      The Threatened Swan (1652)
      Nejvíce děl v
      Rijksmuseum

      Nejlepší 10 obrazů: Jan Asselijn – plátna, která zná každý

      The Threatened Swan (1652) od Jan Asselijn
      1

      The Threatened Swan

      1652 · Rijksmuseum, Amsterdam

      Jan Asselijn’s “The Threatened Swan,” completed around 1650, stands as a testament to the artistic fervor of the Dutch Golden Age and embodies a profound symbolic message rooted in political turmoil. More than just a depiction of avian behavior, this monumental oil painting on canvas is an intricate allegory reflecting the anxieties surrounding Johan de Witt’s leadership during a period marked by internal dissent and external threats.

      The Threatened Swan (1650) od Jan Asselijn
      2

      The Threatened Swan

      1650 · Oil On Canvas · Rijksmuseum, Amsterdam

      Jan Asselijn’s “The Threatened Swan,” painted around 1650, is more than just a beautiful depiction of a majestic bird; it's a meticulously crafted political allegory that offers a fascinating glimpse into the turbulent world of 17th-century Holland. This oil on canvas masterpiece, currently residing in the Rijksmuseum in Amsterdam, immediately captivates with its dynamic composition and dramatic lighting, hallmarks of the Dutch Golden Age’s artistic prowess. The painting depicts a…

      King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634) od Jan Asselijn
      3

      King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632

      1634 · Oil On Canvas · Statens Museum for Kunst, Kodaň

      Jan Asselijn's “King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632” isn’t merely a painting; it’s a visceral plunge into the heart of a pivotal moment in European history. Completed in 1634, this monumental work captures the chaotic fury and strategic brilliance of the Battle of Lutzen, fought on August 17th of that year, a clash that cemented Gustav Adolf II's reputation as a military genius and…

      Landscape with a Bridge in the Italian Countryside (1652) od Jan Asselijn
      4

      Landscape with a Bridge in the Italian Countryside

      1652 · Oil On Canvas · Cannon Hall Museum, Barnsley

      A stone bridge with arched spans anchors this serene landscape, crossing a calm body of water that reflects the soft, overcast sky. To the left, a solitary figure sits upon a barrel, watching the quiet movement of the scene. On the right, the composition gathers around a horse and carriage; a person guides the animal toward the water's edge while another observer stands nearby. A dog occupies the foreground, grounding…

      King Gustav Adolf II in the Battle of Lutzen on November 6,1632 (1632) od Jan Asselijn
      5

      King Gustav Adolf II in the Battle of Lutzen on November 6,1632

      The air is thick with the scent of wet earth and sulfur. In the center of the chaos, King Gustav Adolf II of Sweden rides a horse through the fray, his sword a flash of cold light against the darkening sky. The Battle of Lutzen is not a quiet affair; it is a collision of muscle and metal. Soldiers on foot and mounted on horseback press against one another in…

      The Tiber River with the Ponte Molle at Sunset (1650) od Jan Asselijn
      8

      The Tiber River with the Ponte Molle at Sunset

      1650 · Oil · National Gallery of Art, Washington

      The sun hangs low over the horizon, casting a sharp, golden light through the four massive stone arches of the Ponte Molle. This light slices through the atmosphere, painting the sky in a gradient that shifts from a warm, glowing amber on the right to a pale, tranquil aquamarine as the eye moves toward the left. The river below remains placid, reflecting the changing colors of the sky, while the…

      Více pláten od Jan Asselijn, od 11 do 84

      PAYSAGE AVEC UNE TOUR od Jan Asselijn
      #60

      PAYSAGE AVEC UNE TOUR

      Louvre

      The Serene Majesty of “PAYSAGE AVEC UNE TOUR” – A Dutch Golden Age Masterpiece Jan Asselijn’s “PAYSAGE AVEC UNE TOUR,” a captivating landscape rendered in the rich, atmospheric…

      Objednat toto plátno →
      Muleteers beside an Italian Ruin (1650) od Jan Asselijn
      #63

      Muleteers beside an Italian Ruin

      1650 · Rijksmuseum

      WahooArt offers high-quality hand-painted reproductions of “Muleteers beside an Italian Ruin” by Jan Asselijn, capturing the essence of this captivating artwork in stunning detail. Explore our collection today…

      Objednat toto plátno →
      Hangout in Italy (1620) od Jan Asselijn
      #64

      Hangout in Italy

      1620 · Rijksmuseum

      Jan Asselijn's "Hangout in Italy," painted around 1620, isn’t merely a depiction of a picturesque scene; it’s an invitation. An invitation to step into a moment of quiet…

      Objednat toto plátno →
      Hunting Company out of Rome (1652) od Jan Asselijn
      #66

      Hunting Company out of Rome

      1652 · Rijksmuseum

      Hunting Company Out of Rome Jan Asselijn’s “Hunting Company Out of Rome,” completed in 1652, stands as a quintessential emblem of the Dutch Golden Age landscape tradition—a testament…

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      Italian Coast Scene od Jan Asselijn
      #81

      Italian Coast Scene

      Fitzwilliamovo muzeum

      Jan Asselijn's "Italian Coast Scene," painted circa 1640-1652, isn’t merely a depiction of a coastal landscape; it’s an invitation to step into a moment of serene contemplation. This…

      Objednat toto plátno →
      Italian Landscape od Jan Asselijn
      #82

      Italian Landscape

      Fitzwilliamovo muzeum

      Jan Asselijn's "Italian Landscape," painted circa 1625-1652, isn’t merely a depiction of a picturesque vista; it’s an invitation to step into a carefully constructed world of serene beauty…

      Objednat toto plátno →

      Plátna umělce Jan Asselijn podle jednotlivých období

      Co nejčastěji maloval Jan Asselijn

      Čtyři témata, která se na těchto plátnech nejčastěji objevují, každé s jedním z jejich nejoblíbenějších příkladů.

      Kde visí plátna umělce Jan Asselijn

      8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzea Město Díla autora Jan Asselijn Obrazy z tohoto seznamu
      Rijksmuseum, AmsterdamRijksmuseum Amsterdam 11 The Threatened Swan, The Threatened Swan, Drovers with Cattle under an Arch of the Colosseum in Rome, Jan Asselijn, 1640 - 1652
      Akademie výtvarních umění Praha, VídeňAkademie výtvarních umění Praha Vídeň 6 Landscape with Ruins and Hunting Party, River Bank with Herdsmen, Coastal Scene with Resting Riders (detail)
      Statens Museum for Kunst, KodaňStatens Museum for Kunst Kodaň 5 King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632, Italian Landscape, Fight against Robbers
      Gemäldegalerie, BerlínGemäldegalerie Berlín 4 King Gustav Adolf II of Sweden, Battle near Lutzen 1632, Landscape with Swans and a Swimming Dog, The restoration of the Diemerdijk or Muiderdijk near Amsterdam in 1651
      Louvre, PařížLouvre Paříž 3 PAYSAGE AVEC UN TROUPEAU TRAVERSANT UNE RIVIERE, PAYSAGE AVEC UNE TOUR, RUINE ET CABANE DE BERGERS
      Cannon Hall Museum, BarnsleyCannon Hall Museum Barnsley 2 Landscape with a Bridge in the Italian Countryside, Landscape with a Bridge in the Italian Countryside
      Yale University Art Gallery, New HavenYale University Art Gallery New Haven 2 Peasants by a River Bank, River Landscape with the Fort Saint-Jean and the Chateau Pierre-Scize in Lyon
      Státní Ermitáž, Sankt-PetěrburgStátní Ermitáž Sankt-Petěrburg 2 Riders Gallopping towards the Gates of the Fortress, Winter Landscape

      Nejoblíbenější plátno každého desetiletí od Jan Asselijn

      1. 1620s
        Hangout in Italy (1620) od Jan Asselijn
        64 z 84

        Hangout in Italy

        Věk 10 – 19 · Rijksmuseum

        Jan Asselijn's "Hangout in Italy," painted around 1620, isn’t merely a depiction of a picturesque scene; it’s an invitation. An invitation to step into a moment of quiet…

      2. 1630s
      3. 1640s
      4. 1650s
        The Threatened Swan (1652) od Jan Asselijn
        Pořadí 1 z 84

        The Threatened Swan

        Věk 40 – 42 · Rijksmuseum

        Jan Asselijn’s “The Threatened Swan,” completed around 1650, stands as a testament to the artistic fervor of the Dutch Golden Age and embodies a profound symbolic message rooted…

      O plátnech umělce Jan Asselijn: odpovědi na vaše otázky

      Kterým nejslavnějším dílem je Jan Asselijn?Přečtěte si odpověď

      The Threatened Swan (1652), Rijksmuseum, Amsterdam. Následují The Threatened Swan (1650) a King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634).

      Kolik let bylo Jan Asselijn, když byl/a namalován/a dílo The Threatened Swan?Přečtěte si odpověď

      Jan Asselijn, narozen 1610, měl 42 let: dílo The Threatened Swan pochází z roku 1652.

      Kterých 10 nejslavnějších obrazů má Jan Asselijn?Přečtěte si odpověď

      The Threatened Swan, The Threatened Swan, King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632, Landscape with a Bridge in the Italian Countryside, King Gustav Adolf II in the Battle of Lutzen on November 6,1632, Four Figures, King Gustav Adolf II of Sweden, Battle near Lutzen 1632, The Tiber River with the Ponte Molle at Sunset, Ruined Building with Shepherd and Sheep a Italian Landscape. U každého plátna v uvedeném žebříčku je uveden rok jeho vzniku a muzeum, ve kterém se nachází.

      Kolik děl celkem namaloval/a Jan Asselijn?Přečtěte si odpověď

      V našem katalogu je 84 děl umělce Jan Asselijn, datovaných od 1620 do 1652.

      Kde mohu vidět nejznámější plátna umělce Jan Asselijn?Přečtěte si odpověď

      Většinou v Rijksmuseum (Amsterdam), Akademie výtvarních umění Praha (Vídeň) a Statens Museum for Kunst (Kodaň); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      Kdy Jan Asselijn namaloval své nejoblíbenější obrazy?Přečtěte si odpověď

      V období 1650s, které tvoří 27 z 84 děl na této stránce, mezi nimi i The Threatened Swan.

      Která jsou nejstarší a nejnovější slavná plátna umělce Jan Asselijn?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do Hangout in Italy (1620); nejnovější je z The Threatened Swan (1652).

      Co nejčastěji maloval/a Jan Asselijn?Přečtěte si odpověď

      Landscape (26), Figures (5) a Italy (5) napříč 84 díly na této stránce.

      Kterou techniku používal(a) Jan Asselijn nejčastěji?Přečtěte si odpověď

      Oil On Canvas, použito u 11 z 84 děl na této stránce.

      Kterému směru patří obraz autora Jan Asselijn?Přečtěte si odpověď

      Dutch golden age a Baroque, jak dokazují plátna na této stránce.

      Která plátna od Jan Asselijn visí v Rijksmuseum?Přečtěte si odpověď

      Muzeum Rijksmuseum, Amsterdam se vlastní 11 děl z této stránky, mezi nimiž jsou i The Threatened Swan, The Threatened Swan a Drovers with Cattle under an Arch of the Colosseum in Rome, Jan Asselijn, 1640 - 1652.

      Mohu si koupit reprodukci plátna od Jan Asselijn?Přečtěte si odpověď

      Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.

      Jan Asselijn: život v barvách

      A Life Forged in Landscape: The World of Jan Asselijn

      Jan Asselin, born around 1610 in Dieppe, France, embarked on an artistic journey marked by profound shifts in religious belief and a fervent dedication to capturing the splendor of the natural world. His family, Huguenots fleeing persecution, sought refuge in Amsterdam in 1621 – a vibrant metropolis brimming with commercial dynamism and burgeoning artistic innovation during the Dutch Golden Age. This relocation proved instrumental, immersing young Jean into an environment where landscape painting was undergoing a transformative metamorphosis, moving beyond traditional representations toward scenes imbued with palpable atmosphere and emotional resonance. Initially apprenticed to Jan Martszen the Younger, Asselijn honed his skills in battle paintings before discovering his true passion: portraying the breathtaking beauty and dramatic intensity of both landscapes and animal life. The distinctive Dutch light – expansive skies and subtle tonal variations – would become a cornerstone of his artistic style, profoundly shaped by his formative years.

      The Italianate Embrace & The Bentvueghels

      Like many ambitious Northern European painters of his era, Asselijn recognized the importance of refinement in Italy, likely arriving sometime after 1635. He wholeheartedly embraced the *Italianate* aesthetic – a genre characterized by sun-drenched vistas, classical ruins, and pastoral landscapes brimming with romanticism. He joined the ranks of the *Bentvueghels*, a spirited society comprised of Dutch and Flemish artists residing in Rome. These “Birds of a Feather” defied convention, adopting outlandish nicknames and prioritizing direct observation – rejecting the constraints imposed by studio practice. Within this lively community, Asselijn earned the moniker "Krabbetje" (little crab) due to a physical disability affecting his hand—a detail that subtly acknowledged his personal challenge yet fueled his creative spirit. He absorbed inspiration from artists such as Pieter van Laer (Bamboccio), whose depictions of Roman peasant life and landscapes resonated deeply with Asselijn’s evolving vision. This period solidified his ability to convey mood, light, and narrative within his canvases—a skill that would define his artistic legacy.

      Mastering Light & Symbolism: Key Works

      Upon returning to Amsterdam, Asselijn possessed a refined technique and a distinctive artistic voice. His paintings are distinguished by exceptional clarity of execution and masterful control over illumination – qualities that swiftly garnered admiration from contemporaries like Rembrandt, who even created etchings depicting Asselijn at work—a gesture perhaps sensitive to the artist’s physical impairment. While he produced historical and battle scenes, it was his landscapes and animal depictions that truly elevated him among his peers. The Threatened Swan, completed around 1640, stands as his most celebrated masterpiece. More than merely a visual representation of avian defense, this painting transcended its immediate subject matter to become a potent emblem of Dutch national resilience against external adversaries—a theme powerfully conveyed through the depiction of a swan fiercely protecting its eggs from encroaching dangers. The image resonated deeply with anxieties prevalent during Asselijn’s time and was interpreted as an allegory for Johan de Witt, a prominent Dutch statesman. Intriguingly, subsequent owners added symbolic inscriptions to the canvas – “Holland” on one of the eggs and “Enemy of the state” positioned beside the menacing dog—further cementing its political significance. Other noteworthy compositions include Cavalry Attack at Sunset, showcasing his initial training in battle painting with dramatic flair, and depictions of rural life like Drovers with Cattle Under an Arch of the Colosseum – a piece that seamlessly blends Italianate landscapes with meticulous animal studies. This artwork exemplifies Asselijn’s capacity to capture fleeting moments of grandeur and convey nuanced emotional depth.

      Influence & Legacy: A Lasting Impression

      Jan Asselijn's influence extended far beyond his prolific output. He was revered by artists such as Rembrandt, who produced etchings documenting Asselijn’s artistic process—a gesture indicative of mutual respect for the artist’s physical condition. Furthermore, he served as a mentor to Frederik de Moucheron, another influential Dutch landscape painter who championed the Italianate style and disseminated its aesthetic principles throughout Europe. Asselijn's innovative approach to light and atmosphere profoundly impacted subsequent generations of painters—laying the groundwork for greater naturalism and emotional resonance in landscape art. His enduring works are housed in prestigious institutions like the Rijksmuseum in Amsterdam, ensuring his artistic legacy persists as a cornerstone of Dutch Golden Age artistry. He passed away peacefully in 1652, leaving behind an oeuvre that continues to captivate viewers with its beauty, dramatic intensity, and subtle layers of symbolic meaning—a testament to his enduring contribution to European art history.

      Všechna díla od Jan Asselijn: 84 →